Canadian Theatre Review - New Issue Now Available

[David Ferry]

Thanks Audrey for the link. 

A question for all of us interested in Canadian Theatre practice and scholarly practices related to it:

When I clicked on a particular article I was interested in, it took me to the site where it seems that article alone would cost 13 $  to download in PDF form ( and in American dollars) which seems to me a steep price for an article ( financially and culturally ...paying in us funds???)

I did find that I could pay in funds Canadian by clicking on another link, but that seemed only to apply to purchasing a subscription ($45 in good old loonies)  -- but this itself seems a curious form of negative choice subscription tactics. Why is it that one can download single songs via iTunes or likeliness servers for reasonably pro-rated fees ( and in the currency of ones own country) but not so with articles from the venerable CANADIAN Theatre Review?

David Ferry

On Feb 7, 2011, at 9:50 AM, "Greenwood, Audrey" <agreenwood at UTPRESS.UTORONTO.CA> wrote:

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> CTR 145/Winter 2011, “Memory” is now available at http://utpjournals.metapress.com/content/t7l484140303/.
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> Over the past ten years the generally accepted understanding of human memory has shifted radically, reflecting popularized articulations of recent advances in the cognitive sciences. While the relationship between cultural memory and theatre has been addressed extensively— particularly in Canada—questions of how the dynamics and mechanics of memory inform and act on creative strategies in Canadian dance, performance, and theatre have rarely been raised.
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> This issue of CTR is a response to a junction between this perceived shift in understanding and a growing body of Canadian performance projects that involve artistic questions and strategies of memory. In these projects — and in these articles — simplistic and outdated understandings of memory are challenged and split open by practices that are acutely aware of memory as a complex process that affects artists and audiences in multiple ways. These essays and performance documents offer inspiration to imagine what both artistic and scholarly exploration of memory in theatre, performance, and dance can lead to in terms of creative strategies and understandings of how performance acts.
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> This issue contains:
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> Memory
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> Pil Hansen, Bruce Barton
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> DOI: 10.3138/ctr.145.3
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> And in the Future I Don't Remember What Happened Yet: A Back and Forth on the Experience of Memory in relay
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> Marie Claire Forté, Jacob Zimmer
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> DOI: 10.3138/ctr.145.6
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> Processing Memory in 300 TAPES and relay
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> Pil Hansen
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> DOI: 10.3138/ctr.145.11
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> 300 TAPES
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> DOI: 10.3138/ctr.145.17
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> 100 Steps: Working on Memory
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> Evan Webber
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> DOI: 10.3138/ctr.145.21
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> Me Talking to Myself in the Future: An Interview with Marie Brassard
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> J. Paul Halferty
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> DOI: 10.3138/ctr.145.26
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> A Hopeful Present
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> Yvette Nolan
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> DOI: 10.3138/ctr.145.31
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> How Does a Forgetful Woman Dance?
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> Aimée Dawn Robinson
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> DOI: 10.3138/ctr.145.35
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> Undressing
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> Maiko Bae Yamamoto
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> DOI: 10.3138/ctr.145.40
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> Memory's Borderlands: Onelight Theatre's Return Ticket: Halifax-Abadan-Halifax
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> Roberta Barker
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> DOI: 10.3138/ctr.145.43
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> A Trip to Bohemia: The Paranoid Confesses
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> Sky Gilbert
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> DOI: 10.3138/ctr.145.47
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> Peterborough In Memoriam
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> P.K. Brask
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> DOI: 10.3138/ctr.145.52
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> Dear Citizens of Tennessee
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> James Long
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> DOI: 10.3138/ctr.145.56
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> Edna's Archive: Performing Absence in a Troubled Home of Memory
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> Andrew Houston
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> DOI: 10.3138/ctr.145.60
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> Before we get into the event—I would like to hear from you in what way you think that my love affected you
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> Marcus Youssef
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> DOI: 10.3138/ctr.145.66
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> Swimmer (68)
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> Ker Wells, Bruce Barton
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> DOI: 10.3138/ctr.145.73
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> Views and Reviews
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> Natalie Alvarez
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> DOI: 10.3138/ctr.145.88
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> Find out more: www.utpjournals.com
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> Follow us on Facebook: www.facebook.com/utpjournals.com
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