CFP: PSi #16 Performing Publics - Toronto 2010

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Call for Proposals

Annual Conference of Performance Studies international
PSi 16 Performing Publics
Toronto, 9-13 June 2010
PSi 16, Performing Publics, will take place in Toronto as part of a  
collaboration between York University’s Faculty of Fine Arts and the  
Ontario College of Art & Design. The conference will investigate the  
power of performance to intervene in, reshape, and reinvigorate the  
public sphere at the beginning of the twenty-first century. We invite  
proposals that take up notions of “public” in a variety of ways,  
pointing to the critically generative and fraught aspects of the term  
as it has been adopted within performance studies.

The conference will theorize the relationship between performance,  
“official” public culture (public culture framed and sanctioned by  
state and/or corporate institutions), and the production of what  
Michael Warner calls “counter-publics” (social formations developed in  
opposition to the discourses and interests of the official public  
sphere). As such, it will explore the coming together of individuals  
as a social totality – as a community, nation, organization, etc. –  
and the enactment of public as a form of social activism, as a means  
of rehearsing, querying, and producing alternative forms of local and  
global citizenship. In both contexts, performance has the potential to  
frame affective and critically nuanced responses to public events,  
issues and crises and thus to model politically and ethically engaged  
forms of public life. The conference also seeks to problematize the  
idea of “publics” as it has been applied to performance by exploring  
the limitations of this term and the kinds of social exclusions that  
it often has been used to rationalize.

Guiding questions will include: How are we hailed by various publics,  
and how does this shape our behaviors and social interactions? How are  
publics spatially and temporally constituted? In what ways do publics  
participate in forms of activism, civic engagement, and “poetic world- 
making” (Warner)? What affects and effects are produced by such  
utopian interventions? Our discussion of these issues will reflect the  
vibrant history of urban intervention and “public spacing” movements  
in Toronto in which artists and activists have worked together to  
change the shape of our shared local and civic spaces.

Proposals might address (but are not limited to):

    - publics and counter-publics

    - issues of public space

    - performance and civic engagement

    - performance as an act of public witness

    - performance and public relations

    - the audience (live or virtual) as public

    - public events: rallies, protests, flash mobs, etc.

    - the relationship between the public and the private

    - the role of gender, sexuality, race, and class in performing  
publics

    - public feelings and affects

    - performative utopias and utopian performatives

    - site-specific performance and urban intervention


The conference will be staged during Toronto’s annual Luminato  
Festival, and will provide several opportunities for participants to  
experience and reflect on its dynamic arts programming. Luminato is a  
multidisciplinary festival that celebrates music, dance, theatre,  
film, literature, and the visual arts, and showcases the work of  
local, national, and international artists.  As part of its mandate to  
offer “accidental encounters with art,” Luminato is committed to  
presenting a variety of free events in public spaces. These public art  
projects run concurrently with exciting performance premieres at  
venues throughout the city.
Paper proposals (Due November 15):

Proposals for individual papers should include a 250-word abstract.  
Conference papers are normally allotted 20 minutes. Traditional and  
performative papers are welcome.

Panel proposals (Due November 15):

Panel proposals and proposals for other discursive formats (roundtable  
discussions, position papers, etc.) should include a 250-word  
abstract, along with the names, paper titles (if applicable) and  
affiliations of participants. Panels are normally allotted 1.5-2  
hours. Proposals that interweave traditional and performative papers  
are welcome.

Shift proposals (Due November 1):

Continuing the explorations of PSi 15, we invite proposals for  
“shifts”: innovative session formats that push the boundaries of the  
well-constructed panel. These may include workshops, performances, and  
interactive events. We welcome shifts that engage with “Performing  
Publics”—e.g., site-specific projects that activate public space, the  
urban landscape, or the immediate environs of the conference site.  
Proposals should include a 250-word abstract. Please note that shifts  
and panels will receive the same basic level of AV support, and there  
will be a limited number of places for shifts at PSi 16.

All proposals should be submitted online by filling out the PSi 16  
“Proposal Form” at: http://psi16.com/cfp/submissions/

Questions about the conference can be directed to: info at psi16.com


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