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<span class="elementToProof"><b><u>Call for Papers</u></b></span></div>
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<span class="elementToProof"><b><u> </u>Performance, Migration, and Nationalism Working Group </b></span></div>
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<span class="elementToProof"><b>CATR 2026 conference</b></span></div>
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<span class="elementToProof"><b>Inheritances in Transition: Rehearsing Change for Theatre and Performance Futures.</b></span></div>
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<span class="elementToProof"><b> Time and place for the WG meeting: June 12-13, 2026 (Act II), Online </b></span></div>
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<span class="elementToProof"><b> </b></span></div>
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<span class="elementToProof"><b>Abstract (250 words) submission deadline: March 15, 2026</b></span></div>
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<span style="color: rgb(0, 0, 0);"><b>CONTACT and SUBMISSION EMAIL: </b>SHEETALA BHAT at
</span><span style="color: rgb(12, 100, 192);" class="elementToProof">bsheetal@yorku.ca</span></div>
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<span class="elementToProof"><b>Deadline to share a draft of your conference paper: May 1, 2026 </b></span></div>
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<span class="elementToProof"><b> </b></span></div>
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<span class="elementToProof">The CATR 2026 conference invites us to reflect on the
<i>inheritances</i> of our field at a moment of profound political and cultural transition, marked by rise of right-wing nationalisms, climate change, polarizing technologies, forced displacement, and shifting geopolitical power. Theatre, dance, and performance
practitioners engaging with questions of migration have long negotiated inherited traditions and national belongings, while simultaneously rehearsing new futures and (re)making communities. </span></div>
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<span class="elementToProof">The <b>CATR WG Performance, Migration and Nationalism</b> responds to this call by focusing our 2026 sessions on
<b>practices and dramaturgies of migration</b>. Performance has historically functioned as a space where lived experience intersects with artistic form. In migration contexts,
<i>rehearsing for the future</i> becomes a process of embodied negotiation, adaptation, and cultural exchange across borders. By foregrounding the
<b>practice of rehearsal</b>, we seek to illuminate the creative labour, ethical stakes, and collaborative methodologies that inform performance-making in migration contexts, and to consider how such practices intervene in the politics of mobility, belonging,
and representation.</span></div>
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<span class="elementToProof">Proposals may address, but are not limited to, the following:</span></div>
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<li style="font-family: Tahoma, Geneva, sans-serif; font-size: 12pt; color: rgb(0, 0, 0); line-height: normal;">
<span role="presentation" class="elementToProof">Reflections on creating or participating in performance projects concerning migration</span></li><li style="font-family: Tahoma, Geneva, sans-serif; font-size: 12pt; color: rgb(0, 0, 0); line-height: normal;">
<span role="presentation" class="elementToProof">Analyses of collaborative processes involving migrant, displaced, or refugee communities</span></li><li style="font-family: Tahoma, Geneva, sans-serif; font-size: 12pt; color: rgb(0, 0, 0); line-height: normal;">
<span role="presentation" class="elementToProof">Considerations of how performance challenges nationalist or exclusionary narratives and fosters inclusive imaginaries of community and belonging</span></li><li style="font-family: Tahoma, Geneva, sans-serif; font-size: 12pt; color: rgb(0, 0, 0); line-height: normal;">
<span role="presentation" class="elementToProof">Studies of dramaturgy, aesthetics, and politics in site-specific, community-based, or participatory works</span></li><li style="font-family: Tahoma, Geneva, sans-serif; font-size: 12pt; color: rgb(0, 0, 0); line-height: normal;">
<span role="presentation" class="elementToProof">Methodological approaches to researching, documenting, and archiving migration-related performance practices</span></li><li style="font-family: Tahoma, Geneva, sans-serif; font-size: 12pt; color: rgb(0, 0, 0); line-height: normal;">
<span role="presentation" class="elementToProof">Explorations of intersections and tensions between artistic and academic pedagogies, particularly with respect to artist-researcher identities.</span></li></ul>
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<span class="elementToProof"> </span></div>
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<span class="elementToProof">Our aim is to convene practitioners, participants, and researchers to propose new interdisciplinary approaches to migration
<i>in and through performance</i>, and to demonstrate the role of the arts in shaping public discourse on inclusion, sanctuary, academic freedom, free speech, and citizenship.</span></div>
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<span class="elementToProof">The 2026 meeting will take place online and will provide an opportunity not only to present work but also to collaboratively workshop ideas toward publication. We particularly encourage proposals that bridge scholarship and practice
and welcome contributions from across geographies, disciplines, and migration experiences.</span></div>
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<span class="elementToProof">We are looking for your proposals</span></div>
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<span class="elementToProof">Sheetala Bhat, Yana Meerzon, Steve Wilmer (co-conveners of the group)</span></div>
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<p style="margin-top: 1em; margin-bottom: 1em;" class="elementToProof"><span style="font-family: "Times New Roman", serif; font-size: 10pt; color: rgb(0, 0, 0);"><b>Yana Meerzon</b></span></p>
<p style="margin-top: 0cm; margin-bottom: 0cm;" class="elementToProof"><span style="font-family: "Times New Roman", serif; font-size: 10pt; color: rgb(0, 0, 0);">Professeure titulaire| Full Professor</span></p>
<p style="margin-top: 0cm; margin-bottom: 0cm;" class="elementToProof"><span style="font-family: "Times New Roman", serif; font-size: 10pt; color: black;">Directrice des études théâtrales | Director of Theatre Studies</span></p>
<p style="margin-top: 0cm; margin-bottom: 0cm;" class="elementToProof"><span style="font-family: "Times New Roman", serif; font-size: 10pt; color: black;">Département de théâtre | Department of Theatre<br>
Université d’Ottawa | University of Ottawa<br>
135 Séraphin-Marion, bureau 304B<br>
Ottawa (ON), Canada, K1N 6N5</span></p>
<p style="margin-top: 0cm; margin-bottom: 0cm;" class="elementToProof"><span style="font-family: "Times New Roman", serif; font-size: 10pt; color: rgb(36, 36, 36);"><a style="margin-top: 0px; margin-bottom: 0px;" class="ContentPasted0" href="https://uniweb.uottawa.ca/members/270">https://uniweb.uottawa.ca/members/270</a></span></p>
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<span style="font-family: "Times New Roman", serif; font-size: 10pt; color: rgb(32, 31, 30); background-color: white;"><a style="margin-top: 0px; margin-bottom: 0px;" title="http://www.critical-stages.org/19/the-essay-section-la-section-des-essais/" class="ContentPasted0" target="_blank" href="http://www.critical-stages.org/19/the-essay-section-la-section-des-essais/">Editor.
Critical Stages/Scènes critiques</a></span><span style="font-family: "Times New Roman", serif; font-size: 10pt; color: rgb(32, 31, 30);"><br>
</span><span style="font-family: "Times New Roman", serif; font-size: 10pt; color: rgb(12, 100, 192);"><a style="color: rgb(12, 100, 192); margin-top: 0px; margin-bottom: 0px;" title="https://www.springer.com/series/17066" class="ContentPasted0" target="_blank" href="https://www.springer.com/series/17066">Co-Editor.
Palgrave Studies in Performance and Migration (book series)</a></span></p>
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