<div dir="ltr"><p class="MsoNormal" align="center" style="text-align:center;margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="EN-CA">Improv-ing
Hopeful Futures: Rehearsing Resurgence, Refusing Despair</span></b></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="EN-CA"> </span></b></p>
<p class="MsoNormal" align="center" style="text-align:center;margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="EN-CA">The
Annual Gathering of the Canadian Association for Theatre Research</span></b></p>
<p class="MsoNormal" align="center" style="text-align:center;margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="EN-CA">31
May – 4 June 2027</span></b></p>
<p class="MsoNormal" align="center" style="text-align:center;margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="EN-CA"> </span></b></p>
<p class="MsoNormal" align="center" style="text-align:center;margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="EN-CA">Centre
for Drama, Theatre & Performance Studies, University of Toronto,</span></b></p>
<p class="MsoNormal" align="center" style="text-align:center;margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="EN-CA"> St. George Campus</span></b></p>
<p class="MsoNormal" align="center" style="text-align:center;margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="EN-CA"> </span></b></p>
<p class="MsoNormal" align="center" style="text-align:center;margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="EN-CA">CALL
FOR PAPERS</span></b></p>
<p class="MsoNormal" align="center" style="text-align:center;margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="EN-CA">Submission
Deadline: 27 November 2026</span></b></p>
<p class="MsoNormal" align="center" style="text-align:center;margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="EN-CA"> </span></b></p>
<p class="MsoNormal" align="center" style="text-align:center;margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="EN-CA">Please
note that the 2027 Annual Gathering of the CATR will be in person only.</span></b></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="EN-CA"> </span></b></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="EN-CA"> </span></b></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><i><span lang="EN-CA">“Story nurtures relationship. Story
kindles reciprocity. Story compels responsibility. Story thrives where there is
respect. Story is a gift. And in research, this changes everything” </span></i><span lang="EN-CA">(Kovach, “Story and Method” 156). </span></b></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="EN-CA"> </span></b></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA">It’s time to start telling ourselves new
stories.</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA"> </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA">Pablo Neruda has said, “I know the earth,
and I am sad.” Regardless of the temporal or geographic zones we inhabit, human
beings are afflicted creatures. Financial precarity, war, injustice,
oppression, violence, disease and finally death attend us throughout our lives
in every generation. Constant, though oft unacknowledged, dread stalks the
margins of our consciousness, as earth herself rises against us to protest the
afflictions we have visited upon her and upon the rest of creation. And whether
we struggle silently under the weight of our afflictions or vociferously rail
against their sting, we all share an intimate acquaintance with grief.</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA"> </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA">In this fraught time, the world cries out
for reconciliation between humans and their biota, between warring nation
states, between clashing political parties, between citizens and their police
forces, between Indigenous and settler societies, between ethnic groups,
between religious devotees, between those occupying various economic strata,
between old and young, and between blood relations. At a moment when human
struggle within a mindset of scarcity and a sense of growing irrelevancy
threatens and unsettles so many structures that support artistry and
scholarship, what of these historic legacies must be surrendered to the process
of decomposition? What must be salvaged, retained or re-visioned to facilitate
the work of coming together to build new structures and partnerships? Who or <i>what</i>
is telling us the story/ies of who we are? What stories must we keep telling?
What stories must we let go? What stories are being told that speak to, call
for, or celebrate the repair of fraught intergenerational relationships and the
renewal of dialogue and connection? </span><span lang="EN-CA" style="font-size:10pt;line-height:115%"></span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA"> </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA">What functions do theatre and performance
perform as the world navigates this moment of collective ontological crisis and
relational dysfunction? What role can theatre and performance play in repairing
relationships with the earth, our communities, and one another? What are the stories
that we can begin to tell and to rehearse that speak to, call for, and
celebrate re/conciliation and relational repair? What are the stories that
creatively curate, foster, engender and/or celebrate interdependence between
the generations, between humans and other humans, between human and the
other-than-human? How is resurgence being performed? What actions must we
rehearse to truly realize ourselves as good ancestors, educators, researchers
and artists in deed as well as word? How are the conditions of being together
changing? How do technology and AI continue to change us and mediate our
relations? How are these changing conditions being negotiated in theatre
practice itself—in its dramaturgies and technologies, in the crafts of
theatre-making, and in our scholarship?</span><span lang="EN-CA" style="font-size:10pt;line-height:115%"></span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA"> </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA">As it celebrates 60 years of artful life
and rigorous scholarship, the University of Toronto’s Centre for Drama, Theatre
& Performance Studies is pleased to host the 51st annual gathering of the
CATR. We invite papers, workshops, activations, and roundtable sessions, which
concern themselves with the active refusal of despair, blueprints for
rehearsing resurgence, and the processual stages of and various pathways
towards relational healing and artful resurgence. As scholars and educators, we
have all been affected by the exhaustion and anxiety afflicting the young
artists and scholars whom we train and the institutions in which they aspire to
work. And so, as the Centre for Drama, Theatre & Performance Studies
celebrates its 60th birthday, we are heartened by Robin Maynard’s assertion
that while the “future feels daunting,” the potential for resurgence may lie in
simple acts of “writing together, walking together, witnessing these times <i>together</i>”
(see Maynard in Maynard & Simpson, <i>Rehearsals for Living</i>, emphasis
added).</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA"> </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA">For CATR 2027, we aspire to curate spaces
of writing, talking, walking, and witnessing in which to explore the
possibilities that lie in the eschewal of rehearsals of what has been, and in
the timeless human capacity to imagine new pathways forward. We invite you to
partner with us to consider the ways we gather and collaborate to repair and
re-imagine relations from the podium, in the rehearsal hall, on the stage, or
out on the land herself.</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA"> </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA">Areas to be explored and upon which to
reflect might include (but are not limited to):</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA"> </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA">Performance and land: courageous
storytelling and walking softly</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA">Sustaining theatre’s climates: tech and
tradition</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA">Old and new scripts for theatre and life</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA">Analogue and digital: liveness and
aliveness in theatre </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA">Polyvocal theatre and stories of scale</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA">Writing/rewriting and making/remaking</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA">Plural stories and acts of collaboration</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA">Theatre scholarship and practice as
renewable resources</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA">Creative freedom in a tyrannical time</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA">Aesthetic revolutions for complicit times</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA">Ethics in arts economies, practices, and
research</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA"> </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA">If you would like to participate in this
project of building and connection, we invite you to submit an abstract (250
words max.) in which you propose a paper presentation (15 minutes max.), a
workshop (90 minutes max.), an activation (60 minutes max.), or a round table
session (90 minutes max.). </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA"> </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="EN-CA">The deadline for abstract submissions is
27 November 2026.</span></b></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="EN-CA"> </span></b></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA">Please, also ensure that you inform us of
any technical, spatial or material needs. To submit your abstract, contact
information, brief bio (75 words max.) and technical requirements, please visit
this link:</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA"> </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA"><a href="https://docs.google.com/forms/d/e/1FAIpQLSdVS2aPoNv5bJN4YFEzRhgQt3NsLcm1ul5xeHVC3WEHsbqkqg/viewform" style="color:blue">https://docs.google.com/forms/d/e/1FAIpQLSdVS2aPoNv5bJN4YFEzRhgQt3NsLcm1ul5xeHVC3WEHsbqkqg/viewform</a></span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA"> <span style="background:yellow"></span></span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA"> </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA"> </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA">----- </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA"> </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA"> </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA"> </span></p>
<p class="MsoNormal" align="center" style="text-align:center;margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="FR-CA" style="font-size:14pt;line-height:115%">Vers des
avenirs optimistes : du refus de la tristesse à l’envol artistique</span></b></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="FR-CA"> </span></b></p>
<p class="MsoNormal" align="center" style="text-align:center;margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="FR-CA">Rencontre annuelle de l’Association canadienne
de la recherche théâtrale</span></b></p>
<p class="MsoNormal" align="center" style="text-align:center;margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="FR-CA">du 31 mai au 4 juin 2027</span></b></p>
<p class="MsoNormal" align="center" style="text-align:center;margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="FR-CA"> </span></b></p>
<p class="MsoNormal" align="center" style="text-align:center;margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="FR-CA">Centre for Drama, Theatre & Performance
Studies, Université de Toronto,</span></b></p>
<p class="MsoNormal" align="center" style="text-align:center;margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="FR-CA"> Campus
St. George </span></b></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="FR-CA"> </span></b></p>
<p class="MsoNormal" align="center" style="text-align:center;margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="FR-CA">APPEL À COMMUNICATIONS</span></b></p>
<p class="MsoNormal" align="center" style="text-align:center;margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="FR-CA">Date limite pour proposer une
communication : 27 novembre 2026</span></b></p>
<p class="MsoNormal" align="center" style="text-align:center;margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="FR-CA"> </span></b></p>
<p class="MsoNormal" align="center" style="text-align:center;margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="FR-CA">Veuillez noter que la rencontre annuelle de
l’ACRT se tiendra en personne uniquement.</span></b></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="FR-CA"> </span></b></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA"> </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="FR-CA">« Les
histoires alimentent les relations. Elles éveillent la réciprocité. Elles
suscitent la responsabilité. Les histoires fleurissent dans le respect. Elles
sont un cadeau. Et dans la recherche, elles changent tout » (Kovach, « Story
and Method » 156).</span></b></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA"> </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA">Le moment
est venu de se raconter de nouvelles histoires.</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA"> </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA">Pablo
Neruda disait : « je connais la terre, et je suis triste. » Peu importe le
moment et l’endroit où l’on vit, l’être humain est affligé. La précarité
financière, la guerre, l’injustice, l’oppression, la violence, la maladie et
enfin la mort nous accompagnent toute notre vie, à travers les générations.
Alors que la terre s’insurge contre le mal que nous lui avons fait, une crainte
constante, souvent inavouée, règne aux confins de notre esprit. Et que l’on
souffre en silence ou que l’on se répande en invectives, nous éprouvons tous de
la douleur.</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA"> </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA">En cette
période difficile, le monde réclame la réconciliation entre l’humain et son
biote, entre nations belligérantes, entre sociétés autochtones et coloniales,
entre groupes ethniques, entre adeptes religieux, entre personnes de toutes les
couches économiques, entre jeunes et moins jeunes, et entre proches parents.
Nous combattons une mentalité de pénurie tandis qu’un sentiment d’obsolescence
menace et ébranle les organismes qui appuient les arts et la recherche. Dans ce
contexte, quels héritages doit-on céder au processus de décomposition ? Que
doit-on sauver, maintenir ou réenvisager afin d’établir de nouvelles structures
et de nouveaux partenariats ? Quelles personnes ou <i>quels objects </i>nous racontent
qui nous sommes ? Quels récits doit-on perpétuer ? Desquels doit-on se
défaire ? Quelles histoires expriment, réclament ou célèbrent la reprise de
dialogue, la réparation des relations intergénérationnelles et la connexion ?</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA"> </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA">À quoi sert
le théâtre lorsque nous traversons une crise ontologique et relationnelle
collective ? Quel rôle peut-il jouer dans le rétablissement de notre rapport à
la planète, à nos communautés et aux autres ? Existe-t-il des histoires
orientées vers la réconciliation et la réparation des relations que l’on
pourrait commencer à raconter et à répéter ? Quelles sont celles qui
occasionnent, réalisent, nourrissent et fêtent l’interdépendance entre
générations, entre personnes, et entre humains et autres qu’humains ? Comment
joue-t-on le renouveau ? Que doit-on faire, en actes et en paroles, afin de
véritablement réussir comme aïeuls, pédagogues, chercheurs et artistes
bienveillants ? Comment se produisent les changements aux conditions de notre
vie collective ? De quelle façon les technologies et l’IA continuent-elles de
nous modifier et de servir d’intermédiaires dans nos relations ? Comment la
pratique théâtrale aborde-t-elle cette situation changeante (que ce soit au
moyen de procédés dramaturgiques ou technologiques, à travers les métiers du
spectacle ou dans la recherche universitaire) ?</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA"> </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA">Alors qu’il
fête soixante ans de vie artistique et de recherche rigoureuse, le Centre for
Drama, Theatre & Performance Studies de l’Université de Toronto se réjouit
d’accueillir la cinquante-et-unième rencontre de l’ACRT. Nous vous invitons à
proposer des communications, des ateliers, des espaces d’engagement et des
tables rondes sur le refus actif du désespoir, sur la pratique du renouveau et
sur les nombreux chemins qui mènent à la réparation relationnelle et à l’essor
artistique. En tant qu’universitaires et pédagogues, nous avons tous été
affectés par l’épuisement que vivent les personnes que nous formons et les
organismes où elles souhaitent travailler. « Alors que l’avenir fait peur, »
affirme Robin Maynard, une possible renaissance reposerait sur des actes
simples : « écrire ensemble, marcher ensemble, assister à notre époque <i>ensemble</i>. »
(voir Maynard in Maynard & Simpson, <i>Rehearsals for Living</i>, italiques
ajoutés) Au moment où le Centre for Drama, Theatre & Performance Studies
prépare son anniversaire, ces propos nous touchent profondément.</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA"> </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA">Pour la
rencontre de 2027, L'ACRT espère créer des espaces propices à l’écriture, à la
discussion, à la marche et au témoignage où l’on pourra explorer les
possibilités qu’offre la fuite de ce qui a été, et où l’on se penchera sur
l’éternelle capacité qu’ont les humains à aller de l’avant. Nous vous invitons
à vous joindre à nous pour réfléchir à la façon dont nous travaillons ensemble
(en classe, en salle de répétition, sur scène ou sur le territoire) à réparer
les relations et à les reconcevoir. </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA"> </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA">Nos champs
d’exploration et de réflexion comprennent ce qui suit (sans toutefois s’y
limiter) :</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA"> </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA">Spectacle
et territoire : récits courageux et balades à pas feutrés</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA">Aider les
climats du théâtre : technologie et tradition</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA">Anciens et
nouveaux textes pour le théâtre et pour la vie</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA">Modes
analogiques et numériques : le direct et le vivant au théâtre</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA">Théâtre
plurivoque et récits à grande échelle</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA">Écrire et
réécrire, faire et refaire</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA">Histoires
plurielles et actes de collaboration </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA">Recherche
et pratique théâtrales comme ressources renouvelables</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA">Liberté de
création à une époque tyrannique</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA">Révolutions
esthétiques pour des temps complices</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA">Questions
éthiques relatives à la recherche, aux pratiques artistiques et à l’économie
des arts</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA"> </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA">Si vous
souhaitez participer à ce projet de construction et de connexion, nous vous
invitons à soumettre un résumé de votre contribution (250 mots au maximum). Il
peut s’agir d’une communication (15 minutes au maximum), d’un atelier
(90 minutes au maximum), d’un espace d’engagement (60 minutes au
maximum) ou d’une table ronde (90 minutes au maximum). </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA"> </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><b><span lang="FR-CA">La date
limite pour soumettre une proposition est le 27 novembre 2026.</span></b></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA"> </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA">Veuillez
nous informer de tout besoin technique, spatial ou matériel avec votre résumé.
Prière d’envoyer le résumé de votre contribution, les informations concernant
vos besoins et une courte notice biographique (75 mots au maximum) à l’adresse
suivante :</span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA"> </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA"><a href="https://docs.google.com/forms/d/e/1FAIpQLSdVS2aPoNv5bJN4YFEzRhgQt3NsLcm1ul5xeHVC3WEHsbqkqg/viewform" style="color:blue">https://docs.google.com/forms/d/e/1FAIpQLSdVS2aPoNv5bJN4YFEzRhgQt3NsLcm1ul5xeHVC3WEHsbqkqg/viewform?usp=dialog</a></span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA"> </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA"> </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="FR-CA"> </span></p>
<p class="MsoNormal" style="margin:0in;line-height:115%;font-size:11pt;font-family:Arial,sans-serif"><span lang="EN-CA"> </span></p></div>