[Candrama] PAJ 119 Now Available

[Benjamin Gillespie]

*Now Available on Project Muse:*

PAJ 119 <https://www.mitpressjournals.org/toc/pajj/40/2> (Volume 40, Issue 2
<https://www.mitpressjournals.org/toc/pajj/40/2>, May 2018)


*Articles*



Richard III in the Era of Trump
<https://www.mitpressjournals.org/doi/abs/10.1162/pajj_a_00404>

Dan Venning



Hillbilly Tragedy: What's Not Playing in American Theatres in the 2017–18
Season <https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00405> (Free
Access)

Paul David Young



Empty Duration and the Generosity of John Cage
<https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00407>

Kay Larson



The Occult Art of L'ordre de la Rose+Croix du Temple et du Graal: Sâr
Joséphin Péladan's R+C Salons, 1892–1897
<https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00411>

Edmund B. Lingan



*Special Section: Dance and Drawing*



Thinking/Drawing/Dancing
<https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00406>

Bonnie Marranca



Stuff <https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00418>

Annie-B Parson



Drawing Clarification
<https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00419>

Walter Dundervill



Self-Portraiture/Self-Prompt
<https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00420>

Gwen Welliver



Drawing the Language of Dance
<https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00421>

Jan Rae



What's My Line?
<https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00422>

Cathy Weis



Process Notation
<https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00423>

Okwui Okpokwasilli and Peter Born



The Methodology for Choreographing Extreme Action
<https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00424>

Elizabeth Streb



The Dancer and the Computer, Part Two
<https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00425>

Laurent Goldring



Movement Engineer
<https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00426>

Jon Kinzel



Atlas of the Gesture
<https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00427>

Virgilio Sieni



*Art and Performance Notes*



No Exit (Review of The Exterminating Angel, Thomas Ades)
<https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00408>

Thomas Peattie



Scorched Earth (Review of Burning Doors, Belarus Free Theatre)
<https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00409>

Curtis Russell



Black Political Breathwork (Review of CODED, Xaviera Simmons)
<https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00410>

Kristin Moriah



*Play*



Memory Divided
<https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00412>

Benjamin Gillespie



*Ruff <https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00413>*

Peggy Shaw and Lois Weaver



*Books & Company*


Reconsidering Archives in Performance (Review Essay)
<https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_r_00414>

Stephanie Vella



*Black Performance on the Outskirts of the Left: A History of the
Impossible. By Malik Gaines.
<https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_r_00415>*

James F. Wilson



*Performance Art in Eastern Europe since 1960. By Amy Bryzgel.
<https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_r_00416>*

Cristina Modreanu



*Microdramas: Crucibles for Theater and Time. By John H. Muse.
<https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_r_00417>*

Aaron C. Thomas


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