Concordia Theatre seeks replacement instructor: THEA 414 -- Current Canadian Theatre, Fall term

[Jen Cressey]

The Department of Theatre at Concordia University is seeking a replacement instructor for the Fall 2015 Term to teach THEA 414: Current Canadian Theatre. This is a lecture-style class that meets on Mondays from 6:30pm to 9:30pm. The class capacity is 80. The first class meeting is scheduled for September 14th, there is no class on Thanksgiving Monday (October 12th), and the two final class meetings are Monday December 7th with Tuesday December 8th scheduled as a make-up day for October 12th.

Qualified applicants should send their Letter of Intent and cv to:
Edward Little,
Chair, Department of Theatre, Concordia University
Email: edward.little at concordia.ca<mailto:edward.little at concordia.ca>

THEA 414: Current Canadian Theatre
Course Description: A survey of Canadian theatre in the present day, incorporating a study of notable works, outstanding artists and other figures in the arts world and arts organizations. The course includes an analysis of conditions prevailing on the theatre in various regions of the country and invites students to take stock of their own future in the theatre or elsewhere.

Job Specific Requirements
Ph.D. in Theatre Studies and/or performance studies. Extensive knowledge of Canadian theatre including the kinds of theatre being made in Canada today, the issues and challenges facing Canadian theatre makers, the history behind the issues, and the current state of discourse surrounding Canadian theatre. Disciplinary expertise in feminism, lesbian and gay studies, queer theory, post-colonial studies as applied to the field, and a proven track record of relevant publication in both national and international peer-reviewed journals. Successful teaching at the university level as well as demonstrated ability to both determine and utilize pertinent resources within the university and wider community as applied to teach both course content and research and writing skills. Active involvement in both national and international professional academic associations in the field of theatre and performance will be an asset.

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