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          <p><font face="Helvetica, Arial, sans-serif" size="2"><strong><span
                  style="color:black">The S Word: Stanislavsky and the
                  Digital</span></strong><span style="color:black"><br>
                <strong>Annual Symposium</strong><br>
                Organised by<span class="apple-converted-space"> </span><strong>The
                  Stanislavsky Research Centre (Leeds/Malta)</strong><br>
                in partnership with <strong>The School of Arts and
                  Creative Industries, University of East London</strong></span></font></p>
          <p><font face="Helvetica, Arial, sans-serif" size="2"><span
                style="color: black;">📅</span><span
                class="apple-converted-space"><span style="color:black"> </span></span><strong><span
                  style="color:black">17–20 June 2026 (the last day will
                  be online)</span></strong><span style="color:black"><br>
              </span><span style="color: black;">📍</span><span
                class="apple-converted-space"><span style="color:black"> </span></span><strong><span
                  style="color:black">University of East London,
                  Stratford, E15 4LZ, London</span></strong><span
                style="color:black"></span></font></p>
          <p class="MsoNormal"><font face="Helvetica, Arial, sans-serif"
              size="2"><strong><span style="color:black">Keynote
                  Presentation: Vakhtangov in the MoCap Studio</span></strong><span
                style="color: black;"> by <em>Tom Linden-McCarron and
                  Robin Berry</em></span></font></p>
          <font face="Helvetica, Arial, sans-serif" size="2"><strong>Jean </strong><b><span
                style="color: black;">Benedetti Lecture TBC</span></b></font>
          <h3
style="margin-left:0cm;text-indent:0cm;mso-list:none;tab-stops:36.0pt"><font
              face="Helvetica, Arial, sans-serif" size="2"><strong><span
style="color:black;font-weight:normal;mso-bidi-font-weight:bold"><u>Co-Conveners</u>:</span></strong><span
style="mso-bidi-font-family:"Times New Roman";color:black"></span></font></h3>
          <p><font face="Helvetica, Arial, sans-serif" size="2"><strong><span
                  style="color:black">Dr Evi Stamatiou</span></strong><span
                class="apple-converted-space"><span style="color:black"> </span></span><span
                style="color:black">(University of East London), <strong>Zuzana
                  Jurechová</strong><span class="apple-converted-space"> </span>(Academy
                of Performing Arts in Prague, DAMU) and <strong>Prof.
                  Paul Fryer</strong><span class="apple-converted-space"> </span>(Stanislavsky
                Research Centre)</span></font></p>
          <h2 style="mso-list:none"><font
              face="Helvetica, Arial, sans-serif" size="2"><strong><span
style="color:black;font-weight:normal;
mso-bidi-font-weight:bold"><u>Call for Papers and Presentations</u></span></strong><span
                style="color: black;"></span></font></h2>
          <p><font face="Helvetica, Arial, sans-serif" size="2"><span
                style="color:black">The School of Arts and Creative
                Industries at the University of East London is pleased
                to launch its partnership with The Stanislavsky Research
                Centre through<span class="apple-converted-space"> </span><strong>The
                  S Word - Stanislavsky and the Digital</strong>. As
                digital technologies increasingly influence how
                performance is created, taught, and experienced, we
                invite scholars, artists, media practitioners,
                technologists, and educators to consider how
                Stanislavsky’s legacy engages with the technological
                turn of the twenty-first century.</span></font></p>
          <p><font face="Helvetica, Arial, sans-serif" size="2"><span
                style="color:black">From virtual and augmented reality,
                motion capture, and AI-assisted dramaturgy to online
                collaboration, immersive storytelling, and screen-based
                performance, this symposium asks how digital media
                reshape the Stanislavskian principles of truth,
                presence, embodiment, and emotion.</span></font></p>
          <p><font face="Helvetica, Arial, sans-serif" size="2"><span
                style="color:black">We welcome submissions from
                teachers, artists, filmmakers, game designers, digital
                scenographers, immersive media practitioners, and
                researchers whose work intersects with or reinterprets
                Stanislavskian principles. What does it mean to<span
                  class="apple-converted-space"> </span><strong>train
                  truthfully </strong>when the actor’s tools include
                data, sensors, or an avatar? How might the System evolve
                within virtual classrooms, hybrid rehearsal spaces, or
                motion capture studios?</span></font></p>
          <p><font face="Helvetica, Arial, sans-serif" size="2"><span
                style="color:black">The S Word is an international,
                collaborative research project, created by Bella Merlin
                and Paul Fryer, now celebrating its 10th year. Building
                on The S Word’s mission to bridge historical and
                contemporary practice, this symposium invites dialogue
                between Stanislavsky’s foundational ideas and current
                digital innovation, exploring how emerging technologies
                and pedagogies may transform creativity, performance,
                and actor training.</span></font></p>
          <p class="MsoNormal"><font face="Helvetica, Arial, sans-serif"
              size="2"><strong><span style="color:black">Topics of
                  Interest Include (but are not limited to):</span></strong></font></p>
          <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l3 level1 lfo3;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
              size="2"><span style="color: black;"><span
                  style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                  </span></span></span><span style="color:black">Stanislavsky
                and the Digital: intersections with VR, AR, motion
                capture, AI, gaming, digital twins, and online
                performance environments</span></font></p>
          <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l3 level1 lfo3;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
              size="2"><span style="color: black;"><span
                  style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                  </span></span></span><span style="color:black">Digital
                storytelling and performance: Stanislavskian principles
                in screen acting, immersive media, and interactive
                narrative design</span></font></p>
          <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l3 level1 lfo3;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
              size="2"><span style="color: black;"><span
                  style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                  </span></span></span><span style="color:black">Reappraising
                the System: how digital experimentation extends or
                challenges truth, embodiment, affect, and the
                psychophysical</span></font></p>
          <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l3 level1 lfo3;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
              size="2"><span style="color: black;"><span
                  style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                  </span></span></span><span style="color:black">Teaching
                Stanislavsky online: immersive pedagogy, remote
                collaboration, simulation-based learning for acting and
                media</span></font></p>
          <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l3 level1 lfo3;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
              size="2"><span style="color: black;"><span
                  style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                  </span></span></span><span style="color:black">Digital
                scenography and hybrid performance: projection mapping,
                live-streaming, mixed-reality theatre, and the
                actor–technology interface</span></font></p>
          <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l3 level1 lfo3;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
              size="2"><span style="color: black;"><span
                  style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                  </span></span></span><span style="color:black">Archiving
                and re-imagining Stanislavsky: digital humanities
                approaches to preservation, documentation,
                reconstruction, and analysis</span></font></p>
          <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l3 level1 lfo3;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
              size="2"><span style="color: black;"><span
                  style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                  </span></span></span><span style="color:black">Stanislavsky
                and the post-human performer: presence, identity, and
                affect in technologically mediated or avatar-based
                performance</span></font></p>
          <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l3 level1 lfo3;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
              size="2"><span style="color: black;"><span
                  style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                  </span></span></span><span style="color:black">Interdisciplinary
                perspectives: psychology, cognitive science, data-driven
                creativity, and digital aesthetics in relation to
                Stanislavsky’s legacy</span></font></p>
          <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l3 level1 lfo3;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
              size="2"><span style="color: black;"><span
                  style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                  </span></span></span><span style="color:black">Ethics,
                wellbeing, and inclusion in digital practice: emotional
                safety, intimacy coordination, accessibility, and
                representation in virtual space</span></font></p>
          <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l3 level1 lfo3;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
              size="2"><span style="color: black;"><span
                  style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                  </span></span></span><strong><span style="color:black">Provocations</span></strong><span
                style="color:black">: speculative, experimental, or
                practice-based re-imaginings of Stanislavsky for the
                digital performer, filmmaker, or educator</span></font></p>
          <p class="MsoNormal"><font face="Helvetica, Arial, sans-serif"
              size="2"><strong><span style="color:black">Formats</span></strong></font></p>
          <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l0 level1 lfo4;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
              size="2"><span style="color: black;"><span
                  style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                  </span></span></span><span style="color:black">Individual
                Papers (20 minutes)</span></font></p>
          <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l0 level1 lfo4;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
              size="2"><span style="color: black;"><span
                  style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                  </span></span></span><span style="color:black">Practice-as-Research
                Presentations (20 minutes)</span></font></p>
          <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l0 level1 lfo4;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
              size="2"><span style="color: black;"><span
                  style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                  </span></span></span><span style="color:black">Practical
                Workshops (40 minutes)</span></font></p>
          <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l0 level1 lfo4;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
              size="2"><span style="color: black;"><span
                  style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                  </span></span></span><span style="color:black">Panels
                (60 minutes, minimum 3 contributors)</span></font></p>
          <p class="MsoNormal"><font face="Helvetica, Arial, sans-serif"
              size="2"><strong><span style="color:black">Submission
                  Details</span></strong></font></p>
          <p><font face="Helvetica, Arial, sans-serif" size="2"><span
                style="color:black">Please submit:</span></font></p>
          <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l4 level1 lfo5;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
              size="2"><span style="color: black;"><span
                  style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                  </span></span></span><span style="color:black">A
                proposal of<span class="apple-converted-space"> </span><strong>no
                  more than 300 words</strong></span></font></p>
          <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l4 level1 lfo5;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
              size="2"><strong><span
                  style="color: black; font-weight: normal;"><span
                    style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                    </span></span></span></strong><span
                style="color:black">A<span class="apple-converted-space"> </span><strong>short
                  biographical note</strong><strong><span
                    style="font-weight:normal"></span></strong></span></font></p>
          <p
style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l4 level1 lfo5;
tab-stops:list 36.0pt"><font face="Helvetica, Arial, sans-serif"
              size="2"><span style="color: black;"><span
                  style="mso-list:Ignore">·<span
style="font-style: normal; font-variant: normal; font-weight: normal; font-stretch: normal; line-height: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-language-override: normal; font-feature-settings: normal; font-variation-settings: normal;">        
                  </span></span></span><span style="color:black">Whether
                you wish to present <b>in person or online</b> on the
                final day, and your <b>time zone</b> so we can schedule
                accordingly.</span></font></p>
          <p><font face="Helvetica, Arial, sans-serif" size="2"><span
                style="color:black">Send your proposal to:</span></font></p>
          <p><font face="Helvetica, Arial, sans-serif" size="2"><span
                style="color: black;">📧</span><span
                class="apple-converted-space"><span style="color:black"> </span></span><strong><span
                  style="color:black">Dr Evi Stamatiou</span></strong><span
                class="apple-converted-space"><span style="color:black"> </span></span><span
                style="color:black">–<span class="apple-converted-space"> </span><a
                  class="moz-txt-link-abbreviated moz-txt-link-freetext"
                  href="mailto:e.stamatiou@uel.ac.uk"
                  moz-do-not-send="true">e.stamatiou@uel.ac.uk</a><br>
              </span><span style="color: black;">📧</span><span
                class="apple-converted-space"><span style="color:black"> </span></span><strong><span
                  style="color:black">Zuzana Jurechová</span></strong><span
                class="apple-converted-space"><span style="color:black"> </span></span><span
                style="color:black">–<span class="apple-converted-space"> </span><a
                  class="moz-txt-link-abbreviated moz-txt-link-freetext"
                  href="mailto:jurech01@st.amu.cz"
                  moz-do-not-send="true">jurech01@st.amu.cz</a><br>
              </span><span style="color: black;">📧</span><span
                class="apple-converted-space"><span style="color:black"> </span></span><strong><span
                  style="color:black">Prof. Paul Fryer</span></strong><span
                class="apple-converted-space"><span style="color:black"> </span></span><span
                style="color:black">–<span class="apple-converted-space"> </span><a
                  class="moz-txt-link-abbreviated moz-txt-link-freetext"
                  href="mailto:paul@paulfryer.me.uk"
                  moz-do-not-send="true">paul@paulfryer.me.uk</a></span></font></p>
          <p><font face="Helvetica, Arial, sans-serif" size="2"><span
                style="color: black;">🗓</span><span
                class="apple-converted-space"><span style="color:black"> </span></span><strong><span
                  style="color:black">Deadline for submissions: <u>31
                    January 2026</u></span></strong><span
                style="color:black"></span></font></p>
          <p><font face="Helvetica, Arial, sans-serif" size="2"><span
                style="color:black">Selected contributions will be
                considered for the edited volume:<br>
              </span><span style="color: black;">📘</span><span
                class="apple-converted-space"><span style="color:black"> </span></span><em><span
style="mso-fareast-font-family:
"Times New Roman";mso-fareast-theme-font:major-fareast;color:black">Stanislavsky
                  and the Digital</span></em><span
                class="apple-converted-space"><span style="color:black"> </span></span><span
                style="color:black">(Routledge, 2027).</span></font></p>
          <p><font face="Helvetica, Arial, sans-serif" size="2"><strong><span
                  style="color:black">Registration opens Spring 2026.</span></strong></font><span
              style="color:black"></span></p>
          <p><br>
          </p>
          <pre class="moz-signature" cols="72">-- 
Prof. Paul Fryer MA, PhD, FRSA, FHEA.
Visiting Professor, School of Performance and Cultural Industries, University of Leeds (UK).
Co-Director, The Stanislavsky Research Centre (University of Leeds/University of Malta)
Consultant Editor, Stanislavski Studies
Series Editor, Stanislavsky And...</pre>
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