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Dear Colleagues,</div>
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Apologies for the cross-posting.</div>
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Sharing a new publication: </div>
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Marcus Cheng Chye Tan, <i><a href="https://link.springer.com/book/10.1007/978-3-032-08584-9" data-outlook-id="6414dd7f-2d9a-49d2-b53b-1b438b982333">Theatrimusicality: Spectauralising Performance</a></i> (Palgrave, 2026)</div>
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<b>About the Book</b></div>
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<span style="text-transform: none;">Situated at the interstice of music and theatre studies,
<i>Theatrimusicality: Spectauralising Performance</i> reframes the dynamic interplay of theatricality and musicality and theorises<i> </i>theatrimusicality as a conceptual consequent of analysing contemporary performance practices that lie in the intersection
between theatre and music. The book establishes theatrimusicality as a hermeneutic apparatus and a dramaturgical approach to examining these works of the ‘in-between’ that defy neat taxonomies. Examining the co-transformative inter-workings, where the musical
frames the theatrical even as the theatrical fashions the musical, Tan demonstrates how theatrimusicality allows new ways of meaning-making and analysis. The book also introduces an accompanying concept of spectaurality, a mode of reception that involves ‘seeing’
musicality and ‘listening’ to theatricality. Encountering performance spectaurally engenders alternative interpretive and affective experiences. Through deep analyses of a range of performances from varying cultures and contexts,
<i>Theatrimusicality</i> encourages an appreciation of the co-presence of listening and seeing where perception becomes intertwined and relational.</span></div>
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Get 20% off with this code: PALAUT</div>
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Regards,</div>
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Marcus</div>
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<span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;"><b>Marcus TAN (Dr)
</b></span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: red;">|</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;"> Associate Professor
</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: red;">|
</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;">Visual and Performing Arts
</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: red;">|</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;"> National Institute of Education, Nanyang Technological University
</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: red;">|</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;"> Chair,
</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: rgb(0, 112, 192);"><u><a href="https://www.ntu.edu.sg/nie/about-us/academic-departments/visual-and-performing-arts/visiting-artist-programme" title="https://www.ntu.edu.sg/nie/about-us/academic-departments/visual-and-performing-arts/visiting-artist-programme" data-outlook-id="caa71a0d-7a44-4707-bfd4-b12ed1993a01" style="color: rgb(0, 112, 192); margin-top: 0px; margin-bottom: 0px;">NIE
Visiting Artist Programme</a></u></span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;"> </span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: red;">|</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;"> Programme
Leader, Practicum </span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: red;">|
</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;">Assistant Editor,
</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: rgb(5, 99, 193);"><i><u><a href="https://www.cambridge.org/core/journals/theatre-research-international" title="https://www.cambridge.org/core/journals/theatre-research-international" data-outlook-id="af85e6d3-f137-44d5-af40-a0a3ab79b13f" style="color: rgb(5, 99, 193); margin-top: 0px; margin-bottom: 0px;">Theatre
Research International</a></u></i></span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;"><i> </i></span><span style="font-family: Arial, sans-serif; font-size: 13px;">(Taylor and Francis)
</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: rgb(47, 85, 151);">|
</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: rgb(0, 112, 192);"><u><a href="https://www.iftr.org/organisation/executive-committee" title="https://www.iftr.org/organisation/executive-committee" data-outlook-id="a31ed069-6350-4bf6-9ad3-831cdeef65f7" style="color: rgb(0, 112, 192); margin-top: 0px; margin-bottom: 0px;">Secretary-General
(Communications)</a></u>, </span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;">International Federation for Theatre Research
</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: red;">|</span></p>
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<span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;">NIE 03-03-61, 1 Nanyang Walk, Singapore 637616 </span></p>
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<span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;"><b>T</b>: (65) 6790-3552
</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: gray;">GMT+8h</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;"> </span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: red;">|</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;"> <b>F</b>:
(65) 6896-9143 </span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: red;">|</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;"> <b>E</b>:
</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: rgb(5, 99, 193);"><u><a href="mailto:marcus.tan@nie.edu.sg" title="mailto:marcus.tan@nie.edu.sg" data-outlook-id="95cb3382-c47b-42cf-841f-ac2fb554ff12" style="color: rgb(5, 99, 193); margin-top: 0px; margin-bottom: 0px;">marcus.tan@nie.edu.sg</a></u></span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;"> </span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: red;">|</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;"> </span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: blue;"><u><a href="https://dr.ntu.edu.sg/cris/rp/rp01583" title="https://dr.ntu.edu.sg/cris/rp/rp01583" data-outlook-id="34a30d45-7bc4-40c4-a979-d4aaf3219e53" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Profile</a></u></span></p>
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<span style="font-family: initial; font-size: 10pt; color: blue;"><u><a href="file:///Applications/Microsoft%20Outlook.app/Contents/Frameworks/EmailRendererKit.framework/Resources/reactRenderer_mac.html#_https://orcid.org/0000-0003-4481-1772" title="#_https://orcid.org/0000-0003-4481-1772" data-outlook-id="d1aff102-3da1-4fd6-bf28-45b0c30c4987" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><img src="cid:EC16FD4E-B1A4-4FAA-AA5A-E93FC01FCE44" alt="Image" id="Picture_x0020_11" width="15" height="15" style="width: 0.1666in; height: 0.1666in; max-width: 100%; margin-top: 0px; margin-bottom: 0px;"></a></u></span><span style="font-family: Helvetica, sans-serif; font-size: 10pt; color: blue;"><u><a href="file:///Applications/Microsoft%20Outlook.app/Contents/Frameworks/EmailRendererKit.framework/Resources/reactRenderer_mac.html#_https://orcid.org/0000-0003-4481-1772" title="#_https://orcid.org/0000-0003-4481-1772" data-outlook-id="d1aff102-3da1-4fd6-bf28-45b0c30c4987" style="color: blue; margin-top: 0px; margin-bottom: 0px;"> </a></u></span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: blue;"><u><a href="file:///Applications/Microsoft%20Outlook.app/Contents/Frameworks/EmailRendererKit.framework/Resources/reactRenderer_mac.html#_https://orcid.org/0000-0003-4481-1772" title="#_https://orcid.org/0000-0003-4481-1772" data-outlook-id="d1aff102-3da1-4fd6-bf28-45b0c30c4987" style="color: blue; margin-top: 0px; margin-bottom: 0px;">https://orcid.org/0000-0003-4481-1772</a></u></span></p>
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<span style="font-family: Aptos, sans-serif; font-size: 10pt; color: rgb(33, 33, 33);"><img src="cid:C01F21EE-FFF0-44C5-827B-3D99649C5BB9" alt="Image" id="Picture_x0020_1" data-origin-cid="C01F21EE-FFF0-44C5-827B-3D99649C5BB9" data-origin-width="256" data-origin-height="99" width="255" height="98" style="width: 2.6666in; height: 1.0312in; max-width: 100%; margin-top: 0px; margin-bottom: 0px;"></span></p>
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<span style="font-family: Arial, Arial, Helvetica, sans-serif; font-size: 10pt; color: rgb(33, 33, 33);"><b>Out now:</b></span></p>
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<span style="font-family: Arial, Arial, Helvetica, sans-serif; font-size: 10pt; color: rgb(33, 33, 33);"><b><img src="cid:9E0159F1-E872-46F7-82B7-7531ED6960EA" alt="1772066926209-db8cfb98-5ac2-4bae-90bb-f5bfaed07db5_1.png" id="id-9E0159F1-E872-46F7-82B7-7531ED6960EA" width="495" height="114" style="width: 495px; height: 114px; max-width: 100%; margin-top: 0px; margin-bottom: 0px;"></b></span></p>
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<span style="font-family: Arial, Arial, Helvetica, sans-serif; font-size: 13px; color: rgb(33, 33, 33);">Tan, Marcus Cheng Chye,
<i>Theatrimusicality: Spectauralising Performance </i>(Palgrave Macmillan, Feb 2026)
</span><span style="font-family: Arial, Arial, Helvetica, sans-serif; font-size: 13px; color: rgb(0, 0, 0);"><a href="https://link.springer.com/book/10.1007/978-3-032-08584-9" data-outlook-id="bfc8dd0c-2928-4dbc-8d7a-9b5e37bd4b33" style="margin-top: 0px; margin-bottom: 0px;">https://link.springer.com/book/10.1007/978-3-032-08584-9</a></span></p>
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<span style="font-family: Arial, Arial, Helvetica, sans-serif; font-size: 10pt; color: rgb(33, 33, 33);"><b>Forthcoming:</b></span></p>
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<span style="font-family: Arial, Arial, Helvetica, sans-serif; font-size: 10pt; color: rgb(33, 33, 33);">Tan, Marcus Cheng Chye, ‘What’s in a Name: The (Un)Making of a Singapore Theatre Company’,
<i>Theatre Research International </i>51.1 (Mar 2026)</span></p>
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<span style="font-family: Arial, Arial, Helvetica, sans-serif; font-size: 10pt; color: rgb(33, 33, 33);">Havelkova, Tereza and Marcus Cheng Chye Tan,
<i>Music Theater and Politics: Restaging Histories, Decentering Perspectives </i>
(Oxford University Press, 2026)</span></p>
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<span style="font-family: Arial, Arial, Helvetica, sans-serif; font-size: 10pt; color: rgb(33, 33, 33);">Duffy, Peter, Beth Murray, Mercy Mirembe Ntangaare, Zeki Ozer, Richard Sallis, Chris Summers, Marcus Cheng Chye Tan and Wang Wan-jung,
<i>Devising in Times of Crisis: Practices for a Post-Pandemic World</i> (Routledge, 2026)</span></p>
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