Now available at Project MUSE - Modern Drama Volume 57, Number 4, Winter 2014

[Greenwood, Audrey]

Modern Drama
Volume 57, Number 4, Winter 2014
http://bit.ly/MD_MUSE574

This issue contains:

Teacups and Butter: The Importance of Eating in Ibsen's A Doll's House and The Wild Duck
Stephanie Pocock Boeninger
http://bit.ly/MD_MUSE574a
This article examines the significance of food and drink in Henrik Ibsen's A Doll House and The Wild Duck, arguing that Ibsen's staging of physical consumption is an integral part of his innovative realistic dramatic technique. >> Continue reading<http://bit.ly/MD_MUSE574a>
Aesthetic Radicalism: Langston Hughes's Lost Translation of Federico García Lorca's Bodas de sangre / Blood Wedding
Michelle Woods, Sarah Wyman
http://bit.ly/MD_MUSE574b
Langston Hughes's long-lost translation of Federico García Lorca's play Bodas de sangre / Blood Wedding (1933) - Fate at the Wedding (1938) - demonstrates a synchronicity between two 1930s aesthetic radicals who shared a transnational perspective. >> Continue reading<http://bit.ly/MD_MUSE574b>
A Multiethnic Streetcar Named Desire: We've Had This Date from the Beginning
Virginia H. Cope
http://bit.ly/MD_MUSE574c
Stephen Byrd's 2012 Broadway production of Tennessee Williams's A Streetcar Named Desire, with black and Hispanic actors, inspired the typical strong responses from critics, many of whom objected to the casting as historically improbable. >> Continue reading<http://bit.ly/MD_MUSE574c>
Young Jean Lee's Cruel Dramaturgy
Patricia Ybarra
http://bit.ly/MD_MUSE574d
"Young Jean Lee's Cruel Optimism" argues that the Brown University production of Young Jean Lee's Straight White Men stages the tensions inherent in performing white masculinity under U.S. neo-liberal capitalism. >> Continue reading<http://bit.ly/MD_MUSE574d>
Reviews
South African Performance and Archives of Memory by Yvette Hutchison (review) Megan Lewis
http://bit.ly/MD_MUSE574e
Suzan-Lori Parks in Person: Interviews and Commentaries ed. by Philip C. Kolin and Harvey Young (review)
Deborah Thompson
http://bit.ly/MD_MUSE574f
Imagining the Edgy City: Writing, Performing, and Building Johannesburg by Loren Kruger (review)
Marcia Blumberg
http://bit.ly/MD_MUSE574g
Rebellious Mirrors: Community-Based Theatre in Aotearoa / New Zealand by Paul Maunder (review)
Diana Looser
http://bit.ly/MD_MUSE574h
The Theatre of Tennessee Williams by Brenda Murphy (review)
Verna A. Foster
http://bit.ly/MD_MUSE574i
Passionate Amateurs: Theatre, Communism, and Love by Nicholas Ridout (review)
Steve Nicholson
http://bit.ly/MD_MUSE574j
Synge and the Making of Modern Irish Drama by Anthony Roche (review)
Paul Delaney
http://bit.ly/MD_MUSE574k
"That Was Us": Contemporary Irish Theatre and Performance ed. by Fintan Walsh (review)
Siobhán O'Gorman
http://bit.ly/MD_MUSE574l
Index to Volume 57, 2014 <http://muse.jhu.edu/journals/modern_drama/v057/57.4.index.html>



COMPLETE ARCHIVE NOW AVAILABLE!
Modern Drama's complete archive of regular and special thematic issues, including over 3000 articles and reviews from 1958 to the present, is now available at Project MUSE<http://muse.jhu.edu/journals/modern_drama/> and Modern Drama Online<http://utpjournals.metapress.com/content/120885/?sortorder=asc&p_o=0>.


For submissions information, please contact the editor at:
Modern Drama Editorial Office
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214 College Street, 3rd Floor (room 326)
University of Toronto
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Email: modern.drama at utpress.utoronto.ca<mailto:modern.drama at utpress.utoronto.ca>

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