<html>
<head>
<meta http-equiv="Content-Type" content="text/html; charset=Windows-1252">
<style type="text/css" style="display:none;"> P {margin-top:0;margin-bottom:0;} </style>
</head>
<body dir="ltr">
<div style="font-family: Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);" class="elementToProof">
Such an honour to be part of this project!</div>
<div style="font-family: Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);" class="elementToProof">
Many congratulations to all!</div>
<div style="font-family: Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);" class="elementToProof">
Thank you for including me!</div>
<div class="elementToProof" id="Signature">
<div style="font-family: Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);" class="elementToProof">
<br>
</div>
<div style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);" class="elementToProof">
Respect,</div>
<div style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);" class="elementToProof">
jill</div>
<div style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);" class="elementToProof">
<br>
</div>
<div class="elementToProof" id="x_divtagdefaultwrapper">
<div class="elementToProof" id="x_divtagdefaultwrapper">
<p style="direction: ltr; margin-top: 0px; margin-bottom: 0px; font-family: Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);" class="elementToProof">
<span style="color: rgb(0, 111, 201);">J<b>ill Carter</b></span><b><br>
</b></p>
<p style="direction: ltr; margin-top: 0px; margin-bottom: 0px; font-family: Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);" class="elementToProof">
<span style="color: rgb(0, 111, 201);"><b>Associate Director Graduate, CDTPS</b></span></p>
<p style="direction: ltr; margin-top: 0px; margin-bottom: 0px; font-family: Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);" class="elementToProof">
<span style="color: rgb(0, 111, 201);"><b>Associate Professor</b></span></p>
<p style="direction: ltr; margin-top: 0px; margin-bottom: 0px; font-family: Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);" class="elementToProof">
<span style="color: rgb(0, 111, 201);"><b>Centre for Drama, Theatre and Performance Studies (CDTPS);</b></span></p>
<p style="direction: ltr; margin-top: 0px; margin-bottom: 0px; font-family: Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);" class="elementToProof">
<span style="color: rgb(0, 111, 201);"><b>Transitional Year Programme; </b></span></p>
<p style="direction: ltr; margin-top: 0px; margin-bottom: 0px; font-family: Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);" class="elementToProof">
<span style="color: rgb(0, 111, 201);"><b>Indigenous Studies</b></span></p>
<p style="direction: ltr; margin-top: 0px; margin-bottom: 0px; font-family: Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);" class="elementToProof">
<span style="color: rgb(0, 111, 201);"><b>University of Toronto</b></span></p>
<p style="direction: ltr; margin-top: 0px; margin-bottom: 0px; font-family: Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);" class="elementToProof">
<br>
</p>
<p style="direction: ltr; margin-top: 0px; margin-bottom: 0px;" class="elementToProof">
<span style="font-family: "Arial Black", Arial, sans-serif; font-size: 10pt; color: rgb(94, 50, 124);"><b>Zoom has erected its headquarters in San Jose, CA, while Skype has erected one key arm of its operations in Pao Alta, CA. This is the traditional territory
of the Muwekma Ohlone tribal nation. Current members of this nation are direct descendants of the many missionized tribal groups from across the region. We who are able to virtually connect with each other are deeply indebted to the Muwekma Ohlone people,
as the lands and waters they continue to steward now support the people, pipelines, and technologies that carry our breaths, images, and words across vast distances to others.</b></span><span style="font-family: "Arial Black", Arial, sans-serif; font-size: 10pt; color: rgb(0, 0, 0);"><b> </b></span></p>
<p style="direction: ltr; margin-top: 0px; margin-bottom: 0px;" class="elementToProof">
<span style="font-family: "Arial Black", Arial, sans-serif; font-size: 10pt; color: rgb(0, 0, 0);"><b><br>
</b></span></p>
<p style="direction: ltr; margin-top: 0px; margin-bottom: 0px; font-family: Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);" class="elementToProof">
<span style="font-family: "Arial Black", Arial, sans-serif; font-size: 10pt; color: rgb(94, 50, 124);"><b>As I engage in written communications such as this email, I personally acknowledge the debt I have incurred and that is amassing each time I open my laptop.
We are all indebted to those peoples and communities whose waters and lands have been poisoned as a result of the extraction of metals and rare-earth elements required to fabricate the machinery through which we speak to, hear from, and view each other. We
are indebted to those peoples whose working lives, youth and vitality have been spent in unsafe spaces and intolerable conditions, so that so many citizens of the so-called developed world might have easy access to these and related devices. As we encounter
each other each day through our email accounts, our messaging apps, our virtual meeting rooms and chat rooms, let us strive to remain mindful of the incalculable debt we owe. </b></span></p>
<div style="direction: ltr; margin: 0px; font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);" class="elementToProof">
<br>
</div>
<div style="direction: ltr;" class="elementToProof"><br>
<br>
</div>
</div>
<div style="direction: ltr; font-family: Calibri, Helvetica, sans-serif; font-size: 16px; color: rgb(0, 0, 0);" class="elementToProof">
<img data-outlook-trace="F:1|T:1" src="cid:d897214a-1491-4df3-ac58-eadebe3c5ef0"></div>
</div>
</div>
<div id="appendonsend"></div>
<hr style="display:inline-block;width:98%" tabindex="-1">
<div id="divRplyFwdMsg" dir="ltr"><font face="Calibri, sans-serif" style="font-size:11pt" color="#000000"><b>From:</b> Candrama <candrama-bounces@artsservices.uwaterloo.ca> on behalf of Pil Hansen <pil.hansen@ucalgary.ca><br>
<b>Sent:</b> January 2, 2026 13:06<br>
<b>To:</b> candrama@artsservices.uwaterloo.ca <candrama@artsservices.uwaterloo.ca><br>
<b>Subject:</b> [Candrama] Release: DRAMATURGIES OF ACCESSIBILITY, open access P/M journal issue</font>
<div> </div>
</div>
<style>
<!--
@font-face
{font-family:"Cambria Math"}
@font-face
{font-family:"Calibri Light"}
@font-face
{font-family:Aptos}
p.x_MsoNormal, li.x_MsoNormal, div.x_MsoNormal
{margin:0cm;
font-size:11.0pt;
font-family:"Aptos",sans-serif}
a:link, span.x_MsoHyperlink
{color:#467886;
text-decoration:underline}
span.x_EmailStyle17
{font-family:"Aptos",sans-serif;
color:windowtext}
span.x_EmailStyle18
{font-family:"Aptos",sans-serif;
color:windowtext}
.x_MsoChpDefault
{font-size:11.0pt}
@page WordSection1
{margin:72.0pt 72.0pt 72.0pt 72.0pt}
div.x_WordSection1
{}
-->
</style>
<div lang="EN-CA" link="#467886" vlink="#96607D" style="word-wrap:break-word">
<table border="0" cellspacing="0" cellpadding="0" width="100%" align="left" style="background:revert!important; border:revert!important; bottom:revert!important; color:revert!important; direction:revert!important; display:revert!important; font-size:revert!important; height:revert!important; letter-spacing:revert!important; line-height:revert!important; margin:revert!important; opacity:revert!important; order:revert!important; outline:revert!important; overflow:revert!important; padding:revert!important; position:revert!important; tab-size:revert!important; table-layout:revert!important; text-align:revert!important; text-indent:revert!important; text-orientation:revert!important; text-overflow:revert!important; text-transform:revert!important; top:revert!important; vertical-align:revert!important; visibility:revert!important; white-space:revert!important; width:revert!important; word-break:revert!important; word-spacing:revert!important; writing-mode:revert!important; zoom:revert!important; border:0!important; display:table!important; width:100%!important; table-layout:fixed!important; border-collapse:seperate!important; float:none!important; border-spacing:0px 0px!important">
<tbody style="background:revert!important; border:revert!important; bottom:revert!important; color:revert!important; direction:revert!important; display:revert!important; font-size:revert!important; height:revert!important; letter-spacing:revert!important; line-height:revert!important; margin:revert!important; opacity:revert!important; order:revert!important; outline:revert!important; overflow:revert!important; padding:revert!important; position:revert!important; tab-size:revert!important; table-layout:revert!important; text-align:revert!important; text-indent:revert!important; text-orientation:revert!important; text-overflow:revert!important; text-transform:revert!important; top:revert!important; vertical-align:revert!important; visibility:revert!important; white-space:revert!important; width:revert!important; word-break:revert!important; word-spacing:revert!important; writing-mode:revert!important; zoom:revert!important; display:block!important">
<tr style="background:revert!important; border:revert!important; bottom:revert!important; color:revert!important; direction:revert!important; display:revert!important; font-size:revert!important; height:revert!important; letter-spacing:revert!important; line-height:revert!important; margin:revert!important; opacity:revert!important; order:revert!important; outline:revert!important; overflow:revert!important; padding:revert!important; position:revert!important; tab-size:revert!important; table-layout:revert!important; text-align:revert!important; text-indent:revert!important; text-orientation:revert!important; text-overflow:revert!important; text-transform:revert!important; top:revert!important; vertical-align:revert!important; visibility:revert!important; white-space:revert!important; width:revert!important; word-break:revert!important; word-spacing:revert!important; writing-mode:revert!important; zoom:revert!important">
<td valign="middle" width="1px" bgcolor="#A6A6A6" cellpadding="7px 2px 7px 2px" style="background:revert!important; border:revert!important; bottom:revert!important; color:revert!important; direction:revert!important; display:revert!important; font-size:revert!important; height:revert!important; letter-spacing:revert!important; line-height:revert!important; margin:revert!important; opacity:revert!important; order:revert!important; outline:revert!important; overflow:revert!important; padding:revert!important; position:revert!important; tab-size:revert!important; table-layout:revert!important; text-align:revert!important; text-indent:revert!important; text-orientation:revert!important; text-overflow:revert!important; text-transform:revert!important; top:revert!important; vertical-align:revert!important; visibility:revert!important; white-space:revert!important; width:revert!important; word-break:revert!important; word-spacing:revert!important; writing-mode:revert!important; zoom:revert!important; padding:7px 2px 7px 2px!important; background-color:#A6A6A6!important; width:0px!important">
</td>
<td valign="middle" width="100%" bgcolor="#EAEAEA" cellpadding="7px 5px 7px 15px" color="#212121" style="background:revert!important; border:revert!important; bottom:revert!important; color:revert!important; direction:revert!important; display:revert!important; font-size:revert!important; height:revert!important; letter-spacing:revert!important; line-height:revert!important; margin:revert!important; opacity:revert!important; order:revert!important; outline:revert!important; overflow:revert!important; padding:revert!important; position:revert!important; tab-size:revert!important; table-layout:revert!important; text-align:revert!important; text-indent:revert!important; text-orientation:revert!important; text-overflow:revert!important; text-transform:revert!important; top:revert!important; vertical-align:revert!important; visibility:revert!important; white-space:revert!important; width:revert!important; word-break:revert!important; word-spacing:revert!important; writing-mode:revert!important; zoom:revert!important; width:100%!important; background-color:#EAEAEA!important; padding:7px 5px 7px 15px!important; font-family:wf_segoe-ui_normal,Segoe UI,Segoe WP,Tahoma,Arial,sans-serif!important; font-size:12px!important; font-weight:normal!important; color:#212121!important; text-align:left!important; word-wrap:break-word!important">
<div style="background:revert!important; border:revert!important; bottom:revert!important; color:revert!important; direction:revert!important; display:revert!important; font-size:revert!important; height:revert!important; letter-spacing:revert!important; line-height:revert!important; margin:revert!important; opacity:revert!important; order:revert!important; outline:revert!important; overflow:revert!important; padding:revert!important; position:revert!important; tab-size:revert!important; table-layout:revert!important; text-align:revert!important; text-indent:revert!important; text-orientation:revert!important; text-overflow:revert!important; text-transform:revert!important; top:revert!important; vertical-align:revert!important; visibility:revert!important; white-space:revert!important; width:revert!important; word-break:revert!important; word-spacing:revert!important; writing-mode:revert!important; zoom:revert!important">
Some people who received this message don't often get email from pil.hansen@ucalgary.ca.
<a href="https://aka.ms/LearnAboutSenderIdentification" style="background:revert!important; color:revert!important; direction:revert!important; display:revert!important; font-size:revert!important; opacity:revert!important; visibility:revert!important">
Learn why this is important</a> </div>
</td>
<td valign="middle" align="left" width="75px" bgcolor="#EAEAEA" cellpadding="7px 5px 7px 5px" color="#212121" style="background:revert!important; border:revert!important; bottom:revert!important; color:revert!important; direction:revert!important; display:revert!important; font-size:revert!important; height:revert!important; letter-spacing:revert!important; line-height:revert!important; margin:revert!important; opacity:revert!important; order:revert!important; outline:revert!important; overflow:revert!important; padding:revert!important; position:revert!important; tab-size:revert!important; table-layout:revert!important; text-align:revert!important; text-indent:revert!important; text-orientation:revert!important; text-overflow:revert!important; text-transform:revert!important; top:revert!important; vertical-align:revert!important; visibility:revert!important; white-space:revert!important; width:revert!important; word-break:revert!important; word-spacing:revert!important; writing-mode:revert!important; zoom:revert!important; width:75px!important; background-color:#EAEAEA!important; padding:7px 5px 7px 5px!important; font-family:wf_segoe-ui_normal,Segoe UI,Segoe WP,Tahoma,Arial,sans-serif!important; font-size:12px!important; font-weight:normal!important; color:#212121!important; text-align:left!important; word-wrap:break-word!important">
</td>
</tr>
</tbody>
</table>
<div>
<div class="x_WordSection1">
<p class="x_MsoNormal"><span style="font-size:13.0pt">It is with huge pleasure and gratitude that I announce the release of DRAMATURGIES OF ACCESSIBILITY, an international double issue of the open access journal
<i>Performance Matters,</i> co-edited by Pil Hansen and Jessica Watkin.</span></p>
<p class="x_MsoNormal"><span style="font-size:13.0pt"> </span></p>
<p class="x_MsoNormal"><span style="font-size:13.0pt">In this rich resource, authors consider the creative and educational potentials that emerge when we place the strengths of people with disabilities at the centre of our ways of working. Dramaturgical agency
derives from awareness about how creative ideas are sourced, how collaboration is organized, the design of creative processes and methods, and how composition affects audiences. Authors directs such agency towards: (1) understanding how disability troubles
normative ways of working; (2) working and learning with the people in in the room; (3) expanding ways of imagining, communicating, and sensing; (4) working with the aesthetics, ethos, and rigorous practices of accessibility; and (5) Re-stor(y)ing to produce
accessible realities. We invite you to draw inspiration and partake in a growing community of knowledge on dramaturgies of accessibility.
</span></p>
<p class="x_MsoNormal"><span style="font-size:13.0pt"> </span></p>
<p class="x_MsoNormal"><span style="font-size:13.0pt">The issue is published in large font with plain language abstracts, image descriptions, and curated ASL and/or voice versions.
</span></p>
<p class="x_MsoNormal"><span style="font-size:13.0pt"> </span></p>
<p class="x_MsoNormal"><span style="font-size:13.0pt">It has been an honour to work with my co-editor, Jessica Watkin; the insightful, generous, and beautifully diverse authors named below; and the full editorial team of
<i>Performance Matters</i>. Thank you! </span></p>
<p class="x_MsoNormal"><span style="font-size:13.0pt"> </span></p>
<p class="x_MsoNormal"><b><span style="font-size:13.0pt">DRAMATURGIES OF ACCESSIBILITY links</span></b></p>
<p class="x_MsoNormal"><b><span style="font-size:13.0pt"><a href="https://www.researchgate.net/publication/398996070_Dramaturgies_of_Accessibility" originalsrc="https://www.researchgate.net/publication/398996070_Dramaturgies_of_Accessibility">Dramaturgies</a>
of <a href="https://performancematters-thejournal.com/index.php/pm/article/view/551" originalsrc="https://performancematters-thejournal.com/index.php/pm/article/view/551">
Accessibility (editorial)</a></span></b><u><span style="font-size:13.0pt"></span></u></p>
<p class="x_MsoNormal"><span style="font-size:13.0pt">Pil Hansen and Jessica Watkin</span></p>
<p class="x_MsoNormal"><b><span style="font-size:13.0pt"><a href="https://performancematters-thejournal.com/index.php/pm/article/view/553" originalsrc="https://performancematters-thejournal.com/index.php/pm/article/view/553">Editing for Access</a>:
<a href="https://performancematters-thejournal.com/index.php/pm/article/view/553" originalsrc="https://performancematters-thejournal.com/index.php/pm/article/view/553">
Practices and Reflections</a></span></b></p>
<p class="x_MsoNormal"><span style="font-size:13.0pt">Amorena Bartlett, Kelsie Acton, Graham Percy, and Pil Hansen</span></p>
<p class="x_MsoNormal"><b><i><span style="font-size:13.0pt"><a href="https://performancematters-thejournal.com/index.php/pm/article/view/555" originalsrc="https://performancematters-thejournal.com/index.php/pm/article/view/555">Mad Conductors<span style="font-style:normal">:
Pathways of Attention and Dances of Care</span></a></span></i></b><b><span style="font-size:13.0pt">
</span></b></p>
<p class="x_MsoNormal"><span style="font-size:13.0pt">Stephanie Heit and Alexis Riley
</span></p>
<p class="x_MsoNormal"><b><i><span style="font-size:13.0pt"><a href="https://www.researchgate.net/publication/398996444_Carbon_Movements_Relational_Dramaturgy_in_Deaf_and_Hearing_Dance_Creation" originalsrc="https://www.researchgate.net/publication/398996444_Carbon_Movements_Relational_Dramaturgy_in_Deaf_and_Hearing_Dance_Creation">Carbon
Movements</a></span></i></b><b><span style="font-size:13.0pt">: <a href="https://performancematters-thejournal.com/index.php/pm/article/view/557" originalsrc="https://performancematters-thejournal.com/index.php/pm/article/view/557">
Relational Dramaturgy in Deaf and Hearing Dance Creation </a> </span></b></p>
<p class="x_MsoNormal"><span style="font-size:13.0pt">Connor Yuzwenko-Martin, Ainsley Hillyard, and Pil Hansen<b>
</b></span></p>
<p class="x_MsoNormal"><b><i><span style="font-size:13.0pt"><a href="https://performancematters-thejournal.com/index.php/pm/article/view/559" originalsrc="https://performancematters-thejournal.com/index.php/pm/article/view/559">Through My Lens<span style="font-style:normal">:
An Act of Telling in Exchange</span></a></span></i></b><b><span style="font-size:13.0pt">
</span></b></p>
<p class="x_MsoNormal"><span style="font-size:13.0pt">James Long, Amy Amantea, and Nico Dicecco</span></p>
<p class="x_MsoNormal"><b><span style="font-size:13.0pt"><a href="https://performancematters-thejournal.com/index.php/pm/article/view/561" originalsrc="https://performancematters-thejournal.com/index.php/pm/article/view/561">Fragments are Enough: Re-Stor(y)ing
the ‘Wasteland’</a></span></b></p>
<p class="x_MsoNormal"><span style="font-size:13.0pt">Jill Carter and Jessica Watkin<b></b></span></p>
<p class="x_MsoNormal"><b><span style="font-size:13.0pt"><a href="https://performancematters-thejournal.com/index.php/pm/article/view/563" originalsrc="https://performancematters-thejournal.com/index.php/pm/article/view/563">Improvising Fugitive Access: Drafting
Care in a Disability Arts and Culture Classroom</a></span></b></p>
<p class="x_MsoNormal"><span style="font-size:13.0pt">Miguel Esteban<b></b></span></p>
<p class="x_MsoNormal"><b><span style="font-size:13.0pt"><a href="https://performancematters-thejournal.com/index.php/pm/article/view/565" originalsrc="https://performancematters-thejournal.com/index.php/pm/article/view/565">Somatic Care Performances: Turtle
Disco and Tendings</a></span></b></p>
<p class="x_MsoNormal"><span style="font-size:13.0pt">Petra Kuppers with Jessica Watkin, VK Preston, Nadine Changfoot, Cassandra Hartblay and Becky Gold</span></p>
<p class="x_MsoNormal"><b><span style="font-size:13.0pt"><a href="https://performancematters-thejournal.com/index.php/pm/article/view/567" originalsrc="https://performancematters-thejournal.com/index.php/pm/article/view/567">The Together Research: Exploring
Equity and Autonomy in Disability-Led Performing Arts Research in Western Australia</a></span></b></p>
<p class="x_MsoNormal"><span style="font-size:13.0pt">Julia Hales, Sam Fox, Renée Newman, and Simone Flavelle</span></p>
<p class="x_MsoNormal"><b><span style="font-size:13.0pt"><a href="https://performancematters-thejournal.com/index.php/pm/article/view/569" originalsrc="https://performancematters-thejournal.com/index.php/pm/article/view/569">Cognitive Accessibility, Ethics,
and Rights in Research</a></span></b></p>
<p class="x_MsoNormal"><span style="font-size:13.0pt">Matthew Reason, Kelsie Acton, and Daniel Foulds<b></b></span></p>
<p class="x_MsoNormal"><b><span style="font-size:13.0pt"><a href="https://performancematters-thejournal.com/index.php/pm/article/view/571" originalsrc="https://performancematters-thejournal.com/index.php/pm/article/view/571">Tracking deaf aesthetics in deaf
spaces: Dramaturgical decisions for plays by deaf led teams</a></span></b></p>
<p class="x_MsoNormal"><span style="font-size:13.0pt">Joanne Weber, Thurga Kanagasekarampillai, Connor Yuzwenko-Martin, Chris Dodd, and Crystal Jones.</span></p>
<p class="x_MsoNormal"><b><span style="font-size:13.0pt"><a href="https://performancematters-thejournal.com/index.php/pm/article/view/571" originalsrc="https://performancematters-thejournal.com/index.php/pm/article/view/571">The Artistic Access Residency
<i>Creazioni Accessibili</i>: Audio Description Dramaturgy in Contemporary Dance
</a></span></b></p>
<p class="x_MsoNormal"><span style="font-size:13.0pt">Giuseppe Comuniello, Flavia Dalila D’Amico, and Camilla Guarino<b></b></span></p>
<p class="x_MsoNormal"><b><span style="font-size:13.0pt"><a href="https://performancematters-thejournal.com/index.php/pm/article/view/575" originalsrc="https://performancematters-thejournal.com/index.php/pm/article/view/575">Sighted Assumptions to Blind Imaginings:
De-Centering Vision as Unexpected Dramaturgy</a> </span></b></p>
<p class="x_MsoNormal"><span style="font-size:13.0pt">Alex Bulmer<b></b></span></p>
<p class="x_MsoNormal"><b><span style="font-size:13.0pt"><a href="https://performancematters-thejournal.com/index.php/pm/article/view/577" originalsrc="https://performancematters-thejournal.com/index.php/pm/article/view/577">Rigorous Dreaming: Curatorial Practices
for Large Scale Disability Performance</a> </span></b></p>
<p class="x_MsoNormal"><span style="font-size:13.0pt">Shay Erlich and Sarah Conn</span></p>
<p class="x_MsoNormal"> </p>
<p class="x_MsoNormal"> </p>
<p class="x_MsoNormal"> </p>
<p class="x_MsoNormal"><b><span lang="EN-US" style="font-family:"Calibri Light",sans-serif">Pil Hansen, PhD</span></b></p>
<p class="x_MsoNormal"><span lang="EN-US" style="font-size:5.0pt; font-family:"Calibri Light",sans-serif"> </span></p>
<p class="x_MsoNormal"><b><span lang="EN-US" style="font-family:"Calibri Light",sans-serif">Professor</span></b><span lang="EN-US" style="font-family:"Calibri Light",sans-serif"></span></p>
<p class="x_MsoNormal"><span lang="EN-US" style="font-family:"Calibri Light",sans-serif">School of Creative and Performing Arts, University of Calgary</span></p>
<p class="x_MsoNormal"><span lang="EN-US" style="font-size:4.0pt; font-family:"Calibri Light",sans-serif"> </span></p>
<p class="x_MsoNormal"><b><span lang="EN-US" style="font-family:"Calibri Light",sans-serif">General Editor
</span></b><span lang="EN-US" style="font-family:"Calibri Light",sans-serif">Routledge Book Series: Expanded Dramaturgy;<b> Dramaturg</b> (e.g., Vertical City, KAEJA, Invisible Practice, Su-Feh Lee)</span></p>
<p class="x_MsoNormal"><span lang="EN-US" style="font-family:"Calibri Light",sans-serif"> </span></p>
<p class="x_MsoNormal"><span lang="EN-US" style="font-family:"Calibri Light",sans-serif">Note that I also am a physically disabled person, working reduced load.</span></p>
<p class="x_MsoNormal"><i><span style="font-size:8.0pt; font-family:"Calibri Light",sans-serif; color:#2E74B5"> </span></i></p>
<p class="x_MsoNormal"> </p>
<p class="x_MsoNormal"> </p>
<p class="x_MsoNormal"><b><span lang="EN-US" style="font-size:12.0pt; font-family:"Calibri Light",sans-serif">Pil Hansen, PhD</span></b><b><span lang="EN-US" style="font-family:"Calibri Light",sans-serif"></span></b></p>
<p class="x_MsoNormal"><span lang="EN-US" style="font-size:5.0pt; font-family:"Calibri Light",sans-serif"> </span></p>
<p class="x_MsoNormal"><b><span lang="EN-US" style="font-size:12.0pt; font-family:"Calibri Light",sans-serif">Professor</span></b><span lang="EN-US" style="font-family:"Calibri Light",sans-serif"></span></p>
<p class="x_MsoNormal"><span lang="EN-US" style="font-size:12.0pt; font-family:"Calibri Light",sans-serif">School of Creative and Performing Arts, University of Calgary</span></p>
<p class="x_MsoNormal"><span lang="EN-US" style="font-size:4.0pt; font-family:"Calibri Light",sans-serif"> </span></p>
<p class="x_MsoNormal"><b><span lang="EN-US" style="font-size:12.0pt; font-family:"Calibri Light",sans-serif">General Editor
</span></b><span lang="EN-US" style="font-size:12.0pt; font-family:"Calibri Light",sans-serif">Routledge Book Series: Expanded Dramaturgy;<b> Dramaturg</b> (e.g., Vertical City, KAEJA, Invisible Practice, Su-Feh Lee)</span><span lang="EN-US" style="font-family:"Calibri Light",sans-serif"></span></p>
<p class="x_MsoNormal"><span lang="EN-US" style="font-size:12.0pt; font-family:"Calibri Light",sans-serif"> </span></p>
<p class="x_MsoNormal"><span lang="EN-US" style="font-size:12.0pt; font-family:"Calibri Light",sans-serif">Note that I also am a physically disabled person, working reduced load.</span></p>
<p class="x_MsoNormal"><i><span style="font-size:8.0pt; font-family:"Calibri Light",sans-serif; color:#2E74B5"> </span></i></p>
<p class="x_MsoNormal"><u><span style="font-size:12.0pt; font-family:"Calibri Light",sans-serif; color:#2F5496">Books</span></u><u><span style="font-family:"Calibri Light",sans-serif; color:#2F5496"></span></u></p>
<p class="x_MsoNormal"><i><span style="font-size:12.0pt; font-family:"Calibri Light",sans-serif; color:#0B769F"><a href="https://www.intellectbooks.com/performance-generating-systems-in-dance" originalsrc="https://www.intellectbooks.com/performance-generating-systems-in-dance"><span style="color:#0B769F; text-decoration:none">Performance
Generating Systems in Dance: Dramaturgy, Psychology, and Performativity</span></a>
</span></i><span style="font-size:12.0pt; font-family:"Calibri Light",sans-serif; color:#0B769F">(Intellect 2022)<i></i></span></p>
<p class="x_MsoNormal"><i><span style="font-size:12.0pt; font-family:"Calibri Light",sans-serif; color:#0B769F"><a href="https://www.bloomsbury.com/us/performing-the-remembered-present-9781474284714/" originalsrc="https://www.bloomsbury.com/us/performing-the-remembered-present-9781474284714/" target="_blank"><span style="color:#0B769F; text-decoration:none">Performing
the Remembered Present: The Cognition of Memory in Dance, Theatre and Music</span></a>
</span></i><span style="font-size:12.0pt; font-family:"Calibri Light",sans-serif; color:#0B769F">(Methuen 2017)<i></i></span></p>
<p class="x_MsoNormal"><span style="font-size:12.0pt; font-family:"Calibri Light",sans-serif; color:#0B769F"><a href="http://www.palgrave.com/page/detail/dance-dramaturgy-pil-hansen/?sf1=barcode&st1=9781137373212" originalsrc="http://www.palgrave.com/page/detail/dance-dramaturgy-pil-hansen/?sf1=barcode&st1=9781137373212"><i><span style="color:#0B769F; text-decoration:none">Dance
Dramaturgy: Modes of Agency, Awareness and Engagement</span></i></a> (Palgrave 2015)<i></i></span></p>
<p class="x_MsoNormal"><span style="font-size:12.0pt; color:#0B769F"> </span></p>
<p class="x_MsoNormal"><u><span style="font-size:12.0pt; font-family:"Calibri Light",sans-serif; color:#0B769F">Articles and book chapters</span></u></p>
<p class="x_MsoNormal"><i><span style="font-size:12.0pt; font-family:"Calibri Light",sans-serif; color:#0B769F"><a href="https://www.researchgate.net/profile/Pil-Hansen/research" originalsrc="https://www.researchgate.net/profile/Pil-Hansen/research"><span style="color:#0B769F; text-decoration:none">Download
free pre-prints and open access versions from researchgate.</span></a></span></i></p>
<p class="x_MsoNormal"> </p>
</div>
</div>
</div>
</body>
</html>