Information about Canadian Entertainment Bureau

[Ian Easterbrook]

Hi Sasha

In researching the career of Jimmie Fax, comic song writer and performer, I determined this, but in spite of a fair amount of digging, not much else:

Frederic Shipman and his brother Joseph were Travellers - on the road for the Canadian Entertainment Bureau in Toronto, managed by their older brother, Ernest, who later became a silent film producer. From 1903-1910, Frederic visited Edmonton and Calgary, making arrangements for those artists he represented: James Fax; J.W. Bengough, the cartoonist; Jessie MacLachlan, Nellie Melba.

If memory serves, most of that information came from searching newspapers in Alberta:

Good luck in the search

Ian Easterbrook

Fergus ON

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  ----- Original Message ----- 
  From: Sasha Kovacs 
  To: CANDRAMA at LISTSERV.UNB.CA 
  Sent: Wednesday, December 03, 2014 11:06 AM
  Subject: Information about Canadian Entertainment Bureau


  Hi folks: 

  I’m writing with a query about a bit of material that I’ve recently come across in my research. Perhaps the wealth of wisdom here could point me in the right direction regarding next steps. 

  I’m currently a doctoral student at the University of Toronto doing research on the performances of E. Pauline Johnson. While doing some armchair research online, I found a digitized copy of magazine published in 1894 by an organization called the Canadian Entertainment Bureau. The magazine lists Pauline Johnson (then performing as Tekahionwake) as a recitalist available for hire. It seems to me that this was an agency that coordinated bookings for performers like Johnson, her partner Owen Smily, and other “leading Canadian celebrities.” The Bureau seems to have represented a plethora of performers (lecturers, recitalists, musicians). 

  I am wondering if anyone has come across notice of this Canadian Entertainment Bureau before, or might be knowledgable about its operations? I’ve read about some connection between the Bureau and Ernest Shipman. Does that name ring a bell to anyone? 
  Chiefly, I’m trying to find out where I might find archival material related to the Bureau’s operations. If I could get my hands on any ephemera, well…that would really be something. I can’t seem to find much about the company in my own work so far; that’s surprising to me only because this magazine looks quite professional, and seems to speak to the success of the company’s reach. 

  Perhaps someone out in the CanDrama electronic community could offer a morsel of advice here? 

  Thanks for any help and all consideration,  

  Sasha Kovacs
  PhD Candidate, Centre for Drama, Theatre, and Performance Studies, University of Toronto
  647-339-1656
  sashakovacs at gmail.com




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