<html>
<head>
<meta http-equiv="Content-Type" content="text/html; charset=Windows-1252">
</head>
<body>
<div style="direction: ltr; font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
Dear Colleagues,</div>
<div style="direction: ltr; font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
<br>
</div>
<div style="direction: ltr; font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
Apologies for the cross-posting.</div>
<div style="direction: ltr; font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
<br>
</div>
<div style="direction: ltr; text-align: left; text-indent: 0px; line-height: 1.2; text-transform: none; font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
<span style="font-weight: bolder;">Theatre Research International</span><span style="font-weight: 500;"> </span><span style="color: rgb(204, 51, 102); font-weight: 500;"><a href="https://www.tandfonline.com/toc/rtri20/current" data-outlook-id="b36ef54e-aa3c-4e5f-b367-7d7474f3e3c4">Vol.
51 Issue 3</a></span><span style="font-weight: 500;"> is now published. </span></div>
<div style="text-align: left; text-indent: 0px; text-transform: none; margin-top: 1em; margin-bottom: 1em; font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
IFTR members may access the journal via the IFTR website (‘Who we are’ / ‘Journal’) with their account login and password.</div>
<p class="MsoNormal" style="direction: ltr; text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"><b><br>
</b></span></p>
<p class="MsoNormal" style="direction: ltr; text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"><b>Editorial</b></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2746887" data-outlook-id="6c329096-ed14-4433-8579-88fe2dfff0a8" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><b><u>Theatrical
margins and peripheries</u></b></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Fitzpatrick%2C+Lisa" data-outlook-id="c37d13e5-f3a3-4a15-a81a-d7adc1f67b23" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Lisa
Fitzpatrick</u></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt 36pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> </span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"><b>Research Article</b></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2648756" data-outlook-id="72cac149-e5c5-44c1-bfbf-0213b48a11dc" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><b><u>Nationalist
Shakespeare in Korea: reshaping Shylock and Antonio in </u><i><u>Changgeuk Merchants of Venice</u></i></b></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Shepherd%2C+Scott" data-outlook-id="220e1e14-ef96-439e-8645-e17d353222bf" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Scott
Shepherd</u></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> </span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2730429" data-outlook-id="84b3c6da-d185-4876-8c31-dbe83c568ad7" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><b><u>Clowns,
politics and disobedience in the Catalan referendum for independence</u></b></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Aymami+Rene%2C+Eva" data-outlook-id="cf420b23-8fed-4991-a0a9-90a6aab14626" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Eva
Aymami Rene</u></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> </span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2725936" data-outlook-id="07d6ba96-4cf1-4efb-bbbf-4678c1f737ee" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><b><u>Chinese
performance in the Victorian goldfields from the 1850s to 1870: the contradictions of resources and representations</u></b></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Tompkins%2C+Joanne" data-outlook-id="28143bf3-c70c-43b1-8a6d-54449b49753a" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Joanne
Tompkins</u></a></span><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> &
</span><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Xia%2C+Liyang" data-outlook-id="0771db4c-0c5f-4506-a6df-5b3639d98f93" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Liyang
Xia</u></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt 36pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> </span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2695113" data-outlook-id="b3d037d8-f08e-491f-beec-de248f846f65" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><b><u>Mediating
history and trauma: </u><i><u>White Storyteller</u></i><u> and Taiwanese glove puppetry</u></b></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Hung%2C+Tzu-Yu" data-outlook-id="fefcd7e5-39a0-4a78-936b-1fcaeef3b28e" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Tzu-Yu
Hung</u></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> </span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2699249" data-outlook-id="9ba7ed35-fd43-421b-adcd-7532b425d96d" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><b><u>A
Theatre to come: posthumanism, vegetal thinking, and ecofeminism in </u><i><u>Estado Vegetal</u></i><u> (2017) by Manuela Infante</u></b></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Mart%C3%ADnez%2C+Marcia" data-outlook-id="d240ae95-bfff-4f86-9424-1ff26ec47d9d" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Marcia
Martínez</u></a></span><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> &
</span><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Donoso%2C+Arnaldo" data-outlook-id="5f455188-6a63-4174-84b9-1628b787468d" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Arnaldo
Donoso</u></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> </span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2725941" data-outlook-id="23979c83-56c7-4a9e-8959-9d74644fbaf0" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><b><u>Why
should we study Arabic theatre?</u></b></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Abdelhameed%2C+Hadeel" data-outlook-id="45d25c72-be1b-4aee-bd45-dfa8582f4766" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Hadeel
Abdelhameed</u></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt 36pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> </span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"><b>Dossier: ‘Play, Care and Revolt: New Approaches to Workshop Facilitation’</b></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);">Introduction</span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2683372" data-outlook-id="7b844895-8c2d-477c-a3b8-8bfd6df34d44" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><b><u>Introduction
to ‘Play, care and revolt: new approaches to workshop facilitation’</u></b></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Botham%2C+Paola" data-outlook-id="e68ee949-ce86-4599-87f5-2f5e05611445" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Paola
Botham</u></a></span><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> &
</span><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Dundjerovic%2C+Aleksandar" data-outlook-id="ab5bb9e8-847e-4a32-a201-24457cece829" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Aleksandar
Dundjerovic</u></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt 36pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> </span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);">Discussion</span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2686696" data-outlook-id="5a0ce5a1-8407-453f-9ff6-9f5d61769fcb" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><b><u>The
embodied writer: using somatic practice to challenge traditional workshop structures</u></b></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Morash%2C+Karen" data-outlook-id="5aa250aa-e4e4-4506-a65e-5db10cff3150" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Karen
Morash</u></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt 36pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> </span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2683366" data-outlook-id="c2272d2a-c185-4fe6-ba14-6fd91633a5af" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><b><u>Authority
melding: carnivalesque elements within reconciliation pedagogy</u></b></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Milatovic-Ovadia%2C+Maja" data-outlook-id="5fdf0426-3fde-4907-848c-5a278d2039ec" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Maja
Milatovic-Ovadia</u></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt 36pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> </span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2683367" data-outlook-id="70ed9fda-42af-4aac-bb0d-7a1d80271378" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><b><u>How
call-and-response facilitates restorative dialogic listening: reconstructing a transitional justice hearing as participatory performance</u></b></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Sotelo+Castro%2C+Luis+Carlos" data-outlook-id="07535008-4945-45c4-a5d3-c73547da627f" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Luis
Carlos Sotelo Castro</u></a></span><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> &
</span><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Lucas%2C+Sara+Beth" data-outlook-id="6a0bffc7-9f56-46bb-a4e9-c9eca3b16e32" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Sara
Beth Lucas</u></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> </span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2695111" data-outlook-id="72d468bd-ddf0-4f13-8e96-5d7fc7740eab" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><b><u>Autistic
perspectives in actor training: the pedagogical possibilities of re-examining eye contact</u></b></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Glen%2C+Zo%C3%AB" data-outlook-id="b07b42a7-bb1e-4c2d-91bc-3997620a319b" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Zoë
Glen</u></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> </span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2695114" data-outlook-id="83d99093-c8aa-4f44-92a4-ad44e201ed5b" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><b><u>A
Brecht-inspired approach to anti-racist education: working notes on the performative lecture
</u><i><u>A Lesson on Differences</u></i></b></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Sani%2C+Francesco" data-outlook-id="cc7c014b-0232-4451-9598-e634deba2198" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Francesco
Sani</u></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> </span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2696919" data-outlook-id="7d803676-6459-4ba0-8e33-a1b981402deb" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><b><u>Undoing
the world together: feminist facilitation as play, care, and revolt</u></b></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Bell%2C+Alice" data-outlook-id="411ed5d1-b6d2-452c-995c-3bdb6fcc070a" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Alice
Bell</u></a></span><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);">,
</span><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/del+Negro%2C+Gaia" data-outlook-id="2f725ac4-0407-4530-822b-abbadff476fc" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Gaia
Del Negro</u></a></span><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);">,
</span><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Luraschi%2C+Silvia" data-outlook-id="674080a5-38df-49a6-88a6-8716b40c7469" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Silvia
Luraschi</u></a></span><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> &
</span><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Sossi%2C+Marina" data-outlook-id="b1ce47c5-66bd-4a0b-8fe2-70fecc889bc8" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Marina
Sossi</u></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> </span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2699250" data-outlook-id="5e01a42b-ea23-4c32-a7d1-c9b1d2c77a3d" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><b><u>Fostering
connection without collapse: attuning to the third Space in participatory performance practice</u></b></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Wagstaff%2C+Ellen+Frances" data-outlook-id="32640d16-f485-4fbc-8bcf-37b8940c8199" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Ellen
Frances Wagstaff</u></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> </span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"><b>Book Review</b></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2728802" data-outlook-id="3bec1b15-779d-4745-b726-3df76c8f0397" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><b><u>The
pedagogic and the performative in Indian theatre: negotiations of a feminist collaborative imagination</u></b></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2728802" data-outlook-id="4a746657-f3a2-452d-bd3d-d7d4543330e3" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><i><u>by
Indu Jain, Cham, Palgrave Macmillan, 2025, Pp. xiv +196 + 18 illus., €139.99 (Hb), ISBN 9783031841439; €117.69 (eBook), ISBN 9783031841446</u></i></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Banerjee%2C+Trina+Nileena" data-outlook-id="e49bc463-c15c-4176-bb0a-4792ad956566" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Trina
Nileena Banerjee</u></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2728803" data-outlook-id="3cf9a515-edc3-4f53-b4d2-22bc6f858e7f" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><b><u>Inside
Chinese Theater: community and artistry in nineteenth-century California and beyond</u></b></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2728803" data-outlook-id="99f2ab24-ae04-4539-b215-c7f73a545f4f" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><i><u>by
Nancy Yunhwa Rao, Urbana, University of Illinois Press, 2025, Pp. xviii + 370 + 70 illus., $125 (hb), ISBN 9780252046537; $28 (pb), ISBN 9780252088636</u></i></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Yalin%2C+Bao" data-outlook-id="a42427d3-9588-42f6-ab9f-bcbbbc77da9b" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Bao
Yalin</u></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> </span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2728804" data-outlook-id="3cb35d42-985f-4dc8-adb6-5f6de275f810" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><b><u>Contemporary
performance translation: challenges and opportunities for the global stage</u></b></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2728804" data-outlook-id="7c680484-416c-47ee-8908-f663af4fe717" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><i><u>by
Jean Graham-Jones, Cambridge, Cambridge University Press, 2024, Pp. xii + 184, € 105.04 (hb), ISBN 9781009180122; € 37.35 (pb), ISBN 9781009180139; €37.35 (eBook), ISBN 9781009180115</u></i></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Cotroneo%2C+Vanesa" data-outlook-id="38383eeb-102f-4e0c-a50c-f7d3fc513092" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Vanesa
Cotroneo</u></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> </span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2728805" data-outlook-id="452f7e6d-37d8-4be8-9dbc-cdffed0817a9" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><b><u>Curating
the commons: socially engaged public art</u></b></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2728805" data-outlook-id="77d2f14a-d22c-4b13-aa67-9e8860a39636" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><i><u>by
Katia Arfara, Ann Arbor, University of Michigan Press, 2025, Pp. xiii + 341 + 20 illus., $44.95 (pb), ISBN 9780472077795; $130 (hb), ISBN 9780472077793</u></i></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Gerogianni%2C+Irene" data-outlook-id="0873db05-687d-4579-b7c0-8e5327d02d2e" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Irene
Gerogianni</u></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> </span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2728806" data-outlook-id="cf5ad453-fe11-4fd7-8d95-8cca2f407c9d" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><b><u>Intersectionality
in ‘folk’ performance through identity and expression</u></b></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2728806" data-outlook-id="1f347a2b-a861-4398-832b-9350ae3ced9c" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><i><u>by
Jashodhara Sen, Singapore, Springer Nature, 2026, Pp. xiv + 252, $159.99 (hb), ISBN 9789819522736</u></i></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Hoda%2C+Sohail" data-outlook-id="68599b50-06ba-4f49-b9d1-011465a184ba" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Sohail
Hoda</u></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> </span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2728807" data-outlook-id="9007e5ac-a7c8-4706-a7e9-5ed6b2b56599" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><b><u>Performance
and human-animal entanglements</u></b></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2728807" data-outlook-id="37252cd4-9036-406e-84e6-9bbb7d699dc7" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><i><u>edited
by Anna Wieczorkiewicz and Sylwia Siedlecka, Oxon and New York, Routledge, 2026, Pp. 270 + 18 illus, £155.00 Hb, ISBN 9781041048268; £36.79 eBook, ISBN 9781003630128</u></i></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/J%C3%BCrgens%2C+Anna-Sophie" data-outlook-id="88186194-b1a7-4496-a5ea-53ba1b331839" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Anna-Sophie
Jürgens</u></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> </span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2728808" data-outlook-id="f00dda17-da90-457e-9d09-b513dc8d55e6" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><b><u>Beyond
the Sewol: activist theatre and performance in South Korea and the diaspora</u></b></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2728808" data-outlook-id="9e6f30e1-c87b-446e-b8ce-060495061250" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><i><u>by
Areum Jeong, Honolulu, University of Hawai‘i Press, 2025, Pp. xiii + 201, $28.00 (Pb), ISBN 9798880701773 $75 (Hb), ISBN 9798880701766</u></i></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Kim%2C+Hayana" data-outlook-id="ee9797c2-b05b-475d-aec1-4881900481e9" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Hayana
Kim</u></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"><b> </b></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2728809" data-outlook-id="af219d3d-481f-4444-8da6-98e507972afe" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><b><u>Performing
climates</u></b></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2728809" data-outlook-id="511f7b00-9754-42ee-9c5a-cbb787adbe32" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><i><u>by
Eddie Paterson and Lara Stevens, with a contribution from Angie Abdilla, London and New York, Routledge, 2025, Pp. 154 + 17 illus., £ 44.95 (Pb), ISBN 9781032225609; £155 (Hb), ISBN 9781032225562</u></i></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Lavery%2C+Carl" data-outlook-id="e84d35bd-5501-4a7d-940d-698f7b715cf8" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Carl
Lavery</u></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> </span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2728810" data-outlook-id="80bf961c-78ae-47d2-bdb3-3a24ac0e19a3" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><b><u>Utpal
Dutt and political theatre in postcolonial India</u></b></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2728810" data-outlook-id="13d1455e-52e0-47d8-810d-496df409ebbc" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><i><u>by
Mallarika Sinha Roy, Cambridge, Cambridge University Press, 2024, Pp. 75, $23 (hb), ISBN 9781009500227</u></i></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Oghabi%2C+Elham" data-outlook-id="b7b8bea7-9914-4793-96ab-508cd718a084" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Elham
Oghabi</u></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> </span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2728811" data-outlook-id="fba96134-7370-4b45-80c9-6aab4331120d" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><b><u>South
Asian disability and deaf theatres</u></b></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2728811" data-outlook-id="0ca97cbf-d050-413e-8203-0c79e9d1249f" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><i><u>by
Kanta Kochhar-Lindgren, Oxon and New York, Routledge, 2025, Pp. xxi + 148, £171.99 (Hb), £40.79, ISBN 9781032388298, £39.09 (eBook), ISBN 9781003346975</u></i></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Shekhar%2C+Shashank" data-outlook-id="f47574d6-05ad-4623-8200-5c7dad9b2a7c" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Shashank
Shekhar</u></a></span><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> &
</span><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Jha%2C+Smita" data-outlook-id="570c2c45-5c27-4af6-956c-f6b52d62c699" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Smita
Jha</u></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> </span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2728813" data-outlook-id="3ad4b2f7-9131-440b-b0a2-dfbf050252cf" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><b><u>The
figure of the monster in global theatre: further essays on the aesthetics of disqualification</u></b></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2728813" data-outlook-id="fd3bf012-c47a-420a-af71-0effa5e8a9b9" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><i><u>edited
by Michael Chemers and Analola Santana, Abingdon and New York, Routledge, 2025, Pp. xv + 207 + 15 illus., £41.99/$57.99 (Pb), ISBN 9781032558370; £145.00/$190.00 (Hb), ISBN 9781032558394</u></i></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Williams%2C+Gheorghe" data-outlook-id="bdf500e2-5cf5-4ffd-aab8-9e98945c6929" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Gheorghe
Williams</u></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> </span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2728814" data-outlook-id="30bedea1-d08b-439d-8b0f-503666e6a046" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><b><u>Playing
with plays: drama and early modern Chinese media ecologies</u></b></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/doi/full/10.1080/03078833.2026.2728814" data-outlook-id="c7438f39-0047-49df-b8e5-a88d01814772" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><i><u>by
Yinghui Wu, Leiden, Brill, 2025, Pp. xii + 280 + 27 illus., $125 (hb), ISBN 9789004714328</u></i></a></span></p>
<p class="MsoNormal" style="text-align: left; text-indent: 0px; line-height: 16.866667px; text-transform: none; margin: 0cm 0cm 8pt;">
<span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(150, 96, 125);"><a href="https://www.tandfonline.com/author/Yang%2C+Nellie" data-outlook-id="cb2cc496-35a4-4704-97ff-3aedad5974fd" style="color: rgb(150, 96, 125); margin-top: 0px; margin-bottom: 0px;"><u>Nellie
Yang</u></a></span></p>
<div style="direction: ltr; font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
<br>
</div>
<div id="ms-outlook-mobile-body-separator-line" dir="ltr"><br>
</div>
<div id="ms-outlook-mobile-signature">
<div style="text-align: left; text-indent: 0px; line-height: 1.5; background-color: white; margin: 0cm 0cm 3.75pt 0px; font-family: Arial, sans-serif;">
<span style="font-size: 10pt; color: black;"><b>Marcus TAN (Dr) </b></span><span style="font-size: 10pt; color: red;">|</span><span style="font-size: 10pt; color: black;"> Associate Professor
</span><span style="font-size: 10pt; color: red;">| </span><span style="font-size: 10pt; color: black;">Visual and Performing Arts
</span><span style="font-size: 10pt; color: red;">|</span><span style="font-size: 10pt; color: black;"> National Institute of Education, Nanyang Technological University
</span><span style="font-size: 10pt; color: red;">|</span><span style="font-size: 10pt; color: black;"> Chair,
</span><span style="font-size: 10pt; color: rgb(0, 112, 192);"><a href="https://www.ntu.edu.sg/nie/about-us/academic-departments/visual-and-performing-arts/visiting-artist-programme" title="https://www.ntu.edu.sg/nie/about-us/academic-departments/visual-and-performing-arts/visiting-artist-programme" data-outlook-id="caa71a0d-7a44-4707-bfd4-b12ed1993a01" style="color: rgb(0, 112, 192); margin-top: 0px; margin-bottom: 0px;"><u>NIE
Visiting Artist Programme</u></a></span><span style="font-size: 10pt; color: black;"> </span><span style="font-size: 10pt; color: red;">|</span><span style="font-size: 10pt; color: black;"> Programme Leader, Practicum
</span><span style="font-size: 10pt; color: red;">| </span><span style="font-size: 10pt; color: black;">Assistant Editor,
</span><span style="font-size: 10pt; color: rgb(5, 99, 193);"><a href="https://www.cambridge.org/core/journals/theatre-research-international" title="https://www.cambridge.org/core/journals/theatre-research-international" data-outlook-id="af85e6d3-f137-44d5-af40-a0a3ab79b13f" style="color: rgb(5, 99, 193); margin-top: 0px; margin-bottom: 0px;"><i><u>Theatre
Research International</u></i></a></span><span style="font-size: 10pt; color: black;"><i> </i></span><span style="font-size: 13px; color: rgb(0, 0, 0);">(Taylor and Francis)
</span><span style="font-size: 10pt; color: rgb(47, 85, 151);">| </span><span style="font-size: 10pt; color: rgb(0, 112, 192);"><a href="https://www.iftr.org/organisation/executive-committee" title="https://www.iftr.org/organisation/executive-committee" data-outlook-id="a31ed069-6350-4bf6-9ad3-831cdeef65f7" style="color: rgb(0, 112, 192); margin-top: 0px; margin-bottom: 0px;"><u>Secretary-General
(Communications)</u></a>, </span><span style="font-size: 10pt; color: black;">International Federation for Theatre Research
</span><span style="font-size: 10pt; color: red;">|</span></div>
<div style="text-align: left; text-indent: 0px; line-height: 1.5; background-color: white; margin: 0cm 0cm 3.75pt 0px; font-family: Arial, sans-serif; font-size: 10pt; color: black;">
NIE 03-03-61, 1 Nanyang Walk, Singapore 637616 </div>
<div style="text-align: left; text-indent: 0px; line-height: 1.5; background-color: white; margin: 0cm 0cm 3.75pt 0px; font-family: Arial, sans-serif; font-size: 10pt;">
<span style="color: black;"><b>T</b>: (65) 6790-3552 </span><span style="color: gray;">GMT+8h</span><span style="color: black;"> </span><span style="color: red;">|</span><span style="color: black;"> <b>F</b>: (65) 6896-9143
</span><span style="color: red;">|</span><span style="color: black;"> <b>E</b>: </span>
<span style="color: rgb(5, 99, 193);"><a href="mailto:marcus.tan@nie.edu.sg" title="mailto:marcus.tan@nie.edu.sg" data-outlook-id="95cb3382-c47b-42cf-841f-ac2fb554ff12" style="color: rgb(5, 99, 193); margin-top: 0px; margin-bottom: 0px;"><u>marcus.tan@nie.edu.sg</u></a></span><span style="color: black;"> </span><span style="color: red;">|</span><span style="color: black;"> </span><span style="color: blue;"><a href="https://dr.ntu.edu.sg/cris/rp/rp01583" title="https://dr.ntu.edu.sg/cris/rp/rp01583" data-outlook-id="34a30d45-7bc4-40c4-a979-d4aaf3219e53" style="color: blue; margin-top: 0px; margin-bottom: 0px;"><u>Profile</u></a></span></div>
<div style="text-align: left; text-indent: 0px; line-height: 1.5; background-color: white; margin: 0px 0cm 0px 0px; font-family: Noto Sans, sans-serif; font-size: 14px; color: rgb(46, 127, 159);">
<span style="letter-spacing: 0.25px; text-transform: none;"><a href="https://orcid.org/0000-0003-4481-1772" id="cy-html-preview" rel="me noopener noreferrer" data-outlook-id="8d951f63-3c11-4dea-945a-8cde63983221" style="color: rgb(46, 127, 159); text-decoration: none; margin-top: 0px; margin-bottom: 0px; text-align: left;"><img src="https://orcid.org/sites/default/files/images/orcid_16x16.png" alt="ORCID iD icon" id="img-7d573359-e8ae-41b1-8f21-b566d1fdb88c" style="width: 1em; max-width: 100%; margin-top: 0px; margin-bottom: 0px;"> https://orcid.org/0000-0003-4481-1772</a></span></div>
<div style="direction: ltr; text-align: left; text-indent: 0px; line-height: 1.5; background-color: white; margin: 0px 0cm 0px 0px; font-family: Aptos, sans-serif; font-size: 10pt; color: rgb(33, 33, 33);">
<img src="cid:82450175-57E8-41F8-B84D-5660C619EBC1" alt="Image" id="Picture_x0020_1" data-origin-cid="C01F21EE-FFF0-44C5-827B-3D99649C5BB9" data-origin-width="256" data-origin-height="99" data-original-cid="C01F21EE-FFF0-44C5-827B-3D99649C5BB9" width="256" height="99" style="width: 256px; height: 99px; max-width: 100%; margin-top: 0px; margin-bottom: 0px;"></div>
<div style="direction: ltr; text-align: left; text-indent: 0px; line-height: 1.2; margin: 12pt 0cm 0cm; font-family: Arial, Arial, Helvetica, sans-serif; font-size: 10pt; color: rgb(33, 33, 33);">
<b><br>
</b></div>
</div>
<hr>
<p style="font-size:10pt; color:#808080;font-family: 'Arial';">CONFIDENTIALITY: This email is intended solely for the person(s) named and may be confidential and/or privileged. If you are not the intended recipient, please delete it, notify us and do not copy,
use, or disclose its contents. <br>
Towards a sustainable earth: Print only when necessary. Thank you. </p>
</body>
</html>