[Candrama] New Issue of Performance Matters Published: Sound Acts, Part 2

[Peter Dickinson]

Dear Colleagues,
The latest issue of Performance Matters has just been published. Please visit https://performancematters-thejournal.com/index.php/pm/issue/view/21 to browse its contents.

Included here is the table of contents, and a brief description of the issue.

Peter Dickinson
Editor, Performance Matters

Vol. 8 No. 1 (2022): Sound Acts, Part 2: Receiving and Reflecting Vibration
[https://performancematters-thejournal.com/public/journals/1/cover_issue_21_en_US.jpg]<https://performancematters-thejournal.com/index.php/pm/issue/view/21>

Image Caption: Nasrid tile, fifteenth century, glazed and painted blue and manganese earthenware with lustre, Museo Arqueológico Nacional, Madrid, 1948–31. From Bordoy, Guillermo Rosselló. 1992. “The Ceramics of al-Andalus.” In Al-Andalus: The Art of Islamic Spain, edited by Jerrilynn D. Dodds, 97–103. New York: Metropolitan Museum of Art.

Issue Editors: Patricia Herrera, Caitlin Marshall, and Marci R. McMahon

The second of two linked special issues, Sound Acts, Part 2 continues to explore the embodied resonances of vibrational performance as "an improvisational art of living and being with others."


PUBLISHED: 2022-05-30
FULL ISSUE

  *    PDF<https://performancematters-thejournal.com/index.php/pm/issue/view/21/59>

  *
Sound Acts, Part 2: Copresen(t/c)ing Vibration<https://performancematters-thejournal.com/index.php/pm/article/view/367>
Caitlin Marshall, Patricia Herrera, Marci R. McMahon
1-8
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/367/419>

ETHICS OF PERFORMANCE AND SCHOLARSHIP

  *
Introduction: Keynote Duet<https://performancematters-thejournal.com/index.php/pm/article/view/357>
Ivan Ramos
9-11
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/357/423>
  *
"Revolutions in Sound": Keynote Duet<https://performancematters-thejournal.com/index.php/pm/article/view/351>
Christine Bacareza Balance, Alexandra Vazquez
12-23
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/351/425>
  *
Giving / Taking Notice<https://performancematters-thejournal.com/index.php/pm/article/view/331>
Dylan Robinson
24-36
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/331/433>

HERMENEUTIC LOOPS: DISRUPTING THE AUDIO/VISUAL LITANIES

  *
Staging Aural Fugitivity Through Nineteenth-Century Freak Show Archives<https://performancematters-thejournal.com/index.php/pm/article/view/311>
Danielle Bainbridge
37-53
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/311/441>
  *
Surface Listening: Free Association and Recitation in the Wooster Group's The B-Side: "Negro Folklore from Texas State Prisons" A Record Album Interpretation"<https://performancematters-thejournal.com/index.php/pm/article/view/313>
Julie Beth Napolin
54-72
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/313/439>
  *
Listening to Country: Immersive Audio Production and Deep Listening with First Nations Women in Prison<https://performancematters-thejournal.com/index.php/pm/article/view/337>
Sarah Woodland, Leah Barclay, Vicki Saunders, Bianca Beetson
73-82
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/337/429>

     *    PODCAST<https://performancematters-thejournal.com/index.php/pm/article/view/337/431>

EAR TRAINING

  *
“I’m A Stripper, Ho": The Sonics of Cardi B’s Ratchet, Diasporic Feminism<https://performancematters-thejournal.com/index.php/pm/article/view/307>
Karen Jaime
83-96
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/307/445>
  *
The Right to Remain “Silent": Deaf Aesthetics in GANGSTA.<https://performancematters-thejournal.com/index.php/pm/article/view/329>
Aidan Pang
97-108
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/329/437>
  *
Embodied Collective Choreographies: Listening to Arena Nightclub’s Jotería Sonic Memories<https://performancematters-thejournal.com/index.php/pm/article/view/309>
Eddy Francisco Alvarez Jr.
109-124
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/309/443>
  *
Against Conventional Harmony: An Interview with the Cuban Theatre Company El Ciervo Encantado<https://performancematters-thejournal.com/index.php/pm/article/view/343>
Mariel Martínez Alvarez
125-129
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/343/421>

REVIEWS

  *
Book Review: "The Queer Nuyorican: Racialized Sexualities and Aesthetics in Loisada" by Karen Jaime<https://performancematters-thejournal.com/index.php/pm/article/view/349>
Kristopher Pourzal
130-132
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/349/427>

___________________
Peter Dickinson, PhD
Professor and Graduate Chair
School for the Contemporary Arts | SFU
Director, Institute for Performance Studies | SFU
T:  604-908-0993
W: http://www.sfu.ca/~ped

At Simon Fraser University, we live and work on the unceded traditional territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations.

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