[Candrama] New Issue of Performance Matters Published: PM 6.1, Copresence with the Camera

[Peter Dickinson]

Performance Matters has just published its latest issue, on “Copresence with the Camera" (Issue Editors: Lynette Hunter, Alex Lichtenfels, Heather Nolan, and John Zibell) at https://performancematters-thejournal.com/index.php/pm.

We invite you to review the Table of Contents here and then visit our web site to review articles and items of interest.

Thanks for the continuing interest in our work,

Peter Dickinson
School for the Contemporary Arts/Institute for Performance Studies, Simon Fraser University
peter_dickinson at sfu.ca<mailto:peter_dickinson at sfu.ca>

Performance Matters
Vol 6, No 1 (2020): Copresence with the Camera
Table of Contents
https://performancematters-thejournal.com/index.php/pm/issue/view/15

Vol. 6 No. 1 (2020): Copresence with the Camera
[https://performancematters-thejournal.com/public/journals/1/cover_issue_15_en_US.jpg]<https://performancematters-thejournal.com/index.php/pm/issue/view/15>

Image Caption: Improvisation: Ten Bodies/Ten Cameras. Photo: The Performative Camera Workshop

Issue Editors: Lynette Hunter, Alex Lichtenfels, Heather Nolan, and John Zibell

This special issue documents the processes of practitioners working with cameras, revealing what artists and cameras can do together as a whole greater than the sum of its parts.

PUBLISHED: 2020-06-24
FULL ISSUE

  *    PDF<https://performancematters-thejournal.com/index.php/pm/issue/view/15/53>

  *
Editors' Preface<https://performancematters-thejournal.com/index.php/pm/article/view/293>
Alex Lichtenfels, Heather Nolan, John Zibell, Lynette Hunter
1-3
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/293/325>
  *
Introduction: Practice as Research, Politics, Affect, and the Camera<https://performancematters-thejournal.com/index.php/pm/article/view/275>
Alex Lichtenfels
4-13
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/275/327>

ALTERNATIVE METHODS AND HISTORIES

  *
Instrument of Reflection: A Study in Smartphone Filming<https://performancematters-thejournal.com/index.php/pm/article/view/223>
Kevin B. Lee
14-27
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/223/329>
  *
Live Performance and Post-Cinematic Filmmaking<https://performancematters-thejournal.com/index.php/pm/article/view/227>
Jeff Burke, Jared J. Stein
28-47
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/227/333>
  *
Forest Tales: Toward a Practice of Eco-Cinema<https://performancematters-thejournal.com/index.php/pm/article/view/219>
Anuj Vaidya
48-67
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/219/335>
  *
Interviews on Critical Race and Trans/Queer Approaches to Filmmaking: Incommensurabilities—The Limits of Redress, Intramural Indemnity, and Extramural Auditorship<https://performancematters-thejournal.com/index.php/pm/article/view/265>
Frank Wilderson III, Cecilio M. Cooper
68-85
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/265/337>

DEVISED FILMMAKING PRACTICES

  *
Installed in Chalk: Mapping Screen Performance in Coccolith (2018)<https://performancematters-thejournal.com/index.php/pm/article/view/229>
Christopher Brown
86-104
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/229/339>
  *
Materiality of Nothingness: Inspiration, Collaboration, and Craft in Devised Filmmaking<https://performancematters-thejournal.com/index.php/pm/article/view/295>
Alex Lichtenfels
105-121
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/295/353>
  *
Finding a Person and Losing a Person: On CamerapersonKirsten Johnson in Interview with Alex Lichtenfels<https://performancematters-thejournal.com/index.php/pm/article/view/267>
Kirsten Johnson, Alex Lichtenfels
122-135
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/267/341>
  *
Action with Camera: Making the Future Audience Present<https://performancematters-thejournal.com/index.php/pm/article/view/263>
Heather Nolan, John Zibell
136-155
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/263/343>
  *
The Film that Breathes: On The Dark Side of the Sun and The Book of VisionCarlo Hintermann in Interview with Alex Lichtenfels and Ilya Noé<https://performancematters-thejournal.com/index.php/pm/article/view/269>
Carlo Hintermann, Ilya Noé, Alex Lichtenfels
156-171
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/269/345>

CROSS-DISCIPLINARY METHODOLOGIES

  *
On ABSENCE Doings: The Cuts of Disappearance<https://performancematters-thejournal.com/index.php/pm/article/view/225>
Álvaro Hernández, Regina Gutiérrez, Diego Aguilar
172-195
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/225/347>
  *
Audio Description as a Generative Process in Art Practice<https://performancematters-thejournal.com/index.php/pm/article/view/221>
Darrin Martin
196-210
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/221/349>
  *
Attending to the Glitch: Sand in the EyesRabih Mroué in Interview with Lynette Hunter<https://performancematters-thejournal.com/index.php/pm/article/view/271>
Rabih Mroué, Lynette Hunter
211-232
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/271/351>

___________________
Peter Dickinson, PhD
Professor and Graduate Chair
School for the Contemporary Arts | SFU
Director, Institute for Performance Studies | SFU
T:  604-908-0993
W: http://www.sfu.ca/~ped

At Simon Fraser University, we live and work on the unceded traditional territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations.

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