Stanislavski Studies issue #3 and call for contributors

[FRYER PAUL]

Dear Colleagues,
This is my first posting to this list.
Our journal, Stanislavski Studies is seeking new contributors for
forthcoming issues.
We are interested in both the academic and practitioner viewpoints, and
will be happy to consider submissions on topics that relate to
Stanislavski's work, teaching, legacy and influence, and the work of those
who followed after him.
Full details follow, and I hope to hear from you in the near future.
Regards,
Paul.



*Stanislavski Studies issue #3 (December 2013) is now available. *The only
bi-lingual (English/Russian) journal of its kind.

This issue contains the following:

Heleen Van Den BOSCH (Belgium): The Anatomy of a Psycho-Physical Technique

Frederick MATERN (Canada): Stanislavski, Shpet and the art of lived
experience

Marie-Christine AUTANT-MATHIEU (ARIAS, Paris): For Stanislavski’s
150thBirthday: The Hermit of Leontiev Street


Jeffrey KEILHOLTZ  (USA): Living off stage: A technique in continuity

Sergei TCHERKASSKI  (St Petersburg State Academy of Theatre Arts, Russia): The
System Becomes the Method: Stanislavsky – Boleslavsky – Strasberg

Maria KAPSALI  (University of Leeds, UK):  The presence of yoga in
Stanislavski’s work

Mikhail DURNENKOV (Russia): Outside the System (play-text of the production
staged to mark the 150th anniversary of Stanislavski’s birth )

David JACKSON (UK): Ribot, emotion and the actor

Maria Pia PAGANI (University of Padova, Italy): Stanislavski and the Knight
of Ripafratta

Kathy DACRE (Rose Bruford College, UK) Teaching Stanislavski



*Book Reviews*:

Robert Cohen, * Acting Power: The 21st Century Edition* (Routledge) –
reviewed by Jayne Richards.

Thomasina Unsworth, *Becoming an Actor *(Nick Hern Books) - reviewed by
Stephe Harrop.

Nick Moseley, *Meisner in Practice *(Nick Hern Books) – reviewed by Colin
Ellwood.


Copies my be purchased online from the following link:

http://store.bruford.ac.uk/browse/extra_info.asp?compid=1&modid=1&deptid=16&catid=79&prodid=800<https://webmail.bruford.ac.uk/OWA/redir.aspx?C=vd6Ewqtw_EemzoIYbDrVYtupIc8a59AI7ojxvkSXECbJ8dDWcccpXcYw4wyCA9FmpOI7yjyrTBg.&URL=http%3a%2f%2fstore.bruford.ac.uk%2fbrowse%2fextra_info.asp%3fcompid%3d1%26modid%3d1%26deptid%3d16%26catid%3d79%26prodid%3d800>



*We are also seeking contributions for our next edition which is due for
publication in Spring/Summer 2014.*

We welcome proposals on topics that relate to all aspects of Stanislavski
and his work – teaching, performing, legacy – and to the work of those who
followed him.

Proposals/abstracts of up to 1000 words should be submitted to the editions
editor, Dr Paul Fryer (paul.fryer at bruford.ac.uk), by 28th February.


 visit our website at:
www.stanislavskistudies.org<https://webmail.bruford.ac.uk/OWA/redir.aspx?C=vd6Ewqtw_EemzoIYbDrVYtupIc8a59AI7ojxvkSXECbJ8dDWcccpXcYw4wyCA9FmpOI7yjyrTBg.&URL=http%3a%2f%2fwww.stanislavskistudies.org>


<https://webmail.bruford.ac.uk/OWA/redir.aspx?C=vd6Ewqtw_EemzoIYbDrVYtupIc8a59AI7ojxvkSXECbJ8dDWcccpXcYw4wyCA9FmpOI7yjyrTBg.&URL=http%3a%2f%2fwww.stanislavskistudies.org>

-- 
Dr Paul Fryer
Associate Director of Research
Head of The Stanislavski Centre
Editor, Stanislavski Studies e.journal
Rose Bruford College (UK)

www.operaonfilm.org.uk
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