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        <p><font face="Helvetica, Arial, sans-serif" size="2"><strong><span
                style="color:black">The S Word: Stanislavsky and the
                Digital</span></strong><span style="color:black"><br>
              <strong>Annual Symposium</strong><br>
              Organised by<span class="apple-converted-space"> </span><strong>The
                Stanislavsky Research Centre (Leeds/Malta)</strong><br>
              in partnership with <strong>The School of Arts and
                Creative Industries, University of East London</strong></span></font></p>
        <p><font face="Helvetica, Arial, sans-serif" size="2"><span
              style="color: black;">📅</span><span
              class="apple-converted-space"><span style="color:black"> </span></span><strong><span
                style="color:black">17–20 June 2026 (the last day will
                be online)</span></strong><span style="color:black"><br>
            </span><span style="color: black;">📍</span><span
              class="apple-converted-space"><span style="color:black"> </span></span><strong><span
                style="color:black">University of East London,
                Stratford, E15 4LZ, London</span></strong><span
              style="color:black"></span></font></p>
        <p class="MsoNormal"><font face="Helvetica, Arial, sans-serif"
            size="2"><strong><span style="color:black">Keynote
                Presentation: Vakhtangov in the MoCap Studio</span></strong><span
              style="color: black;"> by <em>Tom Linden-McCarron and
                Robin Berry</em></span></font></p>
        <font face="Helvetica, Arial, sans-serif" size="2"><strong>Jean </strong><b><span
              style="color: black;">Benedetti Lecture TBC</span></b></font>
        <h3
style="margin-left:0cm;text-indent:0cm;mso-list:none;tab-stops:36.0pt"><font
            face="Helvetica, Arial, sans-serif" size="2"><strong><span
style="color:black;font-weight:normal;mso-bidi-font-weight:bold"><u>Co-Conveners</u>:</span></strong><span
style="mso-bidi-font-family:"Times New Roman";color:black"></span></font></h3>
        <p><font face="Helvetica, Arial, sans-serif" size="2"><strong><span
                style="color:black">Dr Evi Stamatiou</span></strong><span
              class="apple-converted-space"><span style="color:black"> </span></span><span
              style="color:black">(University of East London), <strong>Zuzana
                Jurechová</strong><span class="apple-converted-space"> </span>(Academy
              of Performing Arts in Prague, DAMU) and <strong>Prof.
                Paul Fryer</strong><span class="apple-converted-space"> </span>(Stanislavsky
              Research Centre)</span></font></p>
        <h2 style="mso-list:none"><font
            face="Helvetica, Arial, sans-serif" size="2"><strong><span
style="color:black;font-weight:normal;
mso-bidi-font-weight:bold"><u>Call for Papers and Presentations</u></span></strong><span
              style="color: black;"></span></font></h2>
        <p><font face="Helvetica, Arial, sans-serif" size="2"><span
              style="color:black">The School of Arts and Creative
              Industries at the University of East London is pleased to
              launch its partnership with The Stanislavsky Research
              Centre through<span class="apple-converted-space"> </span><strong>The
                S Word - Stanislavsky and the Digital</strong>. As
              digital technologies increasingly influence how
              performance is created, taught, and experienced, we invite
              scholars, artists, media practitioners, technologists, and
              educators to consider how Stanislavsky’s legacy engages
              with the technological turn of the twenty-first century.</span></font></p>
        <p><font face="Helvetica, Arial, sans-serif" size="2"><span
              style="color:black">From virtual and augmented reality,
              motion capture, and AI-assisted dramaturgy to online
              collaboration, immersive storytelling, and screen-based
              performance, this symposium asks how digital media reshape
              the Stanislavskian principles of truth, presence,
              embodiment, and emotion.</span></font></p>
        <p><font face="Helvetica, Arial, sans-serif" size="2"><span
              style="color:black">We welcome submissions from teachers,
              artists, filmmakers, game designers, digital
              scenographers, immersive media practitioners, and
              researchers whose work intersects with or reinterprets
              Stanislavskian principles. What does it mean to<span
                class="apple-converted-space"> </span><strong>train
                truthfully </strong>when the actor’s tools include
              data, sensors, or an avatar? How might the System evolve
              within virtual classrooms, hybrid rehearsal spaces, or
              motion capture studios?</span></font></p>
        <p><font face="Helvetica, Arial, sans-serif" size="2"><span
              style="color:black">The S Word is an international,
              collaborative research project, created by Bella Merlin
              and Paul Fryer, now celebrating its 10th year. Building on
              The S Word’s mission to bridge historical and contemporary
              practice, this symposium invites dialogue between
              Stanislavsky’s foundational ideas and current digital
              innovation, exploring how emerging technologies and
              pedagogies may transform creativity, performance, and
              actor training.</span></font></p>
        <p class="MsoNormal"><font face="Helvetica, Arial, sans-serif"
            size="2"><strong><span style="color:black">Topics of
                Interest Include (but are not limited to):</span></strong></font></p>
        <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l3 level1 lfo3;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
            size="2"><span style="color: black;"><span
                style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                </span></span></span><span style="color:black">Stanislavsky
              and the Digital: intersections with VR, AR, motion
              capture, AI, gaming, digital twins, and online performance
              environments</span></font></p>
        <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l3 level1 lfo3;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
            size="2"><span style="color: black;"><span
                style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                </span></span></span><span style="color:black">Digital
              storytelling and performance: Stanislavskian principles in
              screen acting, immersive media, and interactive narrative
              design</span></font></p>
        <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l3 level1 lfo3;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
            size="2"><span style="color: black;"><span
                style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                </span></span></span><span style="color:black">Reappraising
              the System: how digital experimentation extends or
              challenges truth, embodiment, affect, and the
              psychophysical</span></font></p>
        <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l3 level1 lfo3;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
            size="2"><span style="color: black;"><span
                style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                </span></span></span><span style="color:black">Teaching
              Stanislavsky online: immersive pedagogy, remote
              collaboration, simulation-based learning for acting and
              media</span></font></p>
        <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l3 level1 lfo3;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
            size="2"><span style="color: black;"><span
                style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                </span></span></span><span style="color:black">Digital
              scenography and hybrid performance: projection mapping,
              live-streaming, mixed-reality theatre, and the
              actor–technology interface</span></font></p>
        <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l3 level1 lfo3;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
            size="2"><span style="color: black;"><span
                style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                </span></span></span><span style="color:black">Archiving
              and re-imagining Stanislavsky: digital humanities
              approaches to preservation, documentation, reconstruction,
              and analysis</span></font></p>
        <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l3 level1 lfo3;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
            size="2"><span style="color: black;"><span
                style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                </span></span></span><span style="color:black">Stanislavsky
              and the post-human performer: presence, identity, and
              affect in technologically mediated or avatar-based
              performance</span></font></p>
        <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l3 level1 lfo3;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
            size="2"><span style="color: black;"><span
                style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                </span></span></span><span style="color:black">Interdisciplinary
              perspectives: psychology, cognitive science, data-driven
              creativity, and digital aesthetics in relation to
              Stanislavsky’s legacy</span></font></p>
        <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l3 level1 lfo3;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
            size="2"><span style="color: black;"><span
                style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                </span></span></span><span style="color:black">Ethics,
              wellbeing, and inclusion in digital practice: emotional
              safety, intimacy coordination, accessibility, and
              representation in virtual space</span></font></p>
        <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l3 level1 lfo3;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
            size="2"><span style="color: black;"><span
                style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                </span></span></span><strong><span style="color:black">Provocations</span></strong><span
              style="color:black">: speculative, experimental, or
              practice-based re-imaginings of Stanislavsky for the
              digital performer, filmmaker, or educator</span></font></p>
        <p class="MsoNormal"><font face="Helvetica, Arial, sans-serif"
            size="2"><strong><span style="color:black">Formats</span></strong></font></p>
        <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l0 level1 lfo4;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
            size="2"><span style="color: black;"><span
                style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                </span></span></span><span style="color:black">Individual
              Papers (20 minutes)</span></font></p>
        <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l0 level1 lfo4;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
            size="2"><span style="color: black;"><span
                style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                </span></span></span><span style="color:black">Practice-as-Research
              Presentations (20 minutes)</span></font></p>
        <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l0 level1 lfo4;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
            size="2"><span style="color: black;"><span
                style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                </span></span></span><span style="color:black">Practical
              Workshops (40 minutes)</span></font></p>
        <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l0 level1 lfo4;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
            size="2"><span style="color: black;"><span
                style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                </span></span></span><span style="color:black">Panels
              (60 minutes, minimum 3 contributors)</span></font></p>
        <p class="MsoNormal"><font face="Helvetica, Arial, sans-serif"
            size="2"><strong><span style="color:black">Submission
                Details</span></strong></font></p>
        <p><font face="Helvetica, Arial, sans-serif" size="2"><span
              style="color:black">Please submit:</span></font></p>
        <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l4 level1 lfo5;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
            size="2"><span style="color: black;"><span
                style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                </span></span></span><span style="color:black">A
              proposal of<span class="apple-converted-space"> </span><strong>no
                more than 300 words</strong></span></font></p>
        <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l4 level1 lfo5;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
            size="2"><strong><span
                style="color: black; font-weight: normal;"><span
                  style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                  </span></span></span></strong><span
              style="color:black">A<span class="apple-converted-space"> </span><strong>short
                biographical note</strong><strong><span
                  style="font-weight:normal"></span></strong></span></font></p>
        <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l4 level1 lfo5;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
            size="2"><span style="color: black;"><span
                style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                </span></span></span><span style="color:black">Whether
              you wish to present <b>in person or online</b> on the
              final day, and your <b>time zone</b> so we can schedule
              accordingly.</span></font></p>
        <p><font face="Helvetica, Arial, sans-serif" size="2"><span
              style="color:black">Send your proposal to:</span></font></p>
        <p><font face="Helvetica, Arial, sans-serif" size="2"><span
              style="color: black;">📧</span><span
              class="apple-converted-space"><span style="color:black"> </span></span><strong><span
                style="color:black">Dr Evi Stamatiou</span></strong><span
              class="apple-converted-space"><span style="color:black"> </span></span><span
              style="color:black">–<span class="apple-converted-space"> </span><a
                class="moz-txt-link-abbreviated moz-txt-link-freetext"
                href="mailto:e.stamatiou@uel.ac.uk"
                moz-do-not-send="true">e.stamatiou@uel.ac.uk</a><br>
            </span><span style="color: black;">📧</span><span
              class="apple-converted-space"><span style="color:black"> </span></span><strong><span
                style="color:black">Zuzana Jurechová</span></strong><span
              class="apple-converted-space"><span style="color:black"> </span></span><span
              style="color:black">–<span class="apple-converted-space"> </span><a
                class="moz-txt-link-abbreviated moz-txt-link-freetext"
                href="mailto:jurech01@st.amu.cz" moz-do-not-send="true">jurech01@st.amu.cz</a><br>
            </span><span style="color: black;">📧</span><span
              class="apple-converted-space"><span style="color:black"> </span></span><strong><span
                style="color:black">Prof. Paul Fryer</span></strong><span
              class="apple-converted-space"><span style="color:black"> </span></span><span
              style="color:black">–<span class="apple-converted-space"> </span><a
                class="moz-txt-link-abbreviated moz-txt-link-freetext"
                href="mailto:paul@paulfryer.me.uk"
                moz-do-not-send="true">paul@paulfryer.me.uk</a></span></font></p>
        <p><font face="Helvetica, Arial, sans-serif" size="2"><span
              style="color: black;">🗓</span><span
              class="apple-converted-space"><span style="color:black"> </span></span><strong><span
                style="color:black">Deadline for submissions: <u>31
                  January 2026</u></span></strong><span
              style="color:black"></span></font></p>
        <p><font face="Helvetica, Arial, sans-serif" size="2"><span
              style="color:black">Selected contributions will be
              considered for the edited volume:<br>
            </span><span style="color: black;">📘</span><span
              class="apple-converted-space"><span style="color:black"> </span></span><em><span
style="mso-fareast-font-family:
"Times New Roman";mso-fareast-theme-font:major-fareast;color:black">Stanislavsky
                and the Digital</span></em><span
              class="apple-converted-space"><span style="color:black"> </span></span><span
              style="color:black">(Routledge, 2027).</span></font></p>
        <p><font face="Helvetica, Arial, sans-serif" size="2"><strong><span
                style="color:black">Registration opens Spring 2026.</span></strong></font><span
            style="color:black"></span></p>
        <p><br>
        </p>
        <pre class="moz-signature" cols="72">-- 
Prof. Paul Fryer MA, PhD, FRSA, FHEA.
Visiting Professor, School of Performance and Cultural Industries, University of Leeds (UK).
Co-Director, The Stanislavsky Research Centre (University of Leeds/University of Malta)
Consultant Editor, Stanislavski Studies
Series Editor, Stanislavsky And...</pre>
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