[Candrama] New Issue of Performance Matters Published: 21st-Century Spectatorship

[Peter Dickinson]

Performance Matters has just published its latest issue, on "21st-Century Spectatorship" (Issue Editors: Kelsey Jacobson, Scott Mealey, Jenny Salisbury, and Cassandra Silver) at https://performancematters-thejournal.com/index.php/pm.

We invite you to review the Table of Contents here and then visit our web site to review articles and items of interest.

Thanks for the continuing interest in our work,

Peter Dickinson
School for the Contemporary Arts/Institute for Performance Studies, Simon Fraser University
peter_dickinson at sfu.ca<mailto:peter_dickinson at sfu.ca>

Performance Matters
Vol 5, No 2 (2019): 21st-Century Spectatorship
Table of Contents
https://performancematters-thejournal.com/index.php/pm/issue/view/13


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Disruptive Presence: Twenty-First-Century Shifts in Spectatorship and Audience Research (1-5)
Kelsey Jacobson, Scott Mealey, Jenny Salisbury

Articles
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Emancipating the Spectator? Livecasting, Liveness, and the Feeling I (6-23)
Heidi Liedke

“Saw You in the Dark”: Exploring Rufus Wainwright’s Emotional Vulnerability in Fan-Captured Live Performance Videos (24-40)
Stephanie Salerno

Emancipated Spect-actors: A Rancièrean Reading of Augusto Boal’s Theatre of the Oppressed (41-54)
Susanne Shawyer

Materials
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Staging the Gaze in Rimini Protokoll's Situation Rooms (55-63)
Melanie Wilmink

Participant Spectator Meeting Places (64-87)
Lucinda Coleman

All Night Check: Beautiful Young Ladies to Perform for You (88-97)
Angela Sweigart-Gallagher, Melissa C. Thompson

Rules of Engagement: Navigating the Realm of Online Mommy Groups (98-105)
Cynthia Ing

Bored with Strangers: A Site-Specific Museum Theatre Piece (106-146)
Christine Gwillim, Samantha Provenzano, Lauren Smith

Forum
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What Areas of Spectatorship Need to Be Studied in Contemporary Contexts? (147-149)
Willmar Sauter

Studying the Relationship between Artistic Intent and Observable Impact (150-155)
Dani Snyder-Young

Research for Impact: Audience, Method, and Dissemination (156-162)
Matt Omasta

Assembling the Audience-Citizen  (Or, Should Each Person Be Responsible for Their Own Paté?) (163-168)
Jenn Stephenson

Uncharted Territories in "Empirical" Audience Research (169-172)
Kirsty Sedgman

________________________________________________________________________
Performance Matters
http://performancematters-thejournal.com
___________________
Peter Dickinson, PhD
Professor and Graduate Chair
School for the Contemporary Arts | SFU
Director, Institute for Performance Studies | SFU
T:  604-908-0993
W: http://www.sfu.ca/~ped

At Simon Fraser University, we live and work on the unceded traditional territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations.

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