Canadian Theatre Review 109 Winter 2002 - The Body

[Hawkins, Tamara]

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Canadian Theatre Review 109 Winter 2002
The Body
Edited by Catherine Graham
 
Contents
Making Sense, Getting Through - "The Word's Body"
The complex relationship between bodies, language, experience, and truth in
everyday life - and in acting.
JUDITH KOLTAI
 
Gendered Bodies and High School Girls: Devising Theatre
A story of the everyday, gendered, embodied, and eclectic knowledges that a
heterogeneous group of girls bring to a theatre project.
KATHLEEN GALLAGHER
 
Sitting and Talking ... about Movement?!
A conversation in progress on the role of the movement teacher and of
movement in the theatre.
ERIKA BATDORF, LESLIE FRENCH, SALLIE LYONS, and CATHERINE MARRION

body/absence/body:  Symptomatologies
How does a body move, speak, and even dance to the "dis-joins" left by the
absence of its beloved(s)?
MICHELLE NEWMAN
 
Making MindLands: The Script
In the beginning there was video. Then, there was no video. And then, there
was video.
W.A. HAMILTON

Making MindLands: The Multimedia Production.
Using technology to underscore the body image problems of an analog guy
facing a digital world.
PAUL RIVERS
 
Carbone 14's Intelligent and Responsive Body
The Montréal image/dance-theatre troupe makes the body the primary signifier
in performance.
ERIN HURLEY

Re-Surfacing the Chinese-Canadian Body in Performance: Elyne's Quan's
"Surface Tension" and "What?"
Edmonton theatre practitioner Elyne Quan resists commodified images of the
Chinese-Canadian body.
ROSALIND KERR
 
"Performing Femininity" on Stage and Off 
Confronting effeminaphobia, a near relation and bonding agent to both
homophobia and misogyny, through drag performance.
DAVID BATEMAN
 
DynamO Théâtre: Moving Images of Teenage Life
A company of jugglers, acrobats, mimes and clowns combines acrobatic
movement and dramatic narrative to explore risk, independence, and
belonging.
BERNARD LAVOIE
 
SCRIPT
MindLands
W.A. Hamilton's multimedia one-man play about a steel worker who suddenly
finds that the skill in his hands and the strength in his body will no
longer provide his family with a stable and comfortable life. 

VIEWS  AND REVIEWS
Bodies - both on stage and off - should be viewed in a continuum. Commentary
by Catherine Graham
 
Live and Kicking: A Disabled Audience Member Contemplates the Body in the
Audience and on the Stage. Commentary by Joanne Buckley
 
Robert Lepage's staging of Bluebeard's Castle and Erwartung for the Canadian
Opera Company. Review by Karen Pegley and Catherine Graham
 
Establishing Our Boundaries: English-Canadian Theatre Criticism. Edited by
Anton Wagner. University of Toronto Press, 1999. Review by Neil Carson
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