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Dear Colleagues,</div>
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Apologies for the cross-posting.</div>
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<i></i>________________________</div>
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<span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><b><i><img src="cid:2A4D9872-3A87-415D-8706-D604C7566D9B" alt="rtri20.v051.i01.largecover.jpg" id="id-2A4D9872-3A87-415D-8706-D604C7566D9B" width="327" height="423" style="width: 327.087209px; height: 423px; max-width: 100%; margin-top: 0px; margin-bottom: 0px;"></i></b></span></p>
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<span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><b><i>Theatre Research International</i></b> </span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/toc/rtri20/current" target="_blank" data-outlook-id="a1acd1ac-45b5-4075-bd47-93052a1c4ebb" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Vol.
51 Issue 1 </a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">is finally out and it's available on Taylor & Francis, our new publisher.<br>
<br>
We apologise for this delay as the transfer to Taylor & Francis meant new processes needed to be attended to, but we're truly glad
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/toc/rtri20/current" target="_blank" data-outlook-id="8716504b-1904-4245-97ab-9cb5d0b392df" style="color: blue; margin-top: 0px; margin-bottom: 0px;">51.1</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"> is
now published. Unveiling a new cover design and colours which reflect the IFTR's,
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/toc/rtri20/current" target="_blank" data-outlook-id="1072c010-ac03-472d-98c0-5263da3d09a2" style="color: blue; margin-top: 0px; margin-bottom: 0px;">51.1</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"> also
charts a new direction for TRI, with expanded content and new article-types. <br>
<br>
IFTR members may access the journal via the </span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://iftr.org/about/journal/" target="_blank" data-outlook-id="53acb6eb-c025-4616-98b2-8e742ec0544b" style="color: blue; margin-top: 0px; margin-bottom: 0px;">IFTR
website</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"> with their account login and password. </span></p>
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<span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
<b>Editorial</b><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2616153" data-outlook-id="b4dba24d-19db-4f30-9204-7d31a6e4e765" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><b>On
new developments and opportunities, and on remembering and resisting</b></a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/Fitzpatrick%2C+Lisa" data-outlook-id="47a1186d-b870-4cfd-8439-9d34fd74e59a" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Lisa
Fitzpatrick</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
<br>
<b>Research Articles</b><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2631810" data-outlook-id="4082a5dd-f39c-4123-a023-09f1d5ea8f4c" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><b>Documenting,
representing, and remembering the Jeju 4.3 in Korean theatre and performance</b></a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/Jeong%2C+Areum" data-outlook-id="68431e46-012e-41cb-b13b-4d42ef4013d2" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Areum
Jeong</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
<br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2649380" data-outlook-id="eb91cad5-6d4c-415c-a55d-68db741da644" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><b>Women
dancers of World War II: performance, autobiography, and emotional histories of war</b></a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/Basu%2C+Priyanka" data-outlook-id="7d64c3e0-220e-447e-87ed-a9e9ecf19723" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Priyanka
Basu</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
<br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2632478" data-outlook-id="635ab646-5695-4a1d-a209-e33aea674e6e" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><b>Algorithmic
authorship: evaluating creative merit in human versus AI-generated theatre</b></a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/Elias%2C+Silvia+Alfred" data-outlook-id="b322f3ce-b54f-4b4e-b3e0-1bc62e7c0383" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Silvia
Alfred Elias</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
<br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2632784" data-outlook-id="00bc91b3-88dc-418c-a64b-aa4e99124db3" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><b>‘The
global choir of the dead and living turning into oil’: the world dramas of oil in Iran and beyond, the infrastructural vision in Amir Gudarzi’s
<i>Wonderwomb</i></b></a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/Fakhrkonandeh%2C+Alireza" data-outlook-id="2ea130f7-e5a3-4bae-883e-4e534855a3de" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Alireza
Fakhrkonandeh</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
<br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2632479" data-outlook-id="9995de22-e1e9-4878-ae45-7e5d98fde388" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><b>Staging
the Chinese Civil War in a Chinese comedy: art, politics, and the quest for a happy ending in
<i>The Interrupted Dream</i></b></a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/Li%2C+Yuan" data-outlook-id="caca0a71-2158-4f65-b8bb-c615dabe101b" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Yuan
Li</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"> &
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/Beaumont%2C+Tim+%5C%28Corresponding+Author%5C%29" data-outlook-id="0977cc35-4932-4ba3-8982-a1157bbb2648" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Tim
Beaumont (Corresponding Author)</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
<br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2629673" data-outlook-id="7fd2662b-9587-4a66-8a34-4676351cfda5" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><b>Harnessing
sociolinguistic variation when writing documentary theatre</b></a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/French%2C+Claire" data-outlook-id="f67e7c89-b1a2-43d3-8bd7-9b6df1f9fbf1" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Claire
French</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
<br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2632480" data-outlook-id="568239e3-7287-435f-94b6-9def3d815502" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><b>Shifting
scenes: performing the Faroe Islands during World War II</b></a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/Kallenbach%2C+Ulla" data-outlook-id="c4fd07d3-164b-4199-9cf4-bd827e69bc99" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Ulla
Kallenbach</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"> &
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/Lawaetz%2C+Anna" data-outlook-id="38b37c90-22d2-4ee0-83cf-a9d2fc711cd5" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Anna
Lawaetz</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
<br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2632483" data-outlook-id="b7012db0-4b4e-48f9-bfa5-d256a74ee104" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><b>Framing
dramatic peccadillos of the Indian suburbs in contempt to contemporary: vibratos of Constellations and Don Juan Tenorio</b></a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/Kaushik%2C+Mayank+Dutt" data-outlook-id="ab9c2fe7-41d1-44ea-be5d-4c92c85ce478" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Mayank
Dutt Kaushik</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
<br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2652941" data-outlook-id="6921b8f1-1bca-4f7d-96fb-8f9dfdc1d5f1" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><b>‘What’s
in a name?’: The (un)making of a Singapore Theatre Company</b></a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/Tan%2C+Marcus+Cheng+Chye" data-outlook-id="d99cf0c9-fb66-481a-b526-a1e2b3f3b6e7" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Marcus
Cheng Chye Tan</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
<br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2632484" data-outlook-id="f4d9f915-01e7-40ac-9031-7257dc3f4a8c" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><b>Brecht
and Mei Lanfang: facts, fictions, and the <i>Verfremdungseffekt</i></b></a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/Tian%2C+Min" data-outlook-id="89988079-d8ba-4430-a7ad-c70eb48b365c" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Min
Tian</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
<br>
<b>Dossier: The Global Far Right in Theatre and Performance</b><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2632782" data-outlook-id="0e3c28ce-36d4-4ffd-b3ed-2e2075bfaf4d" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><b>The
global far right in theatre and performance: on ethics and methods</b></a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/Rodr%C3%ADguez-Sol%C3%A1s%2C+David" data-outlook-id="ace8e037-e282-4404-8d8f-d1c8899a0b68" style="color: blue; margin-top: 0px; margin-bottom: 0px;">David
Rodríguez-Solás</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"> &
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/Kalawski+Isla%2C+Andr%C3%A9s" data-outlook-id="af274177-5304-4398-b3a0-c84733b1cc62" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Andrés
Kalawski Isla</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
<br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2632191" data-outlook-id="ecaf5e00-4a52-48e8-8db8-8709ca2dcdc3" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><b>Hearing
the people sing, getting the people moving</b></a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/Fletcher%2C+John" data-outlook-id="91456b56-e9b6-4f77-8e58-c644384ca7db" style="color: blue; margin-top: 0px; margin-bottom: 0px;">John
Fletcher</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
<br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2637557" data-outlook-id="44e7fd65-2484-44b0-aa18-c28d3e982a5e" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><b>Performance
and Performativity: the Argentine Far Right in the Mirror</b></a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/Verzero%2C+Lorena" data-outlook-id="8df8a5b8-9794-4329-b9a2-f910bf13bb5b" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Lorena
Verzero</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
<br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2632785" data-outlook-id="57646e88-5d19-49a6-b6e2-2830ab177d3c" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><b>Performing
illiberalism in Hungary: the ambiguities of an illiberal theatre portrayed by Attila Vidnyánszky’s National Theatre in Budapest</b></a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/Herczog%2C+No%C3%A9mi" data-outlook-id="d0669e1c-e904-4cdf-aba8-cff31cd43d67" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Noémi
Herczog</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
<br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2658706" data-outlook-id="e065d363-1267-46e2-9ee4-044f87982f80" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><b>The
ghosts we breathe: theatre against Italian eternal fascism</b></a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/Sacchi%2C+Annalisa" data-outlook-id="b34ec9fa-75ba-40df-ac77-dddb5e51d64c" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Annalisa
Sacchi</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
<br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2657338" data-outlook-id="d624f859-8a58-47a2-8a94-ac36b465071b" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><b>The
long reach of the Roman Salute</b></a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/Jannarone%2C+Kimberly" data-outlook-id="0a4c3d85-4782-42e2-96e0-b2bb005c8af3" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Kimberly
Jannarone</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
<br>
<b>Roundtable</b><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2634146" data-outlook-id="340a4499-21d1-4a26-8e65-6eb8f92de727" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><b>Stages
of Gentrification: An International Roundtable</b></a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/Fi%C5%9Fek%2C+Emine" data-outlook-id="aef7bebc-188f-432a-9e1d-6d21371ea59f" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Emine
Fişek</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">,
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/Bellucci%2C+Aur%C3%A9lien" data-outlook-id="eae64150-8c6d-40d0-b13c-6b97817ced10" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Aurélien
Bellucci</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">,
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/Lissowska-Postaremczak%2C+Regina" data-outlook-id="2f8322e6-f313-4795-ab79-71783a74b34c" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Regina
Lissowska-Postaremczak</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">,
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/Prestwich%2C+Joseph" data-outlook-id="ce863440-04ac-42ab-b996-f0b29872f4e2" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Joseph
Prestwich</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"> &
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/Unger%2C+Clio" data-outlook-id="1a9e21f8-69dc-4d8c-91a9-f9ab1bf0b308" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Clio
Unger</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
<br>
<b>Book Review</b><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2616158" data-outlook-id="85941183-1458-4475-b48c-392510912923" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><b>The
only way out: the racial and sexual performance of escape</b></a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2616158" data-outlook-id="044dcb2d-b335-4d45-909d-33a8a5d33071" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><i>by
Katherine Brewer Ball, Durham, NC, Duke University Press, 2024, viii + 224 pp. + 13 b&w illus., $102.95 (Hb), ISBN 978- 1-4780-2604-4; $26.95 (pb), ISBN 978-1-4780-3027-0</i></a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/Ibarra+Cordero%2C+Andr%C3%A9s" data-outlook-id="66040a9a-2faa-4420-ad34-a41d62d30fa6" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Andrés
Ibarra Cordero</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
<br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2616159" data-outlook-id="57b6f49b-d9f7-4c05-becb-7fdd8f34c736" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><b>Early
modern media ecology</b></a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2616159" data-outlook-id="88333eff-cf53-4482-8f54-8223c80278b9" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><i>by
Peter Marx, Cambridge, Cambridge University Press, 2023, 142 pp., + 42 illus. $23 (pb) ISBN: 9781009298148</i></a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/Kamran%2C+Mohammed" data-outlook-id="e8c305f4-359f-48f9-b7f5-9299887b035a" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Mohammed
Kamran</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
<br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2616161" data-outlook-id="f0337bd7-c417-4f23-b2a6-c7963c402019" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><b>Acting
in Aotearoa</b></a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2616161" data-outlook-id="be55ba8e-9804-4c0c-b902-9bb6ef388831" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><i>edited
by Hilary Halba and David O’Donnell, London and New York, Routledge, 2025, 284 pp. + 24 Illus., £39.99 Pb, ISBN 9781032502816; £145 Hb, ISBN 9781032502809</i></a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/King%2C+Barry" data-outlook-id="4a7d9151-d62f-462d-9771-1dfc374d94c7" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Barry
King</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
<br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2616162" data-outlook-id="fc57fe01-cea3-4029-81ff-b46243d3806a" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><b>Performing
the queer past: public possessions</b></a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2616162" data-outlook-id="4ce4890f-2ccd-48fa-908a-943de44bbea2" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><i>by
Fintan Walsh, London, Methuen Drama, 2023, Pp. xiv + 230 + 17 illus. £85.00 (hb), ISBN 9781350297968; £28.99 (Pb), ISBN 9781350298002</i></a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/Thomas%2C+Rhodri+Lloyd" data-outlook-id="3a401535-e67a-45ce-98d9-dbe98e267eea" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Rhodri
Lloyd Thomas</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
<br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2616165" data-outlook-id="89949a8c-c83d-4689-81e2-82db32b1c2bf" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><b>Incarceration
games: a history of role-play in psychology, prisons, and performance</b></a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2616165" data-outlook-id="a2259eb3-6c15-40d3-aad3-f19a09276876" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><i>by
Stephen Scott-Bottoms, Ann Arbor, University of Michigan Press, 2024, xxv + 373 pp., $34.95 (pb), ISBN 9780472056712; $75.00 (hb), ISBN 9780472076710</i></a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/Ospina%2C+Yefferson" data-outlook-id="b3039100-865a-4b55-bd76-0e71a74dc954" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Yefferson
Ospina</a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
<br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2616166" data-outlook-id="c4b4aaec-1bc3-4195-a098-5d6ad79de49d" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><b>Theatre
and global development: performing partnerships</b></a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2616166" data-outlook-id="50391510-3f89-4bb0-9911-290625f3e4d7" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><i>by
Bobby Smith, Cham, Palgrave Macmillan, 2024, xvii + 239 pp., 5 b/w illus. $139.99 (hb), ISBN 978-3-031-55724-8; $139.99 (pb), ISBN 978-3-031-55727-9; $109.00 (eBook), ISBN 978-3-031-55725-5</i></a></span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"><br>
</span><span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: blue;"><a href="https://www.tandfonline.com/author/Bekele%2C+Tewodros+Yideg" data-outlook-id="8bda8fff-ac0f-4c57-b100-7d16ab79fb56" style="color: blue; margin-top: 0px; margin-bottom: 0px;">Tewodros
Yideg Bekele</a></span></p>
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<span style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);"> </span></p>
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<div style="direction: ltr; font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
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<div id="ms-outlook-mobile-signature">
<p style="text-align: left; text-indent: 0px; line-height: 1.5; background-color: white; margin: 0cm 0cm 3.75pt 0px;">
<span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;"><b>Marcus TAN (Dr)
</b></span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: red;">|</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;"> Associate Professor
</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: red;">|
</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;">Visual and Performing Arts
</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: red;">|</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;"> National Institute of Education, Nanyang Technological University
</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: red;">|</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;"> Chair,
</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: rgb(0, 112, 192);"><a href="https://www.ntu.edu.sg/nie/about-us/academic-departments/visual-and-performing-arts/visiting-artist-programme" title="https://www.ntu.edu.sg/nie/about-us/academic-departments/visual-and-performing-arts/visiting-artist-programme" data-outlook-id="caa71a0d-7a44-4707-bfd4-b12ed1993a01" style="color: rgb(0, 112, 192); margin-top: 0px; margin-bottom: 0px;"><u>NIE
Visiting Artist Programme</u></a></span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;"> </span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: red;">|</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;"> Programme
Leader, Practicum </span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: red;">|
</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;">Assistant Editor,
</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: rgb(5, 99, 193);"><a href="https://www.cambridge.org/core/journals/theatre-research-international" title="https://www.cambridge.org/core/journals/theatre-research-international" data-outlook-id="af85e6d3-f137-44d5-af40-a0a3ab79b13f" style="color: rgb(5, 99, 193); margin-top: 0px; margin-bottom: 0px;"><i><u>Theatre
Research International</u></i></a></span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;"><i> </i></span><span style="font-family: Arial, sans-serif; font-size: 13px; color: rgb(0, 0, 0);">(Taylor and Francis)
</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: rgb(47, 85, 151);">|
</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: rgb(0, 112, 192);"><a href="https://www.iftr.org/organisation/executive-committee" title="https://www.iftr.org/organisation/executive-committee" data-outlook-id="a31ed069-6350-4bf6-9ad3-831cdeef65f7" style="color: rgb(0, 112, 192); margin-top: 0px; margin-bottom: 0px;"><u>Secretary-General
(Communications)</u></a>, </span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;">International Federation for Theatre Research
</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: red;">|</span></p>
<p style="text-align: left; text-indent: 0px; line-height: 1.5; background-color: white; margin: 0cm 0cm 3.75pt 0px;">
<span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;">NIE 03-03-61, 1 Nanyang Walk, Singapore 637616 </span></p>
<p style="text-align: left; text-indent: 0px; line-height: 1.5; background-color: white; margin: 0cm 0cm 3.75pt 0px;">
<span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;"><b>T</b>: (65) 6790-3552
</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: gray;">GMT+8h</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;"> </span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: red;">|</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;"> <b>F</b>:
(65) 6896-9143 </span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: red;">|</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;"> <b>E</b>:
</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: rgb(5, 99, 193);"><a href="mailto:marcus.tan@nie.edu.sg" title="mailto:marcus.tan@nie.edu.sg" data-outlook-id="95cb3382-c47b-42cf-841f-ac2fb554ff12" style="color: rgb(5, 99, 193); margin-top: 0px; margin-bottom: 0px;"><u>marcus.tan@nie.edu.sg</u></a></span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;"> </span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: red;">|</span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: black;"> </span><span style="font-family: Arial, sans-serif; font-size: 10pt; color: blue;"><a href="https://dr.ntu.edu.sg/cris/rp/rp01583" title="https://dr.ntu.edu.sg/cris/rp/rp01583" data-outlook-id="34a30d45-7bc4-40c4-a979-d4aaf3219e53" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><u>Profile</u></a></span></p>
<p style="text-align: left; text-indent: 0px; line-height: 1.5; background-color: white; margin: 0px 0cm 0px 0px;">
<span style="letter-spacing: 0.25px; font-family: "Noto Sans", sans-serif; font-size: 14px; color: rgb(46, 127, 159); text-transform: none;"><a href="https://orcid.org/0000-0003-4481-1772" id="cy-html-preview" rel="me noopener noreferrer" data-outlook-id="8d951f63-3c11-4dea-945a-8cde63983221" style="color: rgb(46, 127, 159); text-decoration: none; margin-top: 0px; margin-bottom: 0px; text-align: left;"><img src="https://orcid.org/sites/default/files/images/orcid_16x16.png" alt="ORCID iD icon" id="img-7d573359-e8ae-41b1-8f21-b566d1fdb88c" style="width: 1em; max-width: 100%; margin-top: 0px; margin-bottom: 0px;"> https://orcid.org/0000-0003-4481-1772</a></span></p>
<p style="direction: ltr; text-align: left; text-indent: 0px; line-height: 1.5; background-color: white; margin: 0px 0cm 0px 0px;">
<span style="font-family: Aptos, sans-serif; font-size: 10pt; color: rgb(33, 33, 33);"><img src="cid:82450175-57E8-41F8-B84D-5660C619EBC1" alt="Image" id="Picture_x0020_1" data-origin-cid="C01F21EE-FFF0-44C5-827B-3D99649C5BB9" data-origin-width="256" data-origin-height="99" data-original-cid="C01F21EE-FFF0-44C5-827B-3D99649C5BB9" width="256" height="99" style="width: 256px; height: 99px; max-width: 100%; margin-top: 0px; margin-bottom: 0px;"></span></p>
<p style="text-align: left; text-indent: 0px; line-height: 1.2; margin: 12pt 0cm 0cm;">
<span style="font-family: Arial, Arial, Helvetica, sans-serif; font-size: 10pt; color: rgb(33, 33, 33);"><b>Out now:</b></span></p>
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<span style="font-family: Arial, Arial, Helvetica, sans-serif; font-size: 10pt; color: rgb(33, 33, 33);"><b><img src="cid:D0803FD0-2961-4FF1-80D1-669DAA70FC90" alt="Email_Signature_978-3-032-08584-9.png" id="id-D0803FD0-2961-4FF1-80D1-669DAA70FC90" width="650" style="width: 650px; max-width: 100%; margin-top: 0px; margin-bottom: 0px;"></b></span></p>
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<span style="font-family: Arial, Arial, Helvetica, sans-serif; font-size: 13px; color: rgb(33, 33, 33);">Tan, Marcus Cheng Chye,
</span><span style="font-family: Arial, Arial, Helvetica, sans-serif; font-size: 13px;"><a href="https://link.springer.com/book/10.1007/978-3-032-08584-9" data-outlook-id="2a0a14c1-5e6e-4a86-80aa-0425331ce8ab" style="margin-top: 0px; margin-bottom: 0px;"><i>Theatrimusicality:
Spectauralising Performance</i></a><i> </i>(Palgrave Macmillan</span><span style="font-family: Arial, Arial, Helvetica, sans-serif; font-size: 13px; color: rgb(33, 33, 33);">, Feb 2026) </span></p>
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<span style="font-family: Arial, Arial, Helvetica, sans-serif; font-size: 10pt; color: rgb(33, 33, 33);">Tan, Marcus Cheng Chye,
<a href="https://doi.org/10.1080/03078833.2026.2652941" data-outlook-id="2db3f1a0-7854-480f-b120-ea220ad69474" style="margin-top: 0px; margin-bottom: 0px;">
‘What’s in a Name: The (Un)Making of a Singapore Theatre Company’</a>, <i>Theatre Research International
</i>51.1 (Mar 2026)</span></p>
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<span style="font-family: Arial, Arial, Helvetica, sans-serif; font-size: 10pt; color: rgb(33, 33, 33);"><b>Forthcoming:</b></span></p>
<p style="text-align: left; text-indent: 0px; line-height: 1.2; margin: 12pt 0cm 8pt;">
<span style="font-family: Arial, Arial, Helvetica, sans-serif; font-size: 10pt; color: rgb(33, 33, 33);">Havelkova, Tereza and Marcus Cheng Chye Tan,
<i>Music Theater and Politics: Restaging Histories, Decentering Perspectives </i>
(Oxford University Press, 2026)</span></p>
<p style="text-align: left; text-indent: 0px; line-height: 1.2; margin: 12pt 0cm 8pt;">
<span style="font-family: Arial, Arial, Helvetica, sans-serif; font-size: 10pt; color: rgb(33, 33, 33);">Duffy, Peter, Beth Murray, Mercy Mirembe Ntangaare, Zeki Ozer, Richard Sallis, Chris Summers, Marcus Cheng Chye Tan and Wang Wan-jung,
<i>Devising in Times of Crisis: Practices for a Post-Pandemic World</i> (Routledge, 2026)</span></p>
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