TRIC 36.2_Theatre and Immigration/ Th=?UTF-8?Q?=C3=A9=C3=A2tre_?=et immigration

[Marlis Schweitzer]

The next issue of /TRIC/RTAC /(36.2) has arrived from the press and 
should be in all subscriber mailboxes in the next few days.

Le dernier numéro de TRIC/RTAC (36.1) est arrivé de chez Coach House 
Press et vous sera envoyé dans les prochain jours.

*//*

*/Theatre Research in Canada/ /**/Recherches théâtrales au Canada/*

*//*

*FALL / AUTOMNE 2015*

*VOL 36 / NO 2*

**

*Theatre and Immigration / **Théâtre et immigration***

**

INTRODUCTION**

**

*Yana Meerzon*, Theatre and Immigration: From the Multiculturalism Act 
to the Sites of Imagined Communities/ Théâtre et immigration : De la loi 
sur le multiculturalisme jusqu’aux lieux de l’imaginaire national

ARTICLES**

*Eury Colin Chang*, Towards Reconciliation: Immigration in Marty Chan’s 
/The Forbidden Phoenix/ and David Yee’s /lady in the red dress/

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*Sheila Rabillard*, Carmen Aguirre’s/The Refugee Hotel/and the Space 
Between Limited and Unlimited Hospitality

*Manuel García Martínez*, Le temps de l’immigré 
dans/Silences/,/Addolorata/et/Déjà l’agonie/de Marco Micone

*Diana Manole*, Accented Actors: From Stage to Stages via a Convenience 
Store

*Andrew Houston*, /Dis-ing/ the Main Drag and Walking toward the Public 
Good in /Here Be Dragons:/Mapping Queer, Asian-Canadian Identity in 
Kitchener, Ontario

*Yana Meerzon*

Between Je and Moi: Staging the Heteroglossia of Immigrant Autobiography

FORUM**

**

*Lina de Guevara*, Impact of the Immigrant Experience on My Theatre Career

**

*Cynthia Ashperger*, The Tongue Play: An Auto-Ethnography

*Geneviève De Viveiros*, /Le Tour du monde en 80 jours : /Entretien avec 
Hugo Bélanger

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