<div dir="ltr"><div><p class="MsoNormal" style="margin:0in 0in 8pt;line-height:18.4px;font-size:12pt;font-family:Calibri,sans-serif"><b><i><span style="font-family:Arial,sans-serif">Now Available Online: </span></i></b></p><p class="MsoNormal" style="margin:0in 0in 8pt;line-height:18.4px;font-size:12pt;font-family:Calibri,sans-serif"><b><i><span style="font-family:Arial,sans-serif"> </span></i></b></p><p class="MsoNormal" style="margin:0in 0in 8pt;line-height:18.4px;font-size:12pt;font-family:Calibri,sans-serif"><b><i><span style="font-family:Arial,sans-serif"><a href="https://www.thesegalcenter.org/jadt" target="_blank" style="color:rgb(5,99,193)">Journal of American Drama & Theatre</a></span></i></b></p><p class="MsoNormal" style="margin:0in 0in 8pt;line-height:18.4px;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif">Volume 38.1</span></b></p><p class="MsoNormal" style="margin:0in;line-height:normal;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif"> </span></p><p class="MsoNormal" style="margin:0in;line-height:14.7pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in">EDITORIAL</span></b></p><p class="MsoNormal" style="margin:0in;line-height:14.7pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black"> </span></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif;color:black"><a href="https://www.thesegalcenter.org/jadt/introduction" target="_blank" style="color:rgb(5,99,193)">Introduction</a></span></b></p><p class="MsoNormal" style="margin:0in;line-height:16.8pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in">Benjamin Gillespie and Bess Rowen</span></p><p class="MsoNormal" style="margin:0in;line-height:16.8pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black"> </span></p><p class="MsoNormal" style="margin:0in;line-height:14.7pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in">ARTICLES</span></b></p><p class="MsoNormal" style="margin:0in;line-height:14.7pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black"> </span></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif;color:black"><a href="https://www.thesegalcenter.org/jadt/fat-suits-and-fat-futures%3A-ob*sity-drag-in-the-whale" target="_blank" style="color:rgb(5,99,193)">Fat Suits and Fat Futures: Ob*sity Drag in <i>The Whale</i></a></span></b></p><p class="MsoNormal" style="margin:0in;line-height:16.8pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in">Teya Juarez</span></p><p class="MsoNormal" style="margin:0in;line-height:16.8pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black"> </span></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif;color:black"><a href="https://www.thesegalcenter.org/jadt/%E2%80%9Cthe-star-of-the-aggregation%E2%80%9D%3A-maggie-calloway%E2%80%99s-performances-of-aggregation-and-pleasure-in-colonial-manila-and-british-malaya" target="_blank" style="color:rgb(5,99,193)">“The Star of the Aggregation”: Maggie Calloway’s Performances of Aggregation and Pleasure in Colonial Manila and British Malaya</a></span></b></p><p class="MsoNormal" style="margin:0in;line-height:16.8pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in">Jewel Pereyra</span><span style="font-family:Arial,sans-serif;color:black"></span></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:rgb(28,73,128);border:1pt none windowtext;padding:0in"> </span></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif;color:black"><a href="https://www.thesegalcenter.org/jadt/what%E2%80%99s-at-stake%3F-sustaining-deij-in-u.s.-theatre" target="_blank" style="color:rgb(5,99,193)">What’s at Stake? Sustaining DEIJ in U.S. Theatre</a></span></b></p><p class="MsoNormal" style="margin:0in;line-height:16.8pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in">Heather S. Nathans, Javier Hurtado, Benny Sato Ambush, Henry Bial, Kristoffer Diaz, Kim Marra, Harvey Young</span><span style="font-family:Arial,sans-serif;color:black"></span></p><p class="MsoNormal" style="margin:0in;line-height:14.7pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:rgb(28,73,128);border:1pt none windowtext;padding:0in"> </span></p><p class="MsoNormal" style="margin:0in;line-height:14.7pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in">QUEER VOICES INTERVIEWS</span></b></p><p class="MsoNormal" style="margin:0in;line-height:14.7pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in"> </span></b></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif;color:black"><a href="https://www.thesegalcenter.org/jadt/the-gift-that-keeps-on-giving%E2%80%9D%3A-an-interview-with-carmelita-tropicana" target="_blank" style="color:rgb(5,99,193)">"The Gift That Keeps on Giving": An Interview with Carmelita Tropicana</a></span></b></p><p class="MsoNormal" style="margin:0in;line-height:16.8pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in">Alex Ferrone</span><span style="font-family:Arial,sans-serif;color:black"></span></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:rgb(28,73,128);border:1pt none windowtext;padding:0in"> </span></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif;color:black"><a href="https://www.thesegalcenter.org/jadt/saying-the-f-word%3A-a-conversation-with-jordan-tannahill" target="_blank" style="color:rgb(5,99,193)">Saying The F Word: A Conversation with Jordan Tannahill</a></span></b></p><p class="MsoNormal" style="margin:0in;line-height:16.8pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in">Benjamin Gillespie</span><span style="font-family:Arial,sans-serif;color:black"></span></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:rgb(28,73,128);border:1pt none windowtext;padding:0in"> </span></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif;color:black"><a href="https://www.thesegalcenter.org/jadt/staging-intimacy-and-paradox-through-a-queer-lens%3A--a-conversation-with-jen-silverman" target="_blank" style="color:rgb(5,99,193)">Staging Intimacy and Paradox through a Queer Lens: A Conversation with Jen Silverman</a></span></b></p><p class="MsoNormal" style="margin:0in;line-height:16.8pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in">Jen-Scott Mobley and Maya E. Roth</span><span style="font-family:Arial,sans-serif;color:black"></span></p><p class="MsoNormal" style="margin:0in;line-height:14.7pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:rgb(28,73,128);border:1pt none windowtext;padding:0in"> </span></p><p class="MsoNormal" style="margin:0in;line-height:14.7pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in">BOOK REVIEWS</span></b><b><span style="font-family:Arial,sans-serif;color:black"></span></b></p><p class="MsoNormal" style="margin:0in;line-height:14.7pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in"><br></span></b></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><b><i><span style="font-family:Arial,sans-serif;color:black"><a href="https://www.thesegalcenter.org/jadt/decentered-playwriting%3A-alternative-techniques-for-the-stage.-edited-by-carolyn-m.-dunn%2C-eric-micha-holmes%2C-and-les-hunter.-new-york%3A-routledge%2C-2024%3B-pp.-212.-" target="_blank" style="color:rgb(5,99,193)">Decentered Playwriting: Alternative Techniques for the Stage</a></span></i></b><b><span style="font-family:Arial,sans-serif;color:black">. Edited by Carolyn M. Dunn, Eric Micha Holmes, and Les Hunter. New York: Routledge, 2024; Pp. 212.</span></b></p><p class="MsoNormal" style="margin:0in;line-height:16.8pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in">Lauren Friesen</span><span style="font-family:Arial,sans-serif;color:black"></span></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in"> </span></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><b><i><span style="font-family:Arial,sans-serif;color:black"><a href="https://www.thesegalcenter.org/jadt/race-and-the-forms-of-knowledge%3A-technique%2C-identity%2C-and-place-in-artistic-research.-ben-spatz.-evanston%3A-northwestern-university-press%2C-2024%3B-pp.-314.-" target="_blank" style="color:rgb(5,99,193)">Race and the Forms of Knowledge: Technique, Identity, and Place in Artistic Research</a></span></i></b><b><span style="font-family:Arial,sans-serif;color:black">. Ben Spatz. Evanston: Northwestern University Press, 2024; Pp. 314.</span></b></p><p class="MsoNormal" style="margin:0in;line-height:16.8pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in">Henry Bial</span><span style="font-family:Arial,sans-serif;color:black"></span></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in"> </span></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><b><i><span style="font-family:Arial,sans-serif;color:black"><a href="https://www.thesegalcenter.org/jadt/bloody-tyrants-%26-little-pickles%3A-stage-roles-of-anglo-american-girls-in-the-nineteenth-century.-marlis-schweitzer.-iowa-city%3A-university-of-iowa-press%2C-2020%3B-pp.-276.-" target="_blank" style="color:rgb(5,99,193)">Bloody Tyrants & Little Pickles: Stage Roles of Anglo-American Girls in the Nineteenth Century</a>.</span></i></b><b><span style="font-family:Arial,sans-serif;color:black"> Marlis Schweitzer. Iowa City: University of Iowa Press, 2020; Pp. 276.</span></b></p><p class="MsoNormal" style="margin:0in;line-height:16.8pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in">Eileen Curley</span><span style="font-family:Arial,sans-serif;color:black"></span></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in"> </span></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><b><i><span style="font-family:Arial,sans-serif;color:black"><a href="https://www.thesegalcenter.org/jadt/redface%3A-race%2C-performance%2C-and-indigeneity.-bethany-hughes.-new-york%3A-new-york-university-press%2C-2024%3B-pp.-272.-" target="_blank" style="color:rgb(5,99,193)">Redface: Race, Performance, and Indigeneity</a>.</span></i></b><b><span style="font-family:Arial,sans-serif;color:black"> Bethany Hughes. New York: New York University Press, 2024; Pp. 272.</span></b></p><p class="MsoNormal" style="margin:0in;line-height:16.8pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in">Sierra Rosetta</span></p><p class="MsoNormal" style="margin:0in;line-height:16.8pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black"> </span></p><p class="MsoNormal" style="margin:0in;line-height:14.7pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in">PERFORMANCE REVIEWS</span></b></p><p class="MsoNormal" style="margin:0in;line-height:14.7pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif;color:black"> </span></b></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><b><i><span style="font-family:Arial,sans-serif;color:black"><a href="https://www.thesegalcenter.org/jadt/the-brothers-size-" target="_blank" style="color:rgb(5,99,193)">The Brothers Size</a></span></i></b></p><p class="MsoNormal" style="margin:0in;line-height:16.8pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in">Isaiah Matthew Wooden</span><span style="font-family:Arial,sans-serif;color:black"></span></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in"> </span></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><b><i><span style="font-family:Arial,sans-serif;color:black"><a href="https://www.thesegalcenter.org/jadt/dead-outlaw" target="_blank" style="color:rgb(5,99,193)">Dead Outlaw</a></span></i></b></p><p class="MsoNormal" style="margin:0in;line-height:16.8pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in">Elliot Lee</span><span style="font-family:Arial,sans-serif;color:black"></span></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in"> </span></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif;color:black"><a href="https://www.thesegalcenter.org/jadt/2025-oregon-shakespeare-festival" target="_blank" style="color:rgb(5,99,193)">2025 Oregon Shakespeare Festival</a></span></b></p><p class="MsoNormal" style="margin:0in;line-height:16.8pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in">Lindsey Mantoan</span><span style="font-family:Arial,sans-serif;color:black"></span></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in"> </span></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><b><i><span style="font-family:Arial,sans-serif;color:black"><a href="https://www.thesegalcenter.org/jadt/zaz" target="_blank" style="color:rgb(5,99,193)">ZAZ</a></span></i></b></p><p class="MsoNormal" style="margin:0in;line-height:16.8pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in">William DeVito, Juanita Mejia Restrepo, M. Nance, Robert Pike, and Rufus ZaeJoDaeus</span><span style="font-family:Arial,sans-serif;color:black"></span></p><p class="MsoNormal" style="margin:0in;line-height:14.7pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:rgb(28,73,128);border:1pt none windowtext;padding:0in"> </span></p><p class="MsoNormal" style="margin:0in;line-height:14.7pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in">NEW ENGLAND THEATRE IN REVIEW</span></b></p><p class="MsoNormal" style="margin:0in;line-height:14.7pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif;color:black"> </span></b></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif;color:black"><a href="https://www.thesegalcenter.org/jadt/the-new-new-england-theatre-in-review-introduction" target="_blank" style="color:rgb(5,99,193)">Introduction: New England Theatre in Review <i>2.0</i></a><i></i></span></b></p><p class="MsoNormal" style="margin:0in;line-height:16.8pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in">Martha S. LoMonaco, Editor, New England Theatre in Review</span><span style="font-family:Arial,sans-serif;color:black"></span></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in"> </span></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif;color:black"><a href="https://www.thesegalcenter.org/jadt/greater-boston%E2%80%99s-independent-theatres%2C-2024-25-" target="_blank" style="color:rgb(5,99,193)">Greater Boston’s Independent Theatres, 2024-25</a></span></b></p><p class="MsoNormal" style="margin:0in;line-height:16.8pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in">Paul E. Fallon</span><span style="font-family:Arial,sans-serif;color:black"></span></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in"> </span></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif;color:black"><a href="https://www.thesegalcenter.org/jadt/politics-take-center-stage-in-the-berkshires%2C-2024-25--" target="_blank" style="color:rgb(5,99,193)">Politics Take Center Stage in the Berkshires, 2024-25</a></span></b></p><p class="MsoNormal" style="margin:0in;line-height:16.8pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in">Steven Otfinoski</span><span style="font-family:Arial,sans-serif;color:black"></span></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in"> </span></p><p class="MsoNormal" style="margin:0in;line-height:18.9pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><b><span style="font-family:Arial,sans-serif;color:black"><a href="https://www.thesegalcenter.org/jadt/long-wharf-theatre%2C-2024-25--" target="_blank" style="color:rgb(5,99,193)">Long Wharf Theatre, 2024-25</a></span></b></p><p class="MsoNormal" style="margin:0in;line-height:16.8pt;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;color:black;border:1pt none windowtext;padding:0in">Karl G. Ruling</span><span style="font-family:Arial,sans-serif;color:black"></span></p><p class="MsoNormal" style="margin:0in;line-height:normal;vertical-align:baseline;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif"> </span></p><p class="MsoNormal" style="margin:0in 0in 8pt;line-height:18.4px;font-size:12pt;font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif"> </span></p><p class="MsoNormal" style="margin:0in 0in 8pt;line-height:18.4px;font-size:12pt;font-family:Calibri,sans-serif"><i><span style="font-family:Arial,sans-serif;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial">Founded in 1989, the Journal of American Drama and Theatre (JADT) is a widely acclaimed peer-reviewed journal publishing thoughtful and innovative work by leading scholars on theatre, drama, and performance in the Americas—past and present. JADT is now accepting submissions for essays on any topics relating to theatre, drama, and popular entertainments of the Americas for consideration. Please submit completed manuscripts to <a href="mailto:jadtjournal@gmail.com" target="_blank" style="color:rgb(5,99,193)"><span style="color:rgb(17,85,204)">jadtjournal@gmail.com</span></a>. <br><br>JADT now publishes performance reviews on theatre, drama, and performance in the Americas. Please contact Performance Review Editor Jennifer Joan Thompson in advance to propose a review at <a href="mailto:jadtperformancereviews@gmail.com" target="_blank" style="color:rgb(5,99,193)"><span style="color:rgb(17,85,204)">jadtperformancereviews@gmail.com</span></a>. JADT also publishes book reviews. If you would like to propose a book review, please email the Book Review Editor Stephanie Lim at <a href="mailto:jadtbookreviews@gmail.com" target="_blank" style="color:rgb(5,99,193)"><span style="color:rgb(17,85,204)">jadtbookreviews@gmail.com</span></a>. </span></i></p></div><div><div dir="ltr" class="gmail_signature" data-smartmail="gmail_signature"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr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