[Candrama] Launch of CTR 176 on "Choreographies of Assembly” at Progress

Tue Jan 29 14:19:09 EST 2019

Dear colleagues, 

Please join us on February 5, 5-6pm, to celebrate the publication of CTR 176 on Choreographies of Assembly. This is a free event at the start of a jam-packed night of Progress festival programming, including two other fantastic events on the politics of movement: a tour of the "It's about Time: Dancing Black in Canada 1900-1970" exhibit, curated by Seika Boye; and "Poor People’s TV Room SOLO," created and performed by Okwui Okpokwasili, an installation "that considers duration and urgent complaint as critical aspects of an embodied protest practice." 

For more information on the issue, see: https://ctr.utpjournals.press/toc/ctr/176

Hope to see you there,
Alana & Laura
 <http://r20.rs6.net/tn.jsp?f=0017ltF4viYOROunbWUsuAuKjXbDuS-0zQgS6tN8y67VhBdVsJLW51dvDsjeCRwd9P8Lf5pMcS4MgKWSkfbd7L21IJM-7snw_BeYuqh4txUMHG8uAMTSkNp5JD8GtjcMBM12dNiWoF_EqnyPeWcaflj0yrL3Vs9bq_vMzajZ2Jc6me-escZdX6qeA==&c=t9wfTNWO5WOBNuvY_qm1zLNEZnVeIDHRg90BOnKgaqUWrcSS2TqK6g==&ch=7-kv3_DPncViq72lDiN1rLYPjS0of-3ynEegLNK_aan7FqaWeyT1MQ==>

Join us as we celebrate the launch of CTR 176 on “Choreographies of Assembly,” with free snacks and appearances and readings from the contributors. <http://r20.rs6.net/tn.jsp?f=0017ltF4viYOROunbWUsuAuKjXbDuS-0zQgS6tN8y67VhBdVsJLW51dvDsjeCRwd9P8Lf5pMcS4MgKWSkfbd7L21IJM-7snw_BeYuqh4txUMHG8uAMTSkNp5JD8GtjcMBM12dNiWoF_EqnyPeWcaflj0yrL3Vs9bq_vMzajZ2Jc6me-escZdX6qeA==&c=t9wfTNWO5WOBNuvY_qm1zLNEZnVeIDHRg90BOnKgaqUWrcSS2TqK6g==&ch=7-kv3_DPncViq72lDiN1rLYPjS0of-3ynEegLNK_aan7FqaWeyT1MQ==>
On Tuesday, February 5th, from 5:00pm to 6:00pm @  <http://r20.rs6.net/tn.jsp?f=0017ltF4viYOROunbWUsuAuKjXbDuS-0zQgS6tN8y67VhBdVsJLW51dvDsjeCRwd9P8LWJgpJ-nKuREA-YXiWxcDbGxA9mqM19dHPRvUHz7cAFsQCSuyIYnAAZ8W-2ncGmSnxVbwAo7Oyzb8QRN9EHtWFaqS9LYexSP&c=t9wfTNWO5WOBNuvY_qm1zLNEZnVeIDHRg90BOnKgaqUWrcSS2TqK6g==&ch=7-kv3_DPncViq72lDiN1rLYPjS0of-3ynEegLNK_aan7FqaWeyT1MQ==>The Theatre Centre Café <http://r20.rs6.net/tn.jsp?f=0017ltF4viYOROunbWUsuAuKjXbDuS-0zQgS6tN8y67VhBdVsJLW51dvDsjeCRwd9P8LWJgpJ-nKuREA-YXiWxcDbGxA9mqM19dHPRvUHz7cAFsQCSuyIYnAAZ8W-2ncGmSnxVbwAo7Oyzb8QRN9EHtWFaqS9LYexSP&c=t9wfTNWO5WOBNuvY_qm1zLNEZnVeIDHRg90BOnKgaqUWrcSS2TqK6g==&ch=7-kv3_DPncViq72lDiN1rLYPjS0of-3ynEegLNK_aan7FqaWeyT1MQ==>, CTR will launch issue 176 as a part of Progress,  <http://r20.rs6.net/tn.jsp?f=0017ltF4viYOROunbWUsuAuKjXbDuS-0zQgS6tN8y67VhBdVsJLW51dvDsjeCRwd9P8Lf5pMcS4MgKWSkfbd7L21IJM-7snw_BeYuqh4txUMHG8uAMTSkNp5JD8GtjcMBM12dNiWoF_EqnyPeWcaflj0yrL3Vs9bq_vMzajZ2Jc6me-escZdX6qeA==&c=t9wfTNWO5WOBNuvY_qm1zLNEZnVeIDHRg90BOnKgaqUWrcSS2TqK6g==&ch=7-kv3_DPncViq72lDiN1rLYPjS0of-3ynEegLNK_aan7FqaWeyT1MQ==>an international festival of performance and ideas <http://r20.rs6.net/tn.jsp?f=0017ltF4viYOROunbWUsuAuKjXbDuS-0zQgS6tN8y67VhBdVsJLW51dvDsjeCRwd9P8Lf5pMcS4MgKWSkfbd7L21IJM-7snw_BeYuqh4txUMHG8uAMTSkNp5JD8GtjcMBM12dNiWoF_EqnyPeWcaflj0yrL3Vs9bq_vMzajZ2Jc6me-escZdX6qeA==&c=t9wfTNWO5WOBNuvY_qm1zLNEZnVeIDHRg90BOnKgaqUWrcSS2TqK6g==&ch=7-kv3_DPncViq72lDiN1rLYPjS0of-3ynEegLNK_aan7FqaWeyT1MQ==> (FREE EVENT).

In this historical moment of Women’s Marches, Black Lives Matter, Occupy, and the Idle No More “round dance revolution”; of flash mobs and pop-up culture; of relational art and postdramatic performance practices, we must think seriously about what is at stake in gathering and moving together in public spaces.

The latest issue of Canadian Theatre Review challenges readers to rethink how public spaces shape our interactions. In examining the various public gatherings crowding contemporary Canadian streets, the issue mobilizes the question of what constitutes the choreopolitics of assembly. Who is the “we” that assembles, and how is it that we are physically constituted through performance? How do mass gatherings in public space give form to geopolitical relations? To what extent are these gatherings manifestations of, and reactions to, contemporary neoliberal capitalism and settler colonialism? And how are they ghosted by histories of public assembly in Canada and beyond? 
Join the Conversation
 ‌  <http://r20.rs6.net/tn.jsp?f=0017ltF4viYOROunbWUsuAuKjXbDuS-0zQgS6tN8y67VhBdVsJLW51dvJN6kj1PDYAX1a-wLvyGtXExo-4CxmXYVW2Dvtx-kIDBMcbSbjHLsC0uyxFfFPWAZDCM6eNbkN0DH8JZc7ks8vMpqhLL0b91gI8FVurXkENXd7Zn7IqNc_VPxVddQzC6kQ==&c=t9wfTNWO5WOBNuvY_qm1zLNEZnVeIDHRg90BOnKgaqUWrcSS2TqK6g==&ch=7-kv3_DPncViq72lDiN1rLYPjS0of-3ynEegLNK_aan7FqaWeyT1MQ==> ‌  <http://r20.rs6.net/tn.jsp?f=0017ltF4viYOROunbWUsuAuKjXbDuS-0zQgS6tN8y67VhBdVsJLW51dvJN6kj1PDYAXXeE7bzSeZFht3QfLxFMch9hznhudAiaODxNHTRX2F46SAReoFQD5pJf4rosgQVxSVrk6gy2iq4tWWvnHw3WuToopqNwhJ0Wj&c=t9wfTNWO5WOBNuvY_qm1zLNEZnVeIDHRg90BOnKgaqUWrcSS2TqK6g==&ch=7-kv3_DPncViq72lDiN1rLYPjS0of-3ynEegLNK_aan7FqaWeyT1MQ==> ‌  <http://r20.rs6.net/tn.jsp?f=0017ltF4viYOROunbWUsuAuKjXbDuS-0zQgS6tN8y67VhBdVsJLW51dvOrRXMFQi9Bz6PzwCxAE-IdKWxtA8K0kNsNjhAUT2KvMDBFAkzbzLivtZMCzYQuIHdGKZiXV5TDqv4mHpHpeNjvh0xJzUUj4aRv_ELJQP2yTdjUKGoDdOc5bp57p9_dpTw==&c=t9wfTNWO5WOBNuvY_qm1zLNEZnVeIDHRg90BOnKgaqUWrcSS2TqK6g==&ch=7-kv3_DPncViq72lDiN1rLYPjS0of-3ynEegLNK_aan7FqaWeyT1MQ==> ‌  <http://r20.rs6.net/tn.jsp?f=0017ltF4viYOROunbWUsuAuKjXbDuS-0zQgS6tN8y67VhBdVsJLW51dvOnSd5TQFrXeQkQ5qtY-G4Pp6cRCPRCDU2LDJ81QPgU_FJn52lvJHMZDPW2sxZCaNZBf_2wGsL-IVv3pjkkPkWkVKBhWwjbKa2QUEzS3FOufeePsSvKyOWc=&c=t9wfTNWO5WOBNuvY_qm1zLNEZnVeIDHRg90BOnKgaqUWrcSS2TqK6g==&ch=7-kv3_DPncViq72lDiN1rLYPjS0of-3ynEegLNK_aan7FqaWeyT1MQ==>
The Canadian Theatre Review features thought-provoking plays and articles on current issues and trends in Canadian theatre. CTR provides the Canadian theatre community with in-depth feature articles, manifestos, slideshows, videos, design portfolios, photo essays, and other documents that reflect the challenging forms that theatre takes in the contemporary Canadian arts scene.

Available in print and online at CTR Online <http://r20.rs6.net/tn.jsp?f=0017ltF4viYOROunbWUsuAuKjXbDuS-0zQgS6tN8y67VhBdVsJLW51dvMOa5D-65QGXfNSnSO5N2QWWCdf2-3tub1ft8lQ9IUWv5AEBMOqTIl8tRhHedPvv0ERWtBvkVATM_6Sbt4x1r9U=&c=t9wfTNWO5WOBNuvY_qm1zLNEZnVeIDHRg90BOnKgaqUWrcSS2TqK6g==&ch=7-kv3_DPncViq72lDiN1rLYPjS0of-3ynEegLNK_aan7FqaWeyT1MQ==> and Project MUSE <http://r20.rs6.net/tn.jsp?f=0017ltF4viYOROunbWUsuAuKjXbDuS-0zQgS6tN8y67VhBdVsJLW51dvJK8mak_lPADLnkYh5wOz_dNwedBEkcLMMGiGIZjON26uQKikA-PMfhs5JwPfcLldLIeVXtPCrkOiHkpizhOl8rF4zPwdZwtNA==&c=t9wfTNWO5WOBNuvY_qm1zLNEZnVeIDHRg90BOnKgaqUWrcSS2TqK6g==&ch=7-kv3_DPncViq72lDiN1rLYPjS0of-3ynEegLNK_aan7FqaWeyT1MQ==>.

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