Summary Report for Newsletter of PCC activities and plans
Denis Salter
CYWS at MUSICA.MCGILL.CA
Fri Oct 3 11:05:34 EDT 1997
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inning with pleasant news is always so seductive. I thank all Ð
ì
ì
ì @
he Ð
nt Ð
lson for Ð
for Survival," Ð
common concern Ð
ies for working Ð
s; and, finally, thank Ð
R / ARTC) and Noreen Golfman Ð
f Canadian College and University Ð
EÐ
« and her hardéworking Ð
ing the running of a most productive conference.
Ð
ÏThe PCC is also grateful to Herbert Rosengarten who has kindly Ð
of Ð
University Ð
CUTE's Ð
reed to Ð
s interested in Ð
Associations. Indeed, Ð
onsor professional concerns Ð
ations over the next few years in Ð
s a plethora of issues of common concern, the need for solidarity is greater tha
n ever.
Ð
rrie Loffree (Ø Ø« «UniversitÎ) Î Laval) Ð
of many others in the Association (she cites 104 Ð
ar and is still counting!), is putting together what Ð
doubt be an invaluable list of Deans, unit Heads and
@0
across the country, Ð
or example, in letting Ð
the Association in promoting Ð
in perhaps advising them about Ð
for positions, in asking for their Ð
nding out letters of concern to Ð
t directly affect the state of theatre Ð
education more generally) in Canada, and in Ð
post job notices on CANDRAMA and perhaps on HéNet Ð
U.S.écentred but which is of course available on the Ð
de net. The list will also prove useful as part of our Ð
uitment campaign to increase the number of members in the Ð
sociation, and the number of subscriptions to the journal, in Ð
Ðcirculating information about scholarships and sources of research Ð
ì
@
ì P
us to maintain and expand our network of theatre people.
Ð
C Ð
d Ed Ð
The job Ð
t out to theatre Ð
, asking them to Ð
o make in the field over Ð
ately, this survey was Ð
any of the initial financial Ð
the information contained within Ð
e become (mostly) outéofédate within a Ð
time. (I have the diskettes and would be Ð
ì p
es of them to anyone who asks.) The committee Ð
ally thanked Diane Bessai, Ed Nyman, Kym Byrd and all Ð
departments that responded so carefully to the questionnaire, Ð
Ðbut decided that, regrettably, as cutbacks continue, it would Ð
p
g, Ð
ustain Ð
departments Ð
process of cutting back finally bottoms out, if and when it does.
Ð
ATRC. Ð
n reach him at Ð
ectly to him c/o the Drama Centre where he is a PhD candidate.
in the composition of ACTR's Ð
e. The people listed in the Spring Ð
f the Ø ØNewsletter« «, with the exception of Judy Harvie and Ð
ÐHerbert Rosengarten, are still with us. Moreover, since the St. Ð
£
en van Dijk (University of Ð
University), Guillermo Verdecchia Ð
r of our ACTR Executive), Ira Levine Ð
iversity), Chris Johnson (University of Ð
of (Athabasca University), Jan Selman Ð
Columbia), John Poulsen (University of Ð
Îleste Derksen (University of Victoria). Their Ð
nd advice will be most welcome. Given the size of the Ð
ssional Concerns Committee, we are well represented across the Ð
p
Ð
eatment Ð
the ACTR Ð
mes listed Ð
consultations are still regularly copied to them, again in a liaison function.)
Ð
stions, and Ð
bsorbed into its Ð
tlined in my report to Ð
e of the Ø ØNewsletter« «, those that emerged Ð
orial sessions, discussions, and meetings, those that Ð
merged from discussion among members of the PCC over the Ð
mer, and those that have been brought to our attention by other Ð
p
we Ð
ies and Ð
ected threeé, fouré, or perhaps even fiveéyear cycle of activity.
Ð
Ð
that Ð
he Social Ð
nities and Social Ð
ociations, provincial and Ð
use of Commons and the Senate. Ð
in St John's that although the PCC Ð
articular issues, it is equally important Ð
one of us take the time to write letters, and Ð
emails about issues that affect the present and future conditions of our discip
line(s).
) We must be eternally vigilant in reading and perhaps Ð
nding to the wording of advertisements for positions in drama, Ð
we Ð
y between Ð
redentials and Ð
r. Perhaps we should Ð
g what actually happens to an Ð
are the implications for our Ð
ointment is not made? if hiring Ð
abused? if the initial advertisement Ð
exercise to eliminate Canadianétrained Ð
international search can then be authorised? Ð
and other forms of discrimination seem to have taken Ð
Do we have an obligation to try to find out if such things Ð
ì
if Ð
at Ð
should we Ð
haps being exploited, year after year, by sessional appointments?
Ð
ì
P
Ð
level, Ð
«conception of both our Ð
w, for example, this Ð
interdisciplinarity) might influence graduate training programs.
Ð
Ð
es and Ð
ired to Ð
prestigious Ð
o direct mainéstage Ð
courseérelief) and still Ð
ities, like journal editing, Ð
rvision and various forms of Ð
nd outside their home institutions. Ð
n a number of places protocols have not Ð
iteria agreedéupon, to understand and properly Ð
erhaps unusual mixture of responsibilities during Ð
omotion, and merit assessments. Should ACTR, perhaps in Ð
ultation with the Council of Ontario University and College Ð
ì
« Ð
eges and Ð
run a workshop, Ð
ment Chairs, unit Heads, Ð
plines who might be serving as Ð
atre position hiring committee, to
erédisciplinary nature of our work?
Ð
r lines, has the field of theatre studies in Ð
the historical moment to form a body like CACEééthe Ð
Association of Chairs of Englishééconsisting of Chairs of Ð
epartments and programmes in drama, theatre, and performance Ð
Ðacross the country? Such a body could, for example, become very Ð
@
to bearing an unequal share of the burden of cutbacks.
Ð
Ð
blishers Ð
ptualise, write, Ð
ssessments, and rewrite an article to get it into publication?
Ð
Is Ð
mething Ð
g programs, and Ð
ctoral candidate from Ð
? Similarly, should actual Ð
es for survival, in career Ð
reparation of an eyeécatching CV Ð
ion letters, in learning the skills of Ð
interviewed, in acquiring the skills of Ð
ng and impressive grant applications and in Ð
nce travel funding while still being graduate Ð
iguring out how, where, and why to get published, and Ð
eloping strategies for presenting conference papers perhaps Ð
become an integral part of doctoral training and the Ð
ionalisation that goes along with it? Moreover, should Ð
ing Assistantshipsééwith clearly defined responsibilities, Ð
ncluding, in our discipline, both practical and academic workéébe Ð
?
Ï
Ð
etter informed about Ð
ocols that have been Ð
ian Association of Ð
h matters such as hiring Ð
ad performance, evaluation Ð
ermination of employment Ð
e or perhaps a series of Ð
of our own contribution, should
½
ured?
Ð
wa Congress, a panel Ð
ì
ks to the arts in general Ð
udies in particular and to the Ð
, through various modes, of Canadian Ð
a related topic, should we discuss the way Ð
tbacks have been replaced, as it were, by the Ð
onsumerist agenda, in which disciplines such as Ð
ies might be treated as nonéproductive frills, and Ð
necessarily and easily dispensed with? The object here Ð
ld be to analyse the situation, identify possible solutions, and Ð
½
Ð
in an Ð
ver, without Ð
t/capitalist productivity.
Ï
Ð
touch with me and/or any of the members of the Ð
Concerns Committee about these matters and others that Ð
ì p
want us to work on your behalf. In particular, please let us Ð
Ðknow which particular kinds of workshops and themeésessions that Ð
ference during the Ottawa Congress next May.
Ð
***********« «
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