[Candrama] New Issue of Theatre Research International 44.1 available on Cambridge Core

Sat Apr 6 01:52:07 EDT 2019

Dear colleagues,

The next issue of Theatre Research International 44.1 is now available online, https://www.cambridge.org/core/journals/theatre-research-international
This is the inaugural issue of new editorial team with Fintan Walsh (Birkbeck, University of London) as Senior Editor, Silvija Jestrovic (Warwick University) as Associate Editor and Tanya Dean (Ulster University) as Assistant Editor.

Free access articles include:

  *   Remembering the Finnish Civil War: Embodied Empathy and Fellman Field<https://www.cambridge.org/core/journals/theatre-research-international/article/remembering-the-finnish-civil-war-embodied-empathy-and-fellman-field/53FF46E8520E51446C4D400ECCD89393>
  *   HANNA KORSBERG<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=HANNA%20KORSBERG&eventCode=SE-AU>, LAURA-ELINA AHO<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=LAURA-ELINA%20AHO&eventCode=SE-AU>, IRIS CHASSANY<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=IRIS%20CHASSANY&eventCode=SE-AU>, SOFIA VALTANEN<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=SOFIA%20VALTANEN&eventCode=SE-AU>
  *   https://doi.org/10.1017/S0307883318000810
  *   This article is also accompanied by a blog post which can be accessed here: http://blog.journals.cambridge.org/2019/04/04/on-collaborative-research-and-writing/
  *

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ISSN: 0307-8833, EISSN: 1474-0672
Theatre Research International

Volume 44 / Issue 1, March 2019<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3a5f56d60ff811f82d9f4b615c26a804dffab1687b3cd35d713ce2f6409cb93ced113ac8000fb88cd26ac6c678857a1dd3d3a3985971f1705>

Published Online April 2019

Editorial

<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e37676f5536db53a32ab579bc69394d6357e63a9c7757262e86fea171ea318d01ba86245008c1609b6cde5bcec3a878f35817550b55f11029f>
Editorial: On Moving and Being Moved

FINTAN WALSH
Theatre Research International, Volume 44 / Issue 1<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e37676f5536db53a32ab579bc69394d6357e63a9c7757262e86fea171ea318d01ba86245008c1609b6cde5bcec3a878f35817550b55f11029f>, March 2019, pp 1 - 5
doi: 10.1017/S0307883318001037 Published Online on 3 April 2019

Articles

<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3427b135663a17e173b07daf3f0015f82e86574176b1437e09a4fcedb384a2d2b952d7fa531e73ff80c986d57c85bf0e72dfcda36348a59bb>
Remembering the Finnish Civil War: Embodied Empathy and Fellman Field

HANNA KORSBERG, LAURA-ELINA AHO, IRIS CHASSANY, SOFIA VALTANEN
Theatre Research International, Volume 44 / Issue 1<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3427b135663a17e173b07daf3f0015f82e86574176b1437e09a4fcedb384a2d2b952d7fa531e73ff80c986d57c85bf0e72dfcda36348a59bb>, March 2019, pp 6 - 22
doi: 10.1017/S0307883318000810 Published Online on 3 April 2019

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<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e35679f898b544c4ba399ebd3c12744b286700917ea673c634df32f5f9eee49bb6acaabe5e84f3c4b22802dd09ab6a56b7994a9e730bb0183d>
Staging Sochi 2014: The Soft Power of Geocultural Politics in the Olympic Opening Ceremony

SUSAN TENNERIELLO
Theatre Research International, Volume 44 / Issue 1<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e35679f898b544c4ba399ebd3c12744b286700917ea673c634df32f5f9eee49bb6acaabe5e84f3c4b22802dd09ab6a56b7994a9e730bb0183d>, March 2019, pp 23 - 39
doi: 10.1017/S0307883318000822 Published Online on 3 April 2019

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<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3af3483990cee312a548c0b7e0ea1012380670280f98c83d6652dce5fc0af2e53acd13ff29b6c634efc65bd4478053a2f0bbf757bec152627>
Wayang in Jaman Now: Reflexive Traditionalization and Local, National and Global Networks of Javanese Shadow Puppet Theatre

MATTHEW ISAAC COHEN
Theatre Research International, Volume 44 / Issue 1<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3af3483990cee312a548c0b7e0ea1012380670280f98c83d6652dce5fc0af2e53acd13ff29b6c634efc65bd4478053a2f0bbf757bec152627>, March 2019, pp 40 - 57
doi: 10.1017/S0307883318000834 Published Online on 3 April 2019

Theatre and Migration Dossier

<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e35055bf9722f86b0a6b7b21c32718a805e571ceada9c7b49c820bc6ef6d73c149e42285ec094a4fa7503924bf74ca1f417b1d606a60fd3e82>
Haitian Vodou and Migrating Voices

SABINE KIM
Theatre Research International, Volume 44 / Issue 1<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e35055bf9722f86b0a6b7b21c32718a805e571ceada9c7b49c820bc6ef6d73c149e42285ec094a4fa7503924bf74ca1f417b1d606a60fd3e82>, March 2019, pp 58 - 63
doi: 10.1017/S0307883318000998 Published Online on 3 April 2019

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<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3a2c61aa437ddc0ac39b488f95ced3b662bc674d945432711f5d66e7519c71bce2f24dac567ee4dfcf4cd43ce8bbd1f93e0a021b03151ce30>
Maritime Migrations: Stewards of the African Grove

ANITA GONZALEZ
Theatre Research International, Volume 44 / Issue 1<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3a2c61aa437ddc0ac39b488f95ced3b662bc674d945432711f5d66e7519c71bce2f24dac567ee4dfcf4cd43ce8bbd1f93e0a021b03151ce30>, March 2019, pp 64 - 70
doi: 10.1017/S0307883318000962 Published Online on 3 April 2019

&nbps;

<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e38bfce138f6d8b29b20eb9e5391e7b06eff7e3a7b87ed0af84187b35563d6dea682f56d8fc993454f0718b18da44a1b2965cb43eb40bd9367>
Trans-lating Hijra Identity: Performance Culture as Politics

ANKUSH GUPTA
Theatre Research International, Volume 44 / Issue 1<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e38bfce138f6d8b29b20eb9e5391e7b06eff7e3a7b87ed0af84187b35563d6dea682f56d8fc993454f0718b18da44a1b2965cb43eb40bd9367>, March 2019, pp 71 - 75
doi: 10.1017/S0307883318000925 Published Online on 3 April 2019

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<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3d22f8d43c6e1b6c3e4100bdeb77035c310345ef9b49bc129d4d684d4a00568904c886e2d6b814e11d6b5ebcbb39bfb49f079cedaea8ca962>
Performing Public Presence: African Migrant Women Create Uncomfortable Conversations in London

LESLEY DELMENICO
Theatre Research International, Volume 44 / Issue 1<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3d22f8d43c6e1b6c3e4100bdeb77035c310345ef9b49bc129d4d684d4a00568904c886e2d6b814e11d6b5ebcbb39bfb49f079cedaea8ca962>, March 2019, pp 76 - 81
doi: 10.1017/S0307883318001025 Published Online on 3 April 2019

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<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e332feb9f24451a437d0d952ffb4020bfe71a05708b5b1145ce2146689a8492782b84e53b639f2f89b3814ce48134fba6080fa3fdcb79d56c4>
Responding to Per.Art's Dis_Sylphide: Six Voices from IFTR's Performance and Disability Working Group

MARGARET AMES, DAVE CALVERT, VIBEKE GLØRSTAD, KATE MAGUIRE-ROSIER, TONY MCCAFFREY, YVONNE SCHMIDT
Theatre Research International, Volume 44 / Issue 1<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e332feb9f24451a437d0d952ffb4020bfe71a05708b5b1145ce2146689a8492782b84e53b639f2f89b3814ce48134fba6080fa3fdcb79d56c4>, March 2019, pp 82 - 101
doi: 10.1017/S0307883318000846 Published Online on 3 April 2019

Book review

<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3f21b6aa3caf2e937a9d2c4c447a79f34a4d3bc1d33728e385144b129b7223e9d20f63d83f5dd0d01088702a0e882ac6a8d8877c0a2a90961>
Moving Scenes: The Circulation of Music and Theatre in Europe, 1700–1815. Edited by Pierre-Yves Beaurepaire, Philippe Bourdin and Charlotta Wolff. Oxford: Oxford University Studies in the Enlightenment, 2018. Pp. xii + 392 + 10 illus. £75/€90/$110 Pb.

Katherine Astbury
Theatre Research International, Volume 44 / Issue 1<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3f21b6aa3caf2e937a9d2c4c447a79f34a4d3bc1d33728e385144b129b7223e9d20f63d83f5dd0d01088702a0e882ac6a8d8877c0a2a90961>, March 2019, pp 102 - 103
doi: 10.1017/S0307883318000731 Published Online on 3 April 2019

<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3863dba84886b873940422e46c94080f06034f67393beec6faf08c1bb4fb2f66bc6cd6d09e518bf32a22d16e3110dcee0efcb3c73158c1bd1>
Rape on the Contemporary Stage. By Lisa Fitzpatrick. Basingstoke: Palgrave Macmillan, 2018. Pp. vii + 281. £79.00/$99.99 Hb; £62.99/$79.99 Ebook.

Laura Baglereau
Theatre Research International, Volume 44 / Issue 1<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3863dba84886b873940422e46c94080f06034f67393beec6faf08c1bb4fb2f66bc6cd6d09e518bf32a22d16e3110dcee0efcb3c73158c1bd1>, March 2019, pp 103 - 104
doi: 10.1017/S0307883318000743 Published Online on 3 April 2019

<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e31e09d8411ab1804512f65449384243b2f14e80a2b67f218c60c8deea737eaf5552751a86267976aead0b3b04480be778af13cb3103fbca0e>
Poverty and Charity in Early Modern Theater and Performance. By Robert Henke. Iowa City: University of Iowa Press, 2015. Pp. xiii + 202. $55 Hb.

Dylan Ferrara
Theatre Research International, Volume 44 / Issue 1<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e31e09d8411ab1804512f65449384243b2f14e80a2b67f218c60c8deea737eaf5552751a86267976aead0b3b04480be778af13cb3103fbca0e>, March 2019, pp 104 - 105
doi: 10.1017/S0307883318000755 Published Online on 3 April 2019

<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3ebb5aedcee198a84c015a0f24858aa222496bd575ce47a8b974197a5a8097bdfbe0802b41246fbce6a0589eb87fca7c48ad743b2387d4083>
Performing Statelessness in Europe. By Stephen E. Wilmer. London and New York: Palgrave Macmillan, 2018. Pp. ix + 245 + illus. £79 Hb.

Philip Hager
Theatre Research International, Volume 44 / Issue 1<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3ebb5aedcee198a84c015a0f24858aa222496bd575ce47a8b974197a5a8097bdfbe0802b41246fbce6a0589eb87fca7c48ad743b2387d4083>, March 2019, pp 106 - 107
doi: 10.1017/S0307883318000767 Published Online on 3 April 2019

<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e313176f4d10202e21a4ecbf6f1b86cacba319b8d6760ec34bf613911c18a07058f3798e9891d497831fa5c8bc3306a6e617dd211c0627093f>
ANU Productions: The Monto Cycle. By Brian Singleton. Basingstoke: Palgrave Macmillan, 2016. Pp. xi + 109. £59.99 Hb; £59.99 Pb.

J. Paul Halferty
Theatre Research International, Volume 44 / Issue 1<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e313176f4d10202e21a4ecbf6f1b86cacba319b8d6760ec34bf613911c18a07058f3798e9891d497831fa5c8bc3306a6e617dd211c0627093f>, March 2019, pp 107 - 108
doi: 10.1017/S0307883318000779 Published Online on 3 April 2019

<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3f3ae2a379c57a79882955693bb515e22d9ef834bc77ad82fd82a77c481f71c21611dfe6c2e8584b253685d4c89b105740ee68807eec0c08b>
Dust of the Zulu: Ngoma Aesthetics after Apartheid. By Louise Meintjes, with photographs by T. J. Lemon. Durham, NC and London: Duke University Press, 2017. Pp. xiv + 338 + 142 illus. $94.95 Hb; $26.95 Pb.

Osita Okagbue
Theatre Research International, Volume 44 / Issue 1<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3f3ae2a379c57a79882955693bb515e22d9ef834bc77ad82fd82a77c481f71c21611dfe6c2e8584b253685d4c89b105740ee68807eec0c08b>, March 2019, pp 108 - 109
doi: 10.1017/S0307883318000780 Published Online on 3 April 2019

<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3f849d8bcb13c9c87fa94c50cbe911fabe176ecbd2d234af053f8c87f210574205d2a763d92fe29356e48ef3a7a20fdcf6d1f83f495ba247a>
Performing Wales: People, Memory and Place. By Lisa Lewis. Cardiff: University of Wales Press, 2018. Pp. xvi + 288 + 16 illus. £24.99/$40.00 Pb.

Roger Owen
Theatre Research International, Volume 44 / Issue 1<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3f849d8bcb13c9c87fa94c50cbe911fabe176ecbd2d234af053f8c87f210574205d2a763d92fe29356e48ef3a7a20fdcf6d1f83f495ba247a>, March 2019, pp 109 - 110
doi: 10.1017/S0307883318000792 Published Online on 3 April 2019

<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3bf6f0fd182d9f5952f4b746dd0e3b037758425131fb4c97443250faee92ce6f2c6213d50bf462b46c5287bf6df2049c20e632089feb79d02>
International Performance Research Pedagogies: Towards an Unconditional Discipline? Edited by Sruti Bala, Milija Gluhovic, Hanna Korsberg and Kati Röttger. London: Palgrave MacMillan, 2017. Pp. xix + 235. £63.99/$80 Hb.

Kim Solga
Theatre Research International, Volume 44 / Issue 1<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3bf6f0fd182d9f5952f4b746dd0e3b037758425131fb4c97443250faee92ce6f2c6213d50bf462b46c5287bf6df2049c20e632089feb79d02>, March 2019, pp 111 - 112
doi: 10.1017/S0307883318000809 Published Online on 3 April 2019

Books received

<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e39adb93f9613c794faf323bb4679cfd58d10686f5a06e22816d7d13ee6ca75c186c96e499d30855d305bf354b42c6abc9a6b0b6f23ad2f287>
Books Received

Theatre Research International, Volume 44 / Issue 1<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e39adb93f9613c794faf323bb4679cfd58d10686f5a06e22816d7d13ee6ca75c186c96e499d30855d305bf354b42c6abc9a6b0b6f23ad2f287>, March 2019, pp 113 - 113
doi: 10.1017/S0307883318000858 Published Online on 3 April 2019

Front Cover (OFC, IFC) and matter

<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e350fd9ae53b60488b84c280c5314ab0a7c1bf7fc6a8c874f6545c4639409ab714feb1d9886bccfc76ac2133192fc43ad111d3426051cdc4a8>
TRI volume 44 issue 1 Cover and Front matter

Theatre Research International, Volume 44 / Issue 1<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e350fd9ae53b60488b84c280c5314ab0a7c1bf7fc6a8c874f6545c4639409ab714feb1d9886bccfc76ac2133192fc43ad111d3426051cdc4a8>, March 2019, pp f1 - f4
doi: 10.1017/S0307883318001050 Published Online on 3 April 2019

Back Cover (IBC, OBC) and matter

<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3582d1567e327a9fc98d936aa510ace65709df4404acb96973f6901e86ca5d34a7b14ed11ab987d4f2c3fa435c13fd20946d3c609e1fad858>
TRI volume 44 issue 1 Cover and Back matter

Theatre Research International, Volume 44 / Issue 1<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3582d1567e327a9fc98d936aa510ace65709df4404acb96973f6901e86ca5d34a7b14ed11ab987d4f2c3fa435c13fd20946d3c609e1fad858>, March 2019, pp b1 - b3
doi: 10.1017/S0307883318001062 Published Online on 3 April 2019

[Cambridge Core Share]<https://click.updates.cambridge.org/?qs=2a8aefd61d5768e3b51f855e03b8055666cc9cd1b0250241d65e21365907939be815a2d841ce5197a732e071eb59b338c2b22a01e9b0ffe4e6ea46e890c1c4c8> [Discover Cambridge Core] <https://click.updates.cambridge.org/?qs=fdfb4c6d44712f12da0120da1f890d04160b64880d8646bbdc0ac96c63ea93f6fa48c44dfa170c44085c09e2a2ec83a72896355d15ee0d437d65cdc0bcb5fd58>  [Search this journal] <https://click.updates.cambridge.org/?qs=fdfb4c6d44712f122e975b26b5f4848f17d66f653fd870aa50dcfb26c3f3a1160c47d3ac72a0855725e87e94bddb73e9dad04c07cc13d5218ae249b7ccbbda35>
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Marcus TAN (Dr) | Assistant Professor | Visual and Performing Arts | National Institute of Education | Nanyang Technological University Singapore
NIE 3-03-61, 1 Nanyang Walk, Singapore 637616
Tel: (65) 6790-3552 GMT+8h | Fax: (65) 6896-9279  | Email: marcus.tan at nie.edu.sg<mailto:marcus.tan at nie.edu.sg> | Web: http://www.nie.edu.sg/profile/tan-cheng-chye-marcus

Associate Editor, Journal of Interdisciplinary Voice Studies
Convenor, Music Theatre Working Group, International Federation for Theatre Research
Online Content Manager, Theatre Research International

National Institute of Education (Singapore) http://www.nie.edu.sg

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