Now available on Project MUSE - CTR 154, Spring 2013 "The New Saskatchewan"

[Greenwood, Audrey]

CTR 154 / Spring 2013
The New Saskatchewan<http://muse.jhu.edu/journals/canadian_theatre_review/toc/ctr.154.html>

This issue contains:

Theatre and Drama in the New Saskatchewan: Making Space and Place on and beyond the Land <http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.blackstone.html>
Mary Blackstone, Moira Day
pp. 3-6 | DOI: 10.1353/ctr.2013.0025
The Driest Cold: Surviving as a Theatre Artist in a "Cold Climate" <http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.nolan.html>
Yvette Nolan, Philip Adams
pp. 7-10 | DOI: 10.1353/ctr.2013.0028
Having recently moved from Ontario to Saskatoon, PHILIP ADAMS and YVETTE NOLAN reveal that the creative allure of the "new" Saskatchewan has much to do with its grounding in the "old."
Growing Opportunities: Theatre Thrives in Rural Saskatchewan <http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.powell.html>
M. E. Powell
pp. 11-17 | DOI: 10.1353/ctr.2013.0031
While the province's cities may be growing rapidly, M.E. POWELL demonstrates that theatres are helping to rejuvenate its small towns at the same time.
Linking Who We Are and Where We Are: Saskatchewan's Legacy of Community and Site-oriented Performance <http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.badham.html>
Marnie Badham, Kathleen Irwin, Rachael Van Fossen<http://muse.jhu.edu/results?section1=author&search1=Rachael%20Van%20Fossen>
pp. 18-25 | DOI: 10.1353/ctr.2013.0034
MARNIE BADHAM, KATHLEEN IRWIN, and RACHAEL VAN FOSSEN talk about the shifting tradition of a performative and participatory negotiation of place, belonging, and identity.
Homeless on the Range-Theatre without a Home <http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.bracht.html>
Kathryn Bracht
pp. 26-31 | DOI: 10.1353/ctr.2013.0037
For some Regina theatre companies, the challenge of finding a permanent home has been a creative obstacle, but KATHRYN BRACHT discovers that for others it has inspired long-term creative success.
Regina: The Little City with a Wild Side <http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.macdonald.html>
Daniel Macdonald
pp. 32-36 | DOI: 10.1353/ctr.2013.0022
Regina is home to a surprising diversity of innovative performers, and DANIEL MACDONALD traces the roots of their approach to comedy, dance, and drama back to the Canadian Improv Games.
Layering Theatre's Potential for Change: Drama, Education, and Community in Aboriginal Health Research <http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.linds.html>
Warren Linds, Heather Ritenburg, Linda Goulet, Jo-Ann Episkenew, Karen Schmidt, Nuno Ribeiro, Allison Whiteman
pp. 37-43 | DOI: 10.1353/ctr.2013.0024
WARREN LINDS, HEATHER RITENBURG, LINDA GOULET, JO-ANN EPISKENEW, KAREN SCHMIDT , NUNO RIBEIRO, and ALLISON WHITEMAN show how drama is helping Aboriginal youth overcome historical and ongoing colonization to reclaim their place and explore new pathways forward.
La Troupe du Jour in the Fransaskois Community: Inclusion Strategies and Multicultural Spaces <http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.clarke.html>
Marie-Diane Clarke, Ian C. Nelson
pp. 44-49 | DOI: 10.1353/ctr.2013.0027
MARIE-DIANE CLARKE and IAN C. NELSON show that French language theatre isn't just surviving in Saskatoon-it's thriving.
Saskatchewan Radio Audio Drama <http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.mcwilliams.html>
Ian McWilliams
pp. 50-54 | DOI: 10.1353/ctr.2013.0030
Now that CBC has abandoned one of the most enduringly popular and important forms of drama in Saskatchewan, IAN MCWILLIAMS finds its enthusiasts are just carrying on using newer technology.
Playwriting in the New Saskatchewan: A Round-table Discussion That Didn't Really Happen <http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.burke.html>
Kelley Jo Burke
pp. 55-60 | DOI: 10.1353/ctr.2013.0033
Regina playwright KELLEY JO BURKE draws together her imagined community of past, present, and future playwrights for a chat about how things "old" and "new" are affecting the work of dramatic writers in the province.
Ham and the Ram <http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.nolan01.html>
Yvette Nolan
pp. 61-65 | DOI: 10.1353/ctr.2013.0036
Gramma <http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.yi.html>
Maki Yi
pp. 66-80 | DOI: 10.1353/ctr.2013.0021
Views and Reviews
Editorial <http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.stephenson.html>
Jenn Stephenson
pp. 81-82 | DOI: 10.1353/ctr.2013.0023
Seeds of Prophecy: Annabel Soutar's Seeds <http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.fishbane.html>
Joel Fishbane
pp. 82-83 | DOI: 10.1353/ctr.2013.0026
Echoing Prairie Voices: Theatre Stories Resonating from the Western Provinces <http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.kuling.html>
Peter Kuling
pp. 84-86 | DOI: 10.1353/ctr.2013.0029
Making Myth on the Prairies <http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.koller.html>
Katherine Koller
pp. 86-88 | DOI: 10.1353/ctr.2013.0032
The Wild West <http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.borody.html>
Claire Borody
pp. 88-90 | DOI: 10.1353/ctr.2013.0035
#th8r_crt: A Live and Virtual Discussion <http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.macarthur.html>
Michelle MacArthur
pp. 91-94 | DOI: 10.1353/ctr.2013.0020

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