<div dir="ltr"><div><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;font-size:12pt"><b style="font-family:Calibri,sans-serif"><i><span style="font-family:Arial,sans-serif">Now Available Online: </span></i></b><font face="arial, sans-serif"></font></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;font-size:12pt"><span style="font-size:small"><font face="arial, sans-serif"><br></font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;font-size:12pt"><b><i><span style="color:black"><font face="arial, sans-serif">Journal of American Drama and Theatre (JADT) 38.2 </font></span></i></b></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;font-size:12pt"><b><i><span style="color:black"><font face="arial, sans-serif"> </font></span></i></b></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;font-size:12pt"><b><i><span style="color:black"><a href="https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt__;!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld1gsS8LW$" target="_blank"><font face="arial, sans-serif">Special Issue: 100 Years of Du Bois: “Principles of a Real Negro Theatre” and “Criteria of Negro Art”</font></a></span></i></b></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;font-size:12pt"><span style="color:black"><font face="arial, sans-serif"> </font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;font-size:12pt"><font face="arial, sans-serif"><span style="color:black">We are thrilled to announce that the newest special issue of the <u><a href="https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt__;!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld1gsS8LW$" target="_blank"><i>Journal of American Drama and Theatre</i> 38.2</a></u> is now available. This special issue is co-edited by Khalid Y. Long & Le’Mil Eiland. All articles, interviews, and reviews are online and open access at </span><span style="color:black"><a href="https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt__;!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld1gsS8LW$" target="_blank">https://www.thesegalcenter.org/jadt</a></span><span style="color:black">.</span></font></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;font-size:12pt"><span style="color:black"><font face="arial, sans-serif"> </font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;font-size:12pt"><b><u><span style="color:black"><a href="https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt__;!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld1gsS8LW$" target="_blank"><span style="color:black"><font face="arial, sans-serif">JADT ISSUE 38.2</font></span></a></span></u></b></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><span style="color:black"><font face="arial, sans-serif"> </font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><b><span style="color:black"><a href="https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt/100-years-of-du-bois*3A-**Bprinciples-of-a-real-negro-theatre**B-and-**Bcriteria-of-negro-art**B__;JeKAnOKAneKAnOKAnQ!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld5mE1mxR$" target="_blank"><font face="arial, sans-serif">Special Issue Introduction</font></a></span></b></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><span style="color:black;border:1pt windowtext;padding:0in"><font face="arial, sans-serif">Khalid Y. Long & Le’Mil Eiland</font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><span style="color:black"><font face="arial, sans-serif"> </font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><b><span style="color:black"><a href="https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt/**Bone-great-and-fine-mode-of-expression**C3A-on-w.-e.-b.-du-bois-and-the-exigencies-of-black-drama-and-theatre-__;4oCc4oCdJQ!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld3qsa3NW$" target="_blank"><font face="arial, sans-serif">“One Great and Fine Mode of Expression”: On W. E. B. Du Bois and the Exigencies of Black Drama and Theatre</font></a></span></b></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><span style="color:black;border:1pt windowtext;padding:0in"><font face="arial, sans-serif">Isaiah Matthew Wooden</font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><span style="color:black"><font face="arial, sans-serif"> </font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><b><span style="color:black"><a href="https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt/reflections-on-fundamental-principles-__;!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ldw2jV9ef$" target="_blank"><font face="arial, sans-serif">Reflections on Fundamental Principles</font></a></span></b></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><span style="color:black;border:1pt windowtext;padding:0in"><font face="arial, sans-serif">Jonathan Shandell</font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><span style="color:black;border:1pt windowtext;padding:0in"><font face="arial, sans-serif"> </font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><b><span style="color:black;border:1pt windowtext;padding:0in"><a href="https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt/an-expansive-**Bus**C3A--w.-e.-b.-du-bois**Bs-**Bpan-negro**B-theatrical-vision__;4oCc4oCdJeKAmeKAnOKAnQ!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld-Zo5ESj$" target="_blank"><font face="arial, sans-serif">An Expansive “Us”: W. E. B. Du Bois’s “Pan-Negro” Theatrical Vision</font></a></span></b></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><span style="color:black;font-size:12pt"><font face="arial, sans-serif">Kellen Hoxworth</font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><span style="color:black"><font face="arial, sans-serif"> </font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><b><span style="color:black"><a href="https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt/w.-e.-b.-du-bois**Bs-krigwa-little-negro-theatre-movement-in-harlem-and-beyond-__;4oCZ!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld4OSruLv$" target="_blank"><font face="arial, sans-serif">W. E. B. Du Bois’s Krigwa Little Negro Theatre Movement in Harlem and Beyond</font></a></span></b></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><span style="color:black;border:1pt windowtext;padding:0in"><font face="arial, sans-serif">Kirsten Lee</font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><span style="color:black"><font face="arial, sans-serif"> </font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><b><span style="color:black"><a href="https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt/it-was-all-a-dream*3A-shifting-du-boisian-notions-in-richard-wesley**Bs-the-talented-tenth-__;JeKAmQ!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld2qJE69c$" target="_blank"><font face="arial, sans-serif">It Was All a Dream: Shifting Du Boisian Notions in Richard Wesley’s The Talented Tenth</font></a></span></b></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><span style="color:black;border:1pt windowtext;padding:0in"><font face="arial, sans-serif">Kristyl D. Tift</font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><span style="color:black;border:1pt windowtext;padding:0in"><font face="arial, sans-serif"> </font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><b><span style="color:black;border:1pt windowtext;padding:0in"><a href="https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt/teaching-august-wilson-in-an-age-of-democratic-decline*3A-du-boisian-imperatives-and-black-pedagogy-across-campus-and-community-__;JQ!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld9Wolvfe$" target="_blank"><font face="arial, sans-serif">Teaching August Wilson in an Age of Democratic Decline: Du Boisian Imperatives and Black Pedagogy</font></a></span></b></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><span style="color:black;border:1pt windowtext;padding:0in"><font face="arial, sans-serif">Omeyėmi (Artisia) Green</font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><font face="arial, sans-serif"> </font></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><b><u><span style="color:black"><font face="arial, sans-serif">Queer Voices</font></span></u></b></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><br></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><b><span style="color:black"><a href="https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt/debbie-with-a-d-talks-theatre-with-a-t**A__;wqA!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld1zhY-ap$" target="_blank"><font face="arial, sans-serif">Debbie with a D Talks Theatre with a T</font></a></span></b></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><span style="color:black"><font face="arial, sans-serif">Bess Rowen</font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><span style="color:black"><font face="arial, sans-serif"> </font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><font face="arial, sans-serif"><b><u><span style="color:black">Performance Reviews</span></u></b><b><u></u></b></font></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><span style="color:black"><font face="arial, sans-serif"> </font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><b><i><span style="color:black"><a href="https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt/the-wild-duck__;!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld7zdacEw$" target="_blank"><font face="arial, sans-serif">The Wild Duck</font></a></span></i></b></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><span style="color:black;border:1pt windowtext;padding:0in"><font face="arial, sans-serif">Alexander Miller</font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><span style="color:black"><font face="arial, sans-serif"> </font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><b><i><span style="color:black"><a href="https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt/picnic-at-hanging-rock**A__;wqA!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld2piXUWy$" target="_blank"><font face="arial, sans-serif">Picnic at Hanging Rock</font></a></span></i></b></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><span style="color:black;border:1pt windowtext;padding:0in"><font face="arial, sans-serif">Bess Rowen</font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><span style="color:black"><font face="arial, sans-serif"> </font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><b><i><span style="color:black"><a href="https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt/last-call*3A-a-play-with-cocktails**C__;JcKgwqA!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld3AZL2EA$" target="_blank"><font face="arial, sans-serif">Last Call: A Play with Cocktails</font></a></span></i></b></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><span style="color:black;border:1pt windowtext;padding:0in"><font face="arial, sans-serif">Daria Kerschenbaum</font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><span style="color:black"><font face="arial, sans-serif"> </font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><b><i><span style="color:black"><a href="https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt/the-dinosaurs-__;!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld6qDNtQk$" target="_blank"><font face="arial, sans-serif">The Dinosaurs</font></a></span></i></b></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><span style="color:black;border:1pt windowtext;padding:0in"><font face="arial, sans-serif">Dominic Finocchiaro</font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><font face="arial, sans-serif"><b><span style="color:black"> </span></b><span style="color:black"> </span></font></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><b><u><span style="color:black"><font face="arial, sans-serif">Book Reviews</font></span></u></b></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><font face="arial, sans-serif"> </font></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><b><i><span style="color:black"><a href="https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt/the-routledge-anthology-of-women**Bs-theatre-theory-and-dramatic-criticism.-catherine-burroughs-and-j.-ellen-gainor*2C-editors.-new-york*3A-routledge*2C-2024*3B-pp.-652.**A__;4oCZJSUlJcKg!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld9zdDH12$" target="_blank"><font face="arial, sans-serif">The Routledge Anthology of Women’s Theatre Theory and Dramatic Criticism</font></a></span></i></b></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><span style="color:black;border:1pt windowtext;padding:0in"><font face="arial, sans-serif">Reviewed by Emma Futhey</font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><span style="color:black"><font face="arial, sans-serif"> </font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><b><i><span style="color:black"><a href="https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt/black-patience*3A-performance*2C-civil-rights*2C-and-the-unfinished-project-of-emancipation.-julius-b.-fleming-jr.-new-york*3A-new-york-university-press*2C-2022*3B-pp.-301.**A__;JSUlJSUlwqA!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ldz0q_0tG$" target="_blank"><font face="arial, sans-serif">Black Patience: Performance, Civil Rights, and the Unfinished Project of Emancipation</font></a></span></i></b></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><span style="color:black;border:1pt windowtext;padding:0in"><font face="arial, sans-serif">Reviewed by L. Bailey McDaniel</font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><span style="color:black"><font face="arial, sans-serif"> </font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><b><i><span style="color:black"><a href="https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt/the-theatre-of-paula-vogel*3A-practice*2C-pedagogy*2C-and-influences.-lee-brewer-jones.-new-york*3A-methuen-drama*2C-2023*3B-pp.-194.**A__;JSUlJSUlwqA!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld3osHs6x$" target="_blank"><font face="arial, sans-serif">The Theatre of Paula Vogel: Practice Pedagogy, and Influences</font></a></span></i></b></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><span style="color:black;border:1pt windowtext;padding:0in"><font face="arial, sans-serif">Reviewed by Lynn Deboeck</font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;vertical-align:baseline;font-size:12pt"><span style="color:black"><font face="arial, sans-serif">  </font></span></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;font-size:12pt"><i style="font-family:Calibri,sans-serif"><span style="font-family:Arial,sans-serif;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial">Founded in 1989, the Journal of American Drama and Theatre (JADT) is a widely acclaimed peer-reviewed journal publishing thoughtful and innovative work by leading scholars on theatre, drama, and performance in the Americas—past and present. JADT is now accepting submissions for essays on any topics relating to theatre, drama, and popular entertainments of the Americas for consideration. Please submit completed manuscripts to <a href="mailto:jadtjournal@gmail.com" target="_blank" style="color:rgb(5,99,193)"><span style="color:rgb(17,85,204)">jadtjournal@gmail.com</span></a>. <br><br>JADT now publishes performance reviews on theatre, drama, and performance in the Americas. Please contact Performance Review Editor Jennifer Joan Thompson in advance to propose a review at <a href="mailto:jadtperformancereviews@gmail.com" target="_blank" style="color:rgb(5,99,193)"><span style="color:rgb(17,85,204)">jadtperformancereviews@gmail.com</span></a>. JADT also publishes book reviews. If you would like to propose a book review, please email the Book Review Editor Stephanie Lim at <a href="mailto:jadtbookreviews@gmail.com" target="_blank" style="color:rgb(5,99,193)"><span style="color:rgb(17,85,204)">jadtbookreviews@gmail.com</span></a>. </span></i></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;font-size:12pt"><b><span style="color:black"><font face="arial, sans-serif"> </font></span></b></p><p style="margin:0in;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;font-size:12pt"></p></div><div><div dir="ltr" class="gmail_signature" data-smartmail="gmail_signature"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div style="color:rgb(34,34,34)"></div><div><div><div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div>