[Candrama] REGISTER NOW: Launch Event for Special Issue of TRIC/RTAC on “Age and Performance: Expanding Intersectionality” (11/19 @ 4pm EST)

[Benjamin Gillespie]

*(*Apologies for Cross-Posting*)*

Please see below to register for the launch of the latest issue of
*TRIC/RTAC* 42.2 "Age and Performance: Expanding Intersectionality" on *Friday,
November 19th from 4:00-5:30pm (EST)*. All are welcome to join!

Best wishes,
Benjamin, Julia, and Núria
*TRIC/RTAC Guest Editors*

TRIC Special Issue Launch
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JOIN US FOR THE VIRTUAL LAUNCH OF
Age and Performance: Expanding Intersectionality
We are pleased to invite you to the virtual launch of a special issue
of Theatre
Research
in Canada titled “Age and Performance: Expanding Intersectionality” Volume
42 Issue 2, 2021 to be held on November 19, at 4:00 - 5:30 pm (EST), on
Zoom as part of the NANAS Online Symposium: Contested Language and the
Study of Later Life.
Register Now
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GUEST EDITORS
The virtual panel discussion will feature a Welcome from our Editors,
followed by Positioning the Special Issue notes from Kim Solga (General
Editor) and Valerie Barnes Lipscomb (author of our foreward). A Discussion
of the Cover Image Production: Escaped Alone by Caryl Churchill will be
presented by Kathryn Bracht (Director) and Tanja Dixon-Warren (Artistic
Director of Western Gold Theatre and actor on the Issue Cover).

Julia Henderson, Benjamin Gillespie, and Núria Casado-Gual (Guest Editors)
will then introduce the issue. A facilitated discussion with the authors
will follow, featuring Kathryn Bracht, Heather Fitzsimmons Frey, Tania
Gigliotti, Catherine Grech, Nevena Martinović, Dayna McLeod, Jayna Mees,
Robert Motum, Marlis Schweitzer, Shelley Scott, Lib Spry, and Leah Tidey.

The Launch will finish with a Question and Answer period with the audience.
Register Now
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About Theatre Research in Canada/Recherches théâtrales au Canada

The journal plays an active role in broadening the parameters of theatre
scholarship, through engagement with multi- and interdisciplinary research;
studies of specific cultural groups and intercultural exchange;
investigations of new and emergent technologies; and explorations of
theatricality and performativity beyond the traditional contexts of theatre
and drama.
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