Read the Canadian Theatre Review "Performing Products: When Acting Up Is Selling Out" issue online

Greenwood, Audrey agreenwood at UTPRESS.UTORONTO.CA
Mon Apr 20 09:00:18 EDT 2015


CTR 162 / Spring 2015
Performing Products: When Acting Up Is Selling Out<http://bit.ly/CTRonline162>
Edited by T. Nikki Cesare Schotzko, Didier Morelli and Isabel Stowell-Kaplan
How can we, as artists, scholars, and critics, determine where art might and might not intervene into matters that exceed its immediate aesthetic parameters? Why is there such a pervasive fear within the art community that art might presume too much, getting in the way of “real action” and “real change”? Moreover, does art’s role, witting or not, within commodity culture render any political motivation it might carry with it a commodity as well? What do we do when acting up is already selling out? These tensions and confusions, these preoccupations and paranoias are precisely what we address in Performing Products: When Acting Up Is Selling Out. Featuring interviews, photo-essays, reflections on performances past, articles on the current state of performance as a set of deftly imbricated practices and economics, as well as one letter-cum-manifesto, we have deliberately blurred the lines between art, performance, and criticism in this issue: Percival P. Puppet discusses his copyright dispute with Marina Abramović; Istvan Kantor writes to Jeff Koons; Nicole Lizée talks of her love for merch in a world of avant-garde composition; Lawrence Switzky considers the redemptive possibility of exhaustion in marathon theatre; and many more artists and scholars reflect upon their own experience of performance in the current economy.
This issue contains:
Performing Products: When Acting Up Is Selling Out
T. Nikki Cesare Schotzko, Didier Morelli and Isabel Stowell-Kaplan
Preview the first page of this article →<http://bit.ly/ctronline162a>
SUPREME GIFT—for Jeff Koons
Istvan Kantor (a.k.a. Monty Cantsin)
Read the full abstract →<http://bit.ly/ctronle162b>
Showing Support: Some Reflections on Vancouver’s Dance Economies
Peter Dickinson
Read the full abstract →<http://bit.ly/ctronline162c>
Bouquet
Diane Borsato
Read the full abstract →<http://bit.ly/ctronline162d>
Selling Himself in Central Park: Banksy Does New York
Isabel Stowell-Kaplan
Read the full abstract →<http://bit.ly/ctroline162e>
Body As Subject, Body As Object: Percival P. Puppet, in Conversation
Noam DePloom
Read the full abstract →<http://bit.ly/ctronline162f>
Marathon Theatre as Affective Labour: Productive Exhaustion in The Godot Cycle and Life and Times
Lawrence Switzky
Read the full abstract →<http://bit.ly/ctronline162g>
Popularity: The Spectator as Statistic
Joshua Schwebel
Read the full abstract →<http://bit.ly/ctronline162h>
Falling Piece
Diane Borsato
Read the full abstract →<http://bit.ly/ctronline162i>
Chew, Drink, and Spit: A Book Review
Didier Morelli
Read the full abstract →<http://bit.ly/ctronline162j>
The Ballad of __________B
Francisco-Fernando Granados
Read the full abstract →<http://bit.ly/ctronline162k>
Performance Art, Pornography, and the Mis-spectator: The Ethics of Documenting Participatory Performance
Adriana Disman
Read the full abstract →<http://bit.ly/ctronline162l>
A Sufficiently Advanced Racket: Performance on the Margins of Art and Commerce
T. Nikki Cesare Schotzko
Read the full abstract →<http://bit.ly/ctronline162m>
Marketing, Merch, and Media: Nicole Lizée, in Conversation
Howard Wiseman and Adriana Disman
Read the full abstract →<http://bit.ly/ctronline162n>
Unsustainable Acts of Love and Resistance: The Politics of Value and Cost in One-on-One Performances
Deborah Pearson
Read the full abstract →<http://bit.ly/ctronline162o>
Requiem for a Glacier
Paul Walde
Read the full abstract →<http://bit.ly/ctronline162p>
Cloud
Diane Borsato<http://utpjournals.metapress.com/content/?Author=Diane+Borsato>
Read the full abstract →<http://bit.ly/ctronline162q>
VIEWS AND REVIEWS<http://bit.ly/ctronline162r>
The Canadian Theatre Review features award-winning, thought-provoking plays and articles on current issues and trends in Canadian theatre. CTR provides the Canadian theatre community with in-depth feature articles, manifestos, slideshows, videos, design portfolios, photo essays, and other documents that reflect the challenging forms that theatre takes in the contemporary Canadian arts scene.

You can also access CTR on the various online platforms below.

CTR Online (http://bit.ly/CTRONLINE)

Project MUSE (http://bit.ly/ctrPMUSE)

CTR on YouTube (http://bit.ly/ctrYTUBEVIDEOS)

Website (www.canadiantheatrereview.com)

Facebook (http://bit.ly/CTRFaceBook)

Kobo Newsstand (http://bit.ly/CTRkobonewsstand)
Magazines Canada’s Cultural Boutique (http://bit.ly/CTR49thShelf)

For more information about the Canadian Theatre Review or for submissions information, please contact:
Canadian Theatre Review
University of Toronto Press, Journals Division
5201 Dufferin Street, Toronto, ON M3H 5T8, Canada
Tel: (416) 667-7810 Fax: (416) 667-7881
Fax Toll Free in North America 1-800-221-9985
Email: journals at utpress.utoronto.ca<mailto:journals at utpress.utoronto.ca>
Website: www.canadiantheatrereview.com<http://www.canadiantheatrereview.com>
Sign up for CTR Alerts!<http://bit.ly/ctralerts>
Please sign up for important news relating to Canadian Theatre Review. You'll receive emails with peeks inside new issues, Tables of Contents, Calls for Papers, editorial announcements, open access articles, and special offers. You can unsubscribe at any time by clicking "Unsubscribe" in the footer of our emails

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://artsservices.uwaterloo.ca/pipermail/candrama/attachments/20150420/13adc8f8/attachment.html>


More information about the Candrama mailing list