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    <p>A quick reminder that <b>Early Bird booking</b> (which saves 20%
      on the full rate) ends on <b>Monday 18th May</b>.</p>
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        <p><font face="Calibri,sans-serif" size="2"><b>The S Word:
              Stanislavsky and the Digital.</b></font></p>
        <p><font face="Calibri,sans-serif" size="2"><u>Online booking
              now open </u></font></p>
        <p><font face="Calibri,sans-serif" size="2">Reduced rates for
            DramaHE/ATHE members, students, unwaged and retired.</font></p>
        <p><font face="Calibri,sans-serif" size="2">Please book online @
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              href="http://www.ticketsource.com/the-s-word"
              moz-do-not-send="true">www.ticketsource.com/the-s-word</a></font></p>
        <p><b>Annual Symposium | The Stanislavsky Research Centre
            (Leeds/Malta) in partnership with the School of Arts and
            Creative Industries, University of East London</b></p>
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          📅 <b>17–19 June 2026</b><br>
          📍 University of East London, Stratford, London E15 4LZ.</div>
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          <b>Keynote Speaker:</b> Mike Leigh in conversation with Aletia
          Badenhorst<br>
          <b>Jean Benedetti Lecture:</b> <i>Vakhtangov in the MoCap
            Studio</i> – Tom Linden-McCarron & Robin Berry</div>
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          <b>Co-Conveners:</b><br>
          Dr Evi Stamatiou (University of East London), Dr Zuzana
          Jurechová (DAMU, Prague), Prof. Paul Fryer (Stanislavsky
          Research Centre)</div>
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          <i>The S Word: Stanislavsky and the Digital</i> is an
          international interdisciplinary symposium exploring how
          Stanislavsky’s legacy is transformed by the technologies
          shaping contemporary performance.</div>
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          As digital tools redefine how we make, teach, and experience
          performance, the symposium asks how ideas of truth, presence,
          embodiment, and emotion evolve across virtual and hybrid
          spaces. From VR/AR, motion capture, AI and gaming environments
          to vertical filmmaking, immersive storytelling, and online
          collaboration, we explore what happens to the Stanislavskian
          System when the actor’s instruments include data, sensors, and
          avatars.</div>
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          Bringing together scholars, artists, educators, technologists,
          and practitioners, the event creates a space for critical and
          practice-based exchange on screen performance, digital
          scenography, immersive media, and pedagogical innovation.</div>
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          At its core, the symposium asks: what does it mean to train
          and perform “truthfully” in mediated environments - and how
          might Stanislavskian principles adapt, expand, or break under
          digital conditions?</div>
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          Now in its tenth year, <i>The S Word</i>, founded by Bella
          Merlin and Paul Fryer, continues its mission to connect
          historical practice with contemporary innovation, extending
          its dialogue into the digital future of performance.</div>
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          <pre class="moz-signature">-- 
Prof. Paul Fryer MA, PhD, FRSA, FHEA.
Visiting Professor, School of Performance and Cultural Industries, University of Leeds (UK).
Co-Director, The Stanislavsky Research Centre (University of Leeds/University of Malta)
Consultant Editor, Stanislavski Studies
Series Editor, Stanislavsky And...

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