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Dear Colleagues,</div>
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Apologies for the cross-posting.</div>
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<a href="https://www.tandfonline.com/toc/rtri20/current" data-outlook-id="770ef4eb-4960-4462-a1f7-55f8824b47c8">Theatre Research International 51.2</a> is now published. </div>
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IFTR member may access the issue via the IFTR website, upon logging in.</div>
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<p style="direction: ltr; margin-top: 0px; margin-bottom: 0px;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><b><br>
</b></span></p>
<p style="direction: ltr; margin-top: 0px; margin-bottom: 0px;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2709845" data-outlook-id="12804b37-fbd0-43a6-912b-9f2e2d13f51a" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><b><u>Editorial:
Tragedy, Barbarism, and the Labour of Decolonization</u></b></a></span></p>
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Fitzpatrick</u></a></span></p>
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<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"><br>
<b>Research Article</b></span></p>
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<span style="font-size: 10pt; color: black;"><b>Marcus TAN (Dr) </b></span><span style="font-size: 10pt; color: red;">|</span><span style="font-size: 10pt; color: black;"> Associate Professor
</span><span style="font-size: 10pt; color: red;">| </span><span style="font-size: 10pt; color: black;">Visual and Performing Arts
</span><span style="font-size: 10pt; color: red;">|</span><span style="font-size: 10pt; color: black;"> National Institute of Education, Nanyang Technological University
</span><span style="font-size: 10pt; color: red;">|</span><span style="font-size: 10pt; color: black;"> Chair,
</span><span style="font-size: 10pt; color: rgb(0, 112, 192);"><a href="https://www.ntu.edu.sg/nie/about-us/academic-departments/visual-and-performing-arts/visiting-artist-programme" title="https://www.ntu.edu.sg/nie/about-us/academic-departments/visual-and-performing-arts/visiting-artist-programme" data-outlook-id="caa71a0d-7a44-4707-bfd4-b12ed1993a01" style="color: rgb(0, 112, 192); margin-top: 0px; margin-bottom: 0px;"><u>NIE
Visiting Artist Programme</u></a></span><span style="font-size: 10pt; color: black;"> </span><span style="font-size: 10pt; color: red;">|</span><span style="font-size: 10pt; color: black;"> Programme Leader, Practicum
</span><span style="font-size: 10pt; color: red;">| </span><span style="font-size: 10pt; color: black;">Assistant Editor,
</span><span style="font-size: 10pt; color: rgb(5, 99, 193);"><a href="https://www.cambridge.org/core/journals/theatre-research-international" title="https://www.cambridge.org/core/journals/theatre-research-international" data-outlook-id="af85e6d3-f137-44d5-af40-a0a3ab79b13f" style="color: rgb(5, 99, 193); margin-top: 0px; margin-bottom: 0px;"><i><u>Theatre
Research International</u></i></a></span><span style="font-size: 10pt; color: black;"><i> </i></span><span style="font-size: 13px; color: rgb(0, 0, 0);">(Taylor and Francis)
</span><span style="font-size: 10pt; color: rgb(47, 85, 151);">| </span><span style="font-size: 10pt; color: rgb(0, 112, 192);"><a href="https://www.iftr.org/organisation/executive-committee" title="https://www.iftr.org/organisation/executive-committee" data-outlook-id="a31ed069-6350-4bf6-9ad3-831cdeef65f7" style="color: rgb(0, 112, 192); margin-top: 0px; margin-bottom: 0px;"><u>Secretary-General
(Communications)</u></a>, </span><span style="font-size: 10pt; color: black;">International Federation for Theatre Research
</span><span style="font-size: 10pt; color: red;">|</span></div>
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NIE 03-03-61, 1 Nanyang Walk, Singapore 637616 </div>
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<span style="color: black;"><b>T</b>: (65) 6790-3552 </span><span style="color: gray;">GMT+8h</span><span style="color: black;"> </span><span style="color: red;">|</span><span style="color: black;"> <b>F</b>: (65) 6896-9143
</span><span style="color: red;">|</span><span style="color: black;"> <b>E</b>: </span>
<span style="color: rgb(5, 99, 193);"><a href="mailto:marcus.tan@nie.edu.sg" title="mailto:marcus.tan@nie.edu.sg" data-outlook-id="95cb3382-c47b-42cf-841f-ac2fb554ff12" style="color: rgb(5, 99, 193); margin-top: 0px; margin-bottom: 0px;"><u>marcus.tan@nie.edu.sg</u></a></span><span style="color: black;"> </span><span style="color: red;">|</span><span style="color: black;"> </span><span style="color: blue;"><a href="https://dr.ntu.edu.sg/cris/rp/rp01583" title="https://dr.ntu.edu.sg/cris/rp/rp01583" data-outlook-id="34a30d45-7bc4-40c4-a979-d4aaf3219e53" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><u>Profile</u></a></span></div>
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<span style="letter-spacing: 0.25px; text-transform: none;"><a href="https://orcid.org/0000-0003-4481-1772" id="cy-html-preview" rel="me noopener noreferrer" data-outlook-id="8d951f63-3c11-4dea-945a-8cde63983221" style="color: rgb(46, 127, 159); text-decoration: none; margin-top: 0px; margin-bottom: 0px; text-align: left;"><img src="https://orcid.org/sites/default/files/images/orcid_16x16.png" alt="ORCID iD icon" id="img-7d573359-e8ae-41b1-8f21-b566d1fdb88c" style="width: 1em; max-width: 100%; margin-top: 0px; margin-bottom: 0px;"> https://orcid.org/0000-0003-4481-1772</a></span></div>
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<img src="cid:82450175-57E8-41F8-B84D-5660C619EBC1" alt="Image" id="Picture_x0020_1" data-origin-cid="C01F21EE-FFF0-44C5-827B-3D99649C5BB9" data-origin-width="256" data-origin-height="99" data-original-cid="C01F21EE-FFF0-44C5-827B-3D99649C5BB9" width="256" height="99" style="width: 256px; height: 99px; max-width: 100%; margin-top: 0px; margin-bottom: 0px;"></div>
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<b>Out now:</b></div>
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<b><img src="cid:D0803FD0-2961-4FF1-80D1-669DAA70FC90" alt="Email_Signature_978-3-032-08584-9.png" id="id-D0803FD0-2961-4FF1-80D1-669DAA70FC90" width="650" style="width: 650px; max-width: 100%; margin-top: 0px; margin-bottom: 0px;"></b></div>
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<span style="color: rgb(33, 33, 33);">Tan, Marcus Cheng Chye, </span><a href="https://link.springer.com/book/10.1007/978-3-032-08584-9" data-outlook-id="2a0a14c1-5e6e-4a86-80aa-0425331ce8ab" style="margin-top: 0px; margin-bottom: 0px;"><i>Theatrimusicality:
Spectauralising Performance</i></a><i> </i>(Palgrave Macmillan<span style="color: rgb(33, 33, 33);">, Feb 2026) </span></div>
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Tan, Marcus Cheng Chye, <a href="https://doi.org/10.1080/03078833.2026.2652941" data-outlook-id="2db3f1a0-7854-480f-b120-ea220ad69474" style="margin-top: 0px; margin-bottom: 0px;">
‘What’s in a Name: The (Un)Making of a Singapore Theatre Company’</a>, <i>Theatre Research International
</i>51.1 (Mar 2026)</div>
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<b>Forthcoming:</b></div>
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Havelkova, Tereza and Marcus Cheng Chye Tan, eds., <i>Music Theater and Politics: Restaging Histories, Decentering Perspectives
</i>(Oxford University Press, 2026)</div>
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Tan, Marcus Cheng Chye, ‘Of Leave/s and Leaving: Dialectical Dramaturgy as Devising Practice’,
<i>Devising Theatre in Times of Crisis: Practices for a Post-Pandemic World</i>, ed. Peter Duffy (Routledge, 2026)</div>
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<span style="font-family: Arial, Arial, Helvetica, sans-serif; font-size: 13px; color: rgb(33, 33, 33);">Tan, Marcus Cheng Chye, ‘Music in Contemporary Adaptation’,
<i>The Cambridge Companion to Shakespeare and Sound,</i> ed. </span><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0); line-height: 15.693334px;">Carla Della Gatta and Simon Smith (Cambridge University Press, 2027)</span></div>
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