[Candrama] CFP: PSi #28 Conference, Johannesburg, South Africa

[Bruce Barton]

CALL FOR PROPOSALS: PSi #28 Conference, Johannesburg, South Africa
Uhambo Luyazilawula: Embodied Wandering Practices
2 – 5 August 2023


CONFERENCE DESCRIPTION:

Performance Studies international (PSi), in collaboration with the Theatre and Performance and Drama for Life Departments at Wits School of Arts in Johannesburg, South Africa, invites responses to the call for proposals for the PSi #28 conference in 2023.

This blended conference focuses on embodied wandering practices as Performance Studies modalities internationally, with specific reference to the African context. Uhambo is an IsiZulu word that translates to ‘a journey’. The phrase uhambo luyazilawula loosely translates to ‘a journey controls itself’. That is to say that while destinations may be planned, the act or process of journeying and the outcomes of that journey can never truly be controlled. To surrender to the journey connects us to ways of understanding and critiquing how we came to be through praxis and reflection. Performance Studies as a creative art and a research paradigm is a useful lens through which to contemplate and unpack the significance of journeying as embodied practices of movement, nomadism, migration, immigration and cultural exchanges, amongst its many other dimensions.

Grounding the conference theme in the concept of ‘uhambo’ and ‘uhambo oluzilawuyalo’ centres African performance praxis and pedagogies as dynamic and unpredictable provocations which challenge conventional creative and scholarly research modes. These provocations have the potential to develop and transform performance practices and pedagogies in the field of Performance Studies, in Africa and around the world.

PRESENTATION FORMATS:

The conference invites proposals for online, in-person, or blended participation in various formats that include:

●      Pre-planned panel presentations and roundtables (of 60 minutes)
●      Individual papers: in-person (20 minutes); online (12 - 15 minutes)
●      Short articles, poetic writing, or posters (max. 2000 words)
●      Performances and/or installations (20 – 30 minutes with minimal technical support)
●      Laboratory/workshop sessions (90 minutes)

NB: Participants can propose any explorations which fall outside the above-mentioned categories. Alternative formats should be described in detail and should provide a detailed description of the kinds of spaces, facilities and resources that are required for their work to be shared.


CONFERENCE SUBTHEMES:

The conference will be organised according to the following subthemes:

●      Performative ‘wanderings’: creative journeys and intersections between past, present, and future, digital and in-person;
●      Nomadic lifestyle and cultural exchanges;
●      The meaning of home and belonging, including ‘home’ as a creative point of departure;
●      Indigenous knowledge systems and cultural performance practices;
●      Alternative epistemologies: explorations of undiscovered performances, pedagogies and practices;
●      The migration of performance and performance studies;
●      Intergenerational explorations and re-memberings;
●      Environmental reflections and recovering ecologies through travel;
●      The nature of identity/identities in the context of mobility, wandering, and fluidity
●      Digital nomad interactions (transnational digital and telecommunication communities – economic, environmental, cultural, social);
●      Wandering performance disciplines and the historical intersection and uniqueness of performance disciplines in Africa;
●      Wondering storytellers: healing and applied performance work – the intersections of community work, development, healing, and travelling performance in Africa.
●      Mapping creative economies: funding, festivals and administration of creative practices.


HOW TO SUBMIT A PROPOSAL:

Please submit all proposals in MS Word or PDF by the stated deadline via this online application form: https://airtable.com/shrxXrEjpiWlIh30k

NB: participants applying for performances or installations can embed links to their online portfolios or websites in their proposal.

Proposals should include the following:

1)    Session title
2)    Presentation platform (online, in-person, or blended), format, and subtheme(s)
3)    200-word description of the presentation
4)    Names and affiliations of all participants
5)    50-word bios for all participants
6)    Description of technical support required (e.g., computer, projector, sound-system, etc.)
7)    For performances, installations and workshops, please indicate:
a.     space required (size, lighting, floor material, etc.);
b.     technical equipment/support requested;
c.     space use requirements associated with set-up and/or strike time, rehearsal, etc.

(Please note: technical equipment and support for all performances, installations, workshops and alternative format presentations must be minimal and must be identified in the submitted proposal.)

CLOSING DATE FOR SUBMISSIONS: 28 November 2022

[PSi28 image w logos2.jpg]

Bruce Barton, PhD
Professor and SCPA Director, School of Creative and Performing Arts<https://arts.ucalgary.ca/creative-performing-arts>
University of Calgary
CH D100 / 2500 University Dr. NW / Calgary, AB CANADA  / T2N 1N4 / 403-210-6265 / bruce.barton at ucalgary.ca<mailto:bruce.barton at ucalgary.ca>
brucewbarton.com<http://brucewbarton.com>

As a settler and visitor, I live and work on the traditional territories of the people of the Treaty 7 region in Southern Alberta, which includes the Blackfoot Confederacy (comprising the Siksika, Piikani, and Kainai First Nations), the Tsuut’ina First Nation, and the Stoney Nakoda (including the Chiniki, Bearspaw, and Wesley First Nations). The City of Calgary is also home to Métis Nation of Alberta, Region III.

This message and any attached documents are confidential and only for the use of the intended recipient(s). Any unauthorized use, retransmission, or other disclosure is strictly prohibited. If you have received this message in error, please notify the sender immediately, and then delete the original message.

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