Theatre Research International 41.2 is now available

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TRI 41.2 is now available at http://journals.cambridge.org/jid_TRI<https://urldefense.proofpoint.com/v2/url?u=http-3A__journals.cambridge.org_jid-5FTRI&d=BQMFAw&c=8hUWFZcy2Z-Za5rBPlktOQ&r=rQPSMXMhP_i8Z29C0_LdyhLwjjSqX9j__qRLRmUsH2I&m=qn2XDQOHjoltTq_5Nw3S12bkIRQ3p2GRwO_fS_jgJS8&s=oqyjSqYTSzUTWU60hGOYWl6kSWoGJejcIlM4Po4qlhA&e=> . It contains:



Editorial: Behind the Scenes

PAUL RAE

Theatre Research International, Volume 41, Issue 02, July 2016, pp 101-105

doi: 10.1017/S030788331600002X, Published online by Cambridge University Press 07 Jun 2016



Articles:

The Rise and Fall of Modelbooks, Notate and the Brechtian Method: Documentation and the Berliner Ensemble's Changing Roles as a Theatre

Company

DAVID BARNETT

Theatre Research International, Volume 41, Issue 02, July 2016, pp 106-121

doi: 10.1017/S0307883316000031, Published online by Cambridge University Press 07 Jun 2016

Becoming Hamlet for Only Nine Days: Korean Workers and Documentary Theatre

HYUNSHIK JU

Theatre Research International, Volume 41, Issue 02, July 2016, pp 122-134

doi: 10.1017/S0307883316000043, Published online by Cambridge University Press 07 Jun 2016

Politicizing the Pastoral: Taiwan's Homeland Performances

CATHERINE DIAMOND

Theatre Research International, Volume 41, Issue 02, July 2016, pp 135-150

doi: 10.1017/S0307883316000055, Published online by Cambridge University Press 07 Jun 2016

‘The Money Was Real Money’: Talking with Audiences about Corruption, Domestic Violence and Aesthetic Values during the Roverman Festival of

Plays at the Ghana National Theatre

AWO MANA ASIEDU

Theatre Research International, Volume 41, Issue 02, July 2016, pp 151-167

doi: 10.1017/S0307883316000067, Published online by Cambridge University Press 07 Jun 2016

‘Sometimes Uncomfortable, Sometimes Arousing’: The Slow Dramaturgy of Casey Jenkins's Craftivist Performances

LARA STEVENS

Theatre Research International, Volume 41, Issue 02, July 2016, pp 168-180

doi: 10.1017/S0307883316000079, Published online by Cambridge University Press 07 Jun 2016



Reviews:

Theatre and Aural Attention: Stretching Ourselves. By George Home-Cook. Basingstoke and New York: Palgrave, 2015. Pp. ix + 229. £55 Hb/£52.35

Kindle.

David Roesner

Theatre Research International, Volume 41, Issue 02, July 2016, pp 181-182

doi: 10.1017/S0307883316000213, Published online by Cambridge University Press 07 Jun 2016

Theatres of Learning Disability: Good, Bad, or Plain Ugly? By Matt Hargrave. Basingstoke and New York: Palgrave Macmillan, 2015. Pp. xiv + 290.

£55 Hb.

Sarah Marinucci

Theatre Research International, Volume 41, Issue 02, July 2016, pp 182-183

doi: 10.1017/S0307883316000225, Published online by Cambridge University Press 07 Jun 2016

Contemporary Black British Playwrights: Margins to Mainstream. By Lynette Goddard. Basingstoke and New York: Palgrave Macmillan, 2015. Pp. xii

+ 255. £55/Ä$90 Hb.

Christine Matzke

Theatre Research International, Volume 41, Issue 02, July 2016, pp 184-185

doi: 10.1017/S0307883316000237, Published online by Cambridge University Press 07 Jun 2016

Latin Numbers: Playing Latino in Twentieth-Century U.S. Popular Performance. By Brian Eugenio Herrera. Ann Arbor: University of Michigan Press,

2015. Pp. xiii + 272. £78.95/Ä$85 Hb.

Carla Della Gatta

Theatre Research International, Volume 41, Issue 02, July 2016, pp 185-186

doi: 10.1017/S0307883316000249, Published online by Cambridge University Press 07 Jun 2016

Queer Theatre and the Legacy of Cal Yeomans. By Robert A. Schanke. New York: Palgrave Macmillan, 2011. Pp. xxi + 239 + 21 illus. Ä$100 Hb; Ä$29

Pb.

Daniel Ciba

Theatre Research International, Volume 41, Issue 02, July 2016, pp 186-187

doi: 10.1017/S0307883316000250, Published online by Cambridge University Press 07 Jun 2016

Befriending the Commedia dell'Arte of Flaminio Scala: The Comic Scenarios. By Natalie Crohn Schmitt. Toronto: University of Toronto Press, 2014.

Pp. 344. £54.99/Ä$80 Hb.

Peter Jordan

Theatre Research International, Volume 41, Issue 02, July 2016, pp 187-188

doi: 10.1017/S0307883316000262, Published online by Cambridge University Press 07 Jun 2016

The Comic Offense: Larry David, Tina Fey, Stephen Colbert, and Dave Chappelle. By Rick DesRochers. New York: Bloomsbury Academic, 2014. Pp.

viii + 154 + 5 illus. Ä$29.95 Pb; Ä$100 Hb.

Sara Farah

Theatre Research International, Volume 41, Issue 02, July 2016, pp 188-189

doi: 10.1017/S0307883316000274, Published online by Cambridge University Press 07 Jun 2016

Visions and Revisions: Performance, Memory, Trauma. Edited by Bryoni Trezise and Caroline Wake. Copenhagen: Museum Tusculanum Press,

University of Copenhagen, 2013. Pp. 236. Ä$52/€40 Pb.

Sandra D'Urso

Theatre Research International, Volume 41, Issue 02, July 2016, pp 189-190

doi: 10.1017/S0307883316000286, Published online by Cambridge University Press 07 Jun 2016

Refrains for Moving Bodies: Experience and Experiment in Affective Spaces. By Derek P. McCormack. Durham, NC: Duke University Press, 2014.

Pp. 280 + 17 illus. £15.68/Ä$23.95 Pb; £55.61/Ä$84.95 Hb.

Kallee Lins

Theatre Research International, Volume 41, Issue 02, July 2016, pp 191-192

doi: 10.1017/S0307883316000298, Published online by Cambridge University Press 07 Jun 2016

Deleuze and Beckett. Edited by S. E. Wilmer and Audrone Žukauskaite. Basingstoke and New York: Palgrave Macmillan, 2015. Pp. v + 253. £55/Ä$90

Hb.

Tony Fisher

Theatre Research International, Volume 41, Issue 02, July 2016, pp 192-193

doi: 10.1017/S0307883316000304, Published online by Cambridge University Press 07 Jun 2016



Dr Sarah Balkin

Assistant Editor, Theatre Research International

Lecturer in English & Theatre Studies, University of Melbourne





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