[Candrama] New Issue of Theatre Research International available on Cambridge Core

Fri Aug 9 08:13:58 EDT 2019

Dear colleagues,

The new issue of Theatre Research International is now available on Cambridge Core
https://www.cambridge.org/core/journals/theatre-research-international/latest-issue

Marcus TAN (Dr) | Assistant Professor | Visual and Performing Arts | National Institute of Education | Nanyang Technological University Singapore NIE 3-03-61, 1 Nanyang Walk, Singapore 637616 Tel: (65) 6790-3552 GMT+8h | Fax: (65) 6896-9279  | Email: marcus.tan at nie.edu.sg<mailto:marcus.tan at nie.edu.sg> | Web: http://www.nie.edu.sg/profile/tan-cheng-chye-marcus
Associate Editor, Journal of Interdisciplinary Voice Studies
Convenor, Music Theatre Working Group, International Federation for Theatre Research
Online Content Manager, Theatre Research International

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[Theatre Research International]<https://click.updates.cambridge.org/?qs=a474d198a30b0b9174ad0586cda768c7c9deb2545f8185f95fdaf7dd850ff5a9a7abf9f81bf36938f622c4699d8151302c161c048497e409d52b3f7c0b17d8f5>

ISSN: 0307-8833, EISSN: 1474-0672
Theatre Research International

Volume 44 / Issue 2, July 2019<https://click.updates.cambridge.org/?qs=a474d198a30b0b91ed6b028991c5803b236608669af55d3b846e6bb56700b486e4626ac75d03eb01c52916d88f7ce25f9ce318a7e5232f85de815a609dbd95a2>

Published Online August 2019
Editorial
Editorial: Experiments in Time<https://click.updates.cambridge.org/?qs=a474d198a30b0b91790925f858942bcb0a1eafb5c7129f2781ec867f6cef4ece472e25d5cafeb3f4ba56f1112809ad5f6ec2ba5713ceb8d2ba3c808d1b9a6c15>
FINTAN WALSH
Theatre Research International, Volume 44 / Issue 2<https://click.updates.cambridge.org/?qs=a474d198a30b0b91790925f858942bcb0a1eafb5c7129f2781ec867f6cef4ece472e25d5cafeb3f4ba56f1112809ad5f6ec2ba5713ceb8d2ba3c808d1b9a6c15>, July 2019, pp 115 - 117
doi: 10.1017/S0307883319000233 Published Online on 2 August 2019
Articles
An Eye for an Eye: the Hapticality of Collaborative Photo-Performance in Native Women of South India<https://click.updates.cambridge.org/?qs=a474d198a30b0b91900b562b0d52384231cdb4625e5e351299cb8b6d7165e6d4caa79e0d406495c88236d839e408d3eebaf92f05c5ef1406c2f1c4d4bf638512>
SHARANYA
Theatre Research International, Volume 44 / Issue 2<https://click.updates.cambridge.org/?qs=a474d198a30b0b91900b562b0d52384231cdb4625e5e351299cb8b6d7165e6d4caa79e0d406495c88236d839e408d3eebaf92f05c5ef1406c2f1c4d4bf638512>, July 2019, pp 118 - 134
doi: 10.1017/S0307883319000014 Published Online on 2 August 2019
&nbps;
Alfred Dampier's ‘Shakespearean Fridays’<https://click.updates.cambridge.org/?qs=a474d198a30b0b918fc5867a6dce7af4474afeeb4bd591771509d06f53551cf7f2918731f6f9adbfe570b0ae4943ce79eeaa4bd25610e3453a3a7e9f5526d020>
RICHARD FOTHERINGHAM
Theatre Research International, Volume 44 / Issue 2<https://click.updates.cambridge.org/?qs=a474d198a30b0b918fc5867a6dce7af4474afeeb4bd591771509d06f53551cf7f2918731f6f9adbfe570b0ae4943ce79eeaa4bd25610e3453a3a7e9f5526d020>, July 2019, pp 135 - 152
doi: 10.1017/S0307883319000026 Published Online on 2 August 2019
&nbps;
Sophie Tucker, Racial Hybridity and Interracial Relations in American Vaudeville<https://click.updates.cambridge.org/?qs=a474d198a30b0b91f27dc242b425b64e723efa72536cfd451f3e64d99741d0d2640567571b65f3c5cdb4a81e219bddf7284c93f33fa400e77187c63f4bb1e63c>
MARIA DE SIMONE
Theatre Research International, Volume 44 / Issue 2<https://click.updates.cambridge.org/?qs=a474d198a30b0b91f27dc242b425b64e723efa72536cfd451f3e64d99741d0d2640567571b65f3c5cdb4a81e219bddf7284c93f33fa400e77187c63f4bb1e63c>, July 2019, pp 153 - 170
doi: 10.1017/S0307883319000038 Published Online on 2 August 2019
&nbps;
Total Heroism: Reinterpreting Sartre's Morts sans sépulture (The Victors) for the Chinese Stage<https://click.updates.cambridge.org/?qs=a474d198a30b0b9195921f0daf52ce1bbd7aff4e56213ad481d8558cd8d2558df48017d55a92e87ca4ac5bd598e829da9f6dd8b5c32274cc1aadc92873bded2c>
SHOUHUA QI, WEI ZHANG
Theatre Research International, Volume 44 / Issue 2<https://click.updates.cambridge.org/?qs=a474d198a30b0b9195921f0daf52ce1bbd7aff4e56213ad481d8558cd8d2558df48017d55a92e87ca4ac5bd598e829da9f6dd8b5c32274cc1aadc92873bded2c>, July 2019, pp 171 - 188
doi: 10.1017/S030788331900004X Published Online on 2 August 2019
Dossier: The Theatre Historian Today
On Being a Twenty-First-Century Theatre Historian<https://click.updates.cambridge.org/?qs=a474d198a30b0b9135b320d32b3675e9500f434f241407ee2a43921d194e57b196a76ead5870808ba603815e71575e50328944f2e0be592b5fbcc7646a690d34>
DAVID WILES
Theatre Research International, Volume 44 / Issue 2<https://click.updates.cambridge.org/?qs=a474d198a30b0b9135b320d32b3675e9500f434f241407ee2a43921d194e57b196a76ead5870808ba603815e71575e50328944f2e0be592b5fbcc7646a690d34>, July 2019, pp 189 - 195
doi: 10.1017/S0307883319000051 Published Online on 2 August 2019
&nbps;
Documenting Theatrical and Performative Philippines: Possibilities of a Task and a Practice<https://click.updates.cambridge.org/?qs=a474d198a30b0b912153fb1f696df0b6601fddcd90e9c5e0bfe885c05b154a060b1310bdf6c713b735056eaedc27855138a333d4de74862aca66e2936a3cf4f6>
OSCAR TANTOCO SERQUIÑA
Theatre Research International, Volume 44 / Issue 2<https://click.updates.cambridge.org/?qs=a474d198a30b0b912153fb1f696df0b6601fddcd90e9c5e0bfe885c05b154a060b1310bdf6c713b735056eaedc27855138a333d4de74862aca66e2936a3cf4f6>, July 2019, pp 196 - 199
doi: 10.1017/S0307883319000063 Published Online on 2 August 2019
&nbps;
Theatre History Studies in Latin America Today: Issues in Common<https://click.updates.cambridge.org/?qs=a474d198a30b0b9137ce94f801f4320d6eb5a50645572256b7b4d9f6b4ae1436fbfcfe7664e9925971131e58fa10506919854e9d295eaee03d8b06505130d67d>
LORENA VERZERO
Theatre Research International, Volume 44 / Issue 2<https://click.updates.cambridge.org/?qs=a474d198a30b0b9137ce94f801f4320d6eb5a50645572256b7b4d9f6b4ae1436fbfcfe7664e9925971131e58fa10506919854e9d295eaee03d8b06505130d67d>, July 2019, pp 200 - 202
doi: 10.1017/S0307883319000075 Published Online on 2 August 2019
&nbps;
Doing ‘Social Practice’: Political Strategies of Truth Generation for the Friendly Neighbourhood Theatre Historian<https://click.updates.cambridge.org/?qs=a474d198a30b0b9148ee627b23860dfb0bd8525b973888c86a58e4702bd30f0eafe1d428bd17e66741e887a78c24fefa2e73481807b9e78dea586c8ab404a3a5>
PROMONA SENGUPTA
Theatre Research International, Volume 44 / Issue 2<https://click.updates.cambridge.org/?qs=a474d198a30b0b9148ee627b23860dfb0bd8525b973888c86a58e4702bd30f0eafe1d428bd17e66741e887a78c24fefa2e73481807b9e78dea586c8ab404a3a5>, July 2019, pp 203 - 205
doi: 10.1017/S0307883319000087 Published Online on 2 August 2019
Double Take
The Feminist Spectator as Critic: Second Edition. By Jill Dolan. Ann Arbor: University of Michigan Press, 2012. Pp. xliv + 168 + 4 illus. £19.38/$24.95 Pb.<https://click.updates.cambridge.org/?qs=a474d198a30b0b914b4ef2e136d9ce4aaec1f16fb79ecfe3f9c6117ff515ecc32e581d378b7e8ff03aa81e2ebec61de8e5fc76937a545440ad01416c6bc5e3ae>
Sarah Gorman
Theatre Research International, Volume 44 / Issue 2<https://click.updates.cambridge.org/?qs=a474d198a30b0b914b4ef2e136d9ce4aaec1f16fb79ecfe3f9c6117ff515ecc32e581d378b7e8ff03aa81e2ebec61de8e5fc76937a545440ad01416c6bc5e3ae>, July 2019, pp 206 - 209
doi: 10.1017/S0307883319000099 Published Online on 2 August 2019
New Books
Buhol-Buhol/Entanglement: Contemporary Theatre in Metropolitan Manila. By Sir Anril Pineda Tiatco. Bern: Peter Lang AG, 2017. Pp. xiv + 233. £51.00/$74.95 Pb.<https://click.updates.cambridge.org/?qs=a474d198a30b0b91132d10a154985855d8ede7e2480ceff83b543d040824f7d2835cce50b4d67b410c009829aa841ad4fa0fab39961e72fbf6888cf8d7d8ba28>
Laura Cabochan
Theatre Research International, Volume 44 / Issue 2<https://click.updates.cambridge.org/?qs=a474d198a30b0b91132d10a154985855d8ede7e2480ceff83b543d040824f7d2835cce50b4d67b410c009829aa841ad4fa0fab39961e72fbf6888cf8d7d8ba28>, July 2019, pp 209 - 210
doi: 10.1017/S0307883319000105 Published Online on 2 August 2019
&nbps;
Choreomania: Dance and Disorder. By Kélina Gotman. Oxford: Oxford University Press, 2018. Pp. xvi + 361. £71/$99 Hb; £36.49/$49.95 Pb.<https://click.updates.cambridge.org/?qs=a474d198a30b0b91d90599954a7dafe85c361aaf0b690d27e2288c8decaa4debb06f1ed20bcc63920704b74f1614a20ed7439560b3aa2bd2d02273fad83d8639>
Rebecca Chaleff
Theatre Research International, Volume 44 / Issue 2<https://click.updates.cambridge.org/?qs=a474d198a30b0b91d90599954a7dafe85c361aaf0b690d27e2288c8decaa4debb06f1ed20bcc63920704b74f1614a20ed7439560b3aa2bd2d02273fad83d8639>, July 2019, pp 210 - 211
doi: 10.1017/S0307883319000117 Published Online on 2 August 2019
&nbps;
Art, Madness and Society: Beyond Illness. By Anna Harpin. Abingdon: Routledge, 2018. Pp. xii + 227. £110.00/$150.00 Hb; £29.99/$39.95 Pb.<https://click.updates.cambridge.org/?qs=a474d198a30b0b91831d7e381272c6b5aef263a016bff3fad7b11219075b5bfce28cec715b95887d55fa7103f3dec559487b3d42fe26d102e52b012016e493ab>
Matt Hargrave
Theatre Research International, Volume 44 / Issue 2<https://click.updates.cambridge.org/?qs=a474d198a30b0b91831d7e381272c6b5aef263a016bff3fad7b11219075b5bfce28cec715b95887d55fa7103f3dec559487b3d42fe26d102e52b012016e493ab>, July 2019, pp 211 - 212
doi: 10.1017/S0307883319000129 Published Online on 2 August 2019
&nbps;
Political Acts: Women in Northern Irish Theatre, 1921–2012. By Fiona Coleman Coffey. Syracuse: Syracuse University Press, 2016. Pp. xx + 294. $65 Hb; $29.95 Pb.<https://click.updates.cambridge.org/?qs=a474d198a30b0b9107fa4a46228b687bdeb790a09d0c0464c47a86a76a2350e066cec1e21a97c349bc815a55d364102e5d70d94c7c6bd60e62a06a2c18c4048e>
Tara Harney-Mahajan
Theatre Research International, Volume 44 / Issue 2<https://click.updates.cambridge.org/?qs=a474d198a30b0b9107fa4a46228b687bdeb790a09d0c0464c47a86a76a2350e066cec1e21a97c349bc815a55d364102e5d70d94c7c6bd60e62a06a2c18c4048e>, July 2019, pp 213 - 214
doi: 10.1017/S0307883319000130 Published Online on 2 August 2019
&nbps;
Applied Theatre: Economies. Edited by Molly Mullen. London and New York: Bloomsbury, 2019. Pp. xiv + 265. £64.80/$73.44 Hb.<https://click.updates.cambridge.org/?qs=a474d198a30b0b914cd23d5b753940cd82594743ab458b86c854ab8eb11c8da189ac4eeb7ae91285ecc34b883871dba5c236f1aac09c3ed95c7c4655ec63d2d8>
Oluchi J. Igili
Theatre Research International, Volume 44 / Issue 2<https://click.updates.cambridge.org/?qs=a474d198a30b0b914cd23d5b753940cd82594743ab458b86c854ab8eb11c8da189ac4eeb7ae91285ecc34b883871dba5c236f1aac09c3ed95c7c4655ec63d2d8>, July 2019, pp 214 - 215
doi: 10.1017/S0307883319000142 Published Online on 2 August 2019
&nbps;
Fiery Temporalities in Theatre and Performance: The Initiation of History. By Maurya Wickstrom. London and New York: Bloomsbury, 2018. Pp. x + 249. £81.00 Hb.<https://click.updates.cambridge.org/?qs=a474d198a30b0b910aa69e2605098fc443e9636a991a92d077bdc4de0b446f8faf624b3d8e0150d18c8feae132f5ba5e22cdd02e1f578124a036601a1e63a4c0>
Eleanor Massie
Theatre Research International, Volume 44 / Issue 2<https://click.updates.cambridge.org/?qs=a474d198a30b0b910aa69e2605098fc443e9636a991a92d077bdc4de0b446f8faf624b3d8e0150d18c8feae132f5ba5e22cdd02e1f578124a036601a1e63a4c0>, July 2019, pp 215 - 216
doi: 10.1017/S0307883319000154 Published Online on 2 August 2019
&nbps;
Performing Dramaturgy. By Fiona Graham. Wellington: Playmarket, 2017. Pp. iii + 190. NZ$40 Pb.<https://click.updates.cambridge.org/?qs=a474d198a30b0b91caa5a9575d2126c0e308cf678270aadac085a5f71917a8dcc73500ac4566dbb64c80dd1c2d8451094835f0c193958b68f4bfe3fcff034fcc>
Sharon Mazer
Theatre Research International, Volume 44 / Issue 2<https://click.updates.cambridge.org/?qs=a474d198a30b0b91caa5a9575d2126c0e308cf678270aadac085a5f71917a8dcc73500ac4566dbb64c80dd1c2d8451094835f0c193958b68f4bfe3fcff034fcc>, July 2019, pp 216 - 217
doi: 10.1017/S0307883319000166 Published Online on 2 August 2019
&nbps;
Experiencing Liveness in Contemporary Performance: Interdisciplinary Perspectives. Edited by Matthew Reason and Anja Mølle Lindelof. New York and London: Routledge, 2016. Pp. xvi + 304. $155 Hb; $57.95 Ebook.<https://click.updates.cambridge.org/?qs=a474d198a30b0b91d50c67171349500b5a86550d6e889398a0924b0708d982f2fe0f497ac3882e0fbe81a0a6608a407ef8e3778369ab25bf53107a36af0d01a8>
Julia Nawrot
Theatre Research International, Volume 44 / Issue 2<https://click.updates.cambridge.org/?qs=a474d198a30b0b91d50c67171349500b5a86550d6e889398a0924b0708d982f2fe0f497ac3882e0fbe81a0a6608a407ef8e3778369ab25bf53107a36af0d01a8>, July 2019, pp 218 - 219
doi: 10.1017/S0307883319000245 Published Online on 2 August 2019
&nbps;
Between Jerusalem and Athens: Israeli Theatre and the Classical Tradition. By Nurit Yaari. Oxford: Oxford University Press, 2018. Pp. xvii + 460. £100 Hb.<https://click.updates.cambridge.org/?qs=a474d198a30b0b9166773cc0260e8c49e830e80b6230e6c2dbdb2005a570a0cf91f99deec209bc0904a2a6d1dfbc8bcb8275f8a48e9dc7058e856bf39f0cb234>
Freddie Rokem
Theatre Research International, Volume 44 / Issue 2<https://click.updates.cambridge.org/?qs=a474d198a30b0b9166773cc0260e8c49e830e80b6230e6c2dbdb2005a570a0cf91f99deec209bc0904a2a6d1dfbc8bcb8275f8a48e9dc7058e856bf39f0cb234>, July 2019, pp 219 - 220
doi: 10.1017/S030788331900018X Published Online on 2 August 2019
&nbps;
Australian Theatre after the New Wave: Policy, Subsidy and the Alternative Artist. By Julian Meyrick. Leiden: Brill Rodopi, 2017. Pp. xxii + 264 + 13 illus. $82.00/€71 Hb.<https://click.updates.cambridge.org/?qs=a474d198a30b0b91a36e46a8af8980e6ba75c139711f433a537ec1b84c2d0a574c4b3f2aeabee526bd8dbdaf81e07cd43c9575617d577861096972fc26e72d38>
Elizabeth Schafer
Theatre Research International, Volume 44 / Issue 2<https://click.updates.cambridge.org/?qs=a474d198a30b0b91a36e46a8af8980e6ba75c139711f433a537ec1b84c2d0a574c4b3f2aeabee526bd8dbdaf81e07cd43c9575617d577861096972fc26e72d38>, July 2019, pp 220 - 221
doi: 10.1017/S0307883319000191 Published Online on 2 August 2019
&nbps;
New Directions in Teaching Theatre Arts. Edited by Anne Fliotsos and Gail S. Medford. Cham: Palgrave Macmillan, 2018. Pp. xix + 310 + 7 illus. $199.99 Hb.<https://click.updates.cambridge.org/?qs=a474d198a30b0b91fd9266918eefc1c8104f0c41d5849ea8d899297bfb9c45acc68eebe26e712351af8498819382fb53df3e6079abf6c20181079702de0ba745>
Collin Vorbeck
Theatre Research International, Volume 44 / Issue 2<https://click.updates.cambridge.org/?qs=a474d198a30b0b91fd9266918eefc1c8104f0c41d5849ea8d899297bfb9c45acc68eebe26e712351af8498819382fb53df3e6079abf6c20181079702de0ba745>, July 2019, pp 221 - 222
doi: 10.1017/S0307883319000208 Published Online on 2 August 2019
&nbps;
The Creative Critic: Writing as/about Practice. Edited by Katja Hilevaara and Emily Orley. London: Routledge, 2018. Pp. xxii + 304. £110.00 Hb; £29.99 Pb; £15.00 Ebook.<https://click.updates.cambridge.org/?qs=a474d198a30b0b915e51ca4741dd9f20ee592575897f74a2b04aa79ae8fa6c6ca60aff4d9f9f69f9ff7767e4290b1f55fab201cf733bafe49fa5a98bc0ec5530>
Stuart Wood
Theatre Research International, Volume 44 / Issue 2<https://click.updates.cambridge.org/?qs=a474d198a30b0b915e51ca4741dd9f20ee592575897f74a2b04aa79ae8fa6c6ca60aff4d9f9f69f9ff7767e4290b1f55fab201cf733bafe49fa5a98bc0ec5530>, July 2019, pp 223 - 223
doi: 10.1017/S030788331900021X Published Online on 2 August 2019
Books received
Books Received<https://click.updates.cambridge.org/?qs=a474d198a30b0b914f697ee108021b5f984d764c0e9932b487f3eb1fca2fc1488cf76875403cb136fd89d77eff2d50b4187f62183ee1fd6902c69edc521eca94>
Theatre Research International, Volume 44 / Issue 2<https://click.updates.cambridge.org/?qs=a474d198a30b0b914f697ee108021b5f984d764c0e9932b487f3eb1fca2fc1488cf76875403cb136fd89d77eff2d50b4187f62183ee1fd6902c69edc521eca94>, July 2019, pp 224 - 225
doi: 10.1017/S0307883319000221 Published Online on 2 August 2019
Front Cover (OFC, IFC) and matter
TRI volume 44 issue 2 Cover and Front matter<https://click.updates.cambridge.org/?qs=a474d198a30b0b914d00864dcfc461c070cd0d36a77928f623de0c109b1a04c0eca72a3cfc95544adf732d3f862478f74ff9b3bbfa17ee1b3db61d3e8728eda1>
Theatre Research International, Volume 44 / Issue 2<https://click.updates.cambridge.org/?qs=a474d198a30b0b914d00864dcfc461c070cd0d36a77928f623de0c109b1a04c0eca72a3cfc95544adf732d3f862478f74ff9b3bbfa17ee1b3db61d3e8728eda1>, July 2019, pp f1 - f4
doi: 10.1017/S0307883319000257 Published Online on 2 August 2019
Back Cover (IBC, OBC) and matter
TRI volume 44 issue 2 Cover and Back matter<https://click.updates.cambridge.org/?qs=a474d198a30b0b9162a73e1a3583bd9e9116df2184f52664832272d88932395a1798cd99025a34052b2a798aefe2b585e3754009a25649d4a0bb1f075f65b8a3>
Theatre Research International, Volume 44 / Issue 2<https://click.updates.cambridge.org/?qs=a474d198a30b0b9162a73e1a3583bd9e9116df2184f52664832272d88932395a1798cd99025a34052b2a798aefe2b585e3754009a25649d4a0bb1f075f65b8a3>, July 2019, pp b1 - b2
doi: 10.1017/S0307883319000269 Published Online on 2 August 2019

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