[Candrama] Theatre Research International 46.2

Wed Jul 28 21:59:55 EDT 2021

Dear colleagues,

The next issue of Theatre Research International 46.2 is now available on Cambridge Core. https://www.cambridge.org/core/journals/theatre-research-international

This is a special issue devoted to the subject of Sounding Corporeality. The first fully dedicated special issue of the journal since 2014 (39.3), it takes as its focus the relationship between sounds and bodies in theatre and performance. As the editors tell us in their editorial, the issue ‘acknowledges and examines the intimate interactions, intersections and interventions of the aesthetic, the social and the political, to explore how corporeality sounds and how sonicity moves.

The issue includes research articles, artist reflections and dialogues that engage experimental performance, dance, choreography, installation, opera, and the dynamic interactions between performance forms and media. Contributors survey practices from the US, Israel, Northern Ireland, Singapore, Italy, the UK, India and Australia.

The Senior Editor's Note and Editorial are free to access. Do also check out the special issue's launch video <https://www.youtube.com/watch?v=q2KTHp_65tE> where Senior Editor Fintan Walsh chats with the issue editors and some contributors.

Senior Editor's Note: Academics Dancing<https://www.cambridge.org/core/journals/theatre-research-international/article/senior-editors-note-academics-dancing/F79B471C76A89FAC7E369C63093AF1B5>
FINTAN WALSH<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=FINTAN%20WALSH&eventCode=SE-AU>
Editorial: Sounding Corporeality<https://www.cambridge.org/core/journals/theatre-research-international/article/editorial-sounding-corporeality/DE71931F8148459C1822CC1F48CC6325>
AOIFE MCGRATH<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=AOIFE%20MCGRATH&eventCode=SE-AU>, MARCUS CHENG CHYE TAN<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=MARCUS%20CHENG%20CHYE%20TAN&eventCode=SE-AU>, PRARTHANA PURKAYASTHA<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=PRARTHANA%20PURKAYASTHA&eventCode=SE-AU>, TEREZA HAVELKOVÁ<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=TEREZA%20HAVELKOV%C3%81&eventCode=SE-AU>

ARTICLES
Intermediality and Queer African American Improvisation: Dianne McIntyre, Sounds in Motion<https://www.cambridge.org/core/journals/theatre-research-international/article/intermediality-and-queer-african-american-improvisation-dianne-mcintyre-sounds-in-motion/9EF742BC024E98763F0DDD36CBA4BC48>
THOMAS F. DEFRANTZ<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=THOMAS%20F.%20DEFRANTZ&eventCode=SE-AU>
Voice and the Sleepwalking Body<https://www.cambridge.org/core/journals/theatre-research-international/article/voice-and-the-sleepwalking-body/2A5BC96E66E45BF728E9F82F93BC28D9>
MICHAL GROVER-FRIEDLANDER<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=MICHAL%20GROVER-FRIEDLANDER&eventCode=SE-AU>
Sounding a Quietening: Breastfeeding Choreographies and the Sonic–Corporeal Dialogue of Maternal Experience<https://www.cambridge.org/core/journals/theatre-research-international/article/sounding-a-quietening-breastfeeding-choreographies-and-the-soniccorporeal-dialogue-of-maternal-experience/D2B3C4D4A22D9536460A6CD4487C3484>
AOIFE MCGRATH<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=AOIFE%20MCGRATH&eventCode=SE-AU>
Moving Cage: Vibration, Sonification and the Quanta of Time<https://www.cambridge.org/core/journals/theatre-research-international/article/moving-cage-vibration-sonification-and-the-quanta-of-time/A67AB65B22085885A5A5DAA7A891E0BD>
MARCUS CHENG CHYE TAN<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=MARCUS%20CHENG%20CHYE%20TAN&eventCode=SE-AU>
Dancing Migration, Making Sound: Mediterranean Practices of Listening and Hospitality<https://www.cambridge.org/core/journals/theatre-research-international/article/dancing-migration-making-sound-mediterranean-practices-of-listening-and-hospitality/5619E70E68EC82A1B135B418921A48FF>
ANNALISA PICCIRILLO<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=ANNALISA%20PICCIRILLO&eventCode=SE-AU>
Visuality, Sonicity and Corporeality in Installation Art: A Conversation with Jun Nguyen-Hatsushiba<https://www.cambridge.org/core/journals/theatre-research-international/article/visuality-sonicity-and-corporeality-in-installation-art-a-conversation-with-jun-nguyenhatsushiba/78BE422181840069BBA0A2AE2B457841>
PRARTHANA PURKAYASTHA<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=PRARTHANA%20PURKAYASTHA&eventCode=SE-AU>
An Archaeology of Sound: A Slightly Curving Place Introduction<https://www.cambridge.org/core/journals/theatre-research-international/article/an-archaeology-of-sound-a-slightly-curving-place-introduction/9134786796A57B9A55B6BD422408EE7F>
NIDA GHOUSE<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=NIDA%20GHOUSE&eventCode=SE-AU>
Reassembled, Slightly Askew: Immersive Storytelling Through Sound<https://www.cambridge.org/core/journals/theatre-research-international/article/reassembled-slightly-askew-immersive-storytelling-through-sound/FFEE156AEC743748A00BD2B007DE86FC>
SHANNON YEE (SICKELS)<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=SHANNON%20YEE%20(SICKELS)&eventCode=SE-AU>, ANNA NEWELL<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=ANNA%20NEWELL&eventCode=SE-AU>, PAUL STAPLETON<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=PAUL%20STAPLETON&eventCode=SE-AU>, HANNA SLÄTTNE<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=HANNA%20SL%C3%84TTNE&eventCode=SE-AU>, STEVIE PRICKETT<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=STEVIE%20PRICKETT&eventCode=SE-AU>
Unsettling Sound: Some Traces<https://www.cambridge.org/core/journals/theatre-research-international/article/unsettling-sound-some-traces/0A1043ED0C550DD41F91F6C9CF2C08A4>
SARA JANE BAILES<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=SARA%20JANE%20BAILES&eventCode=SE-AU>, ALEXANDRINA HEMSLEY<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=ALEXANDRINA%20HEMSLEY&eventCode=SE-AU>, ROYONA MITRA<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=ROYONA%20MITRA&eventCode=SE-AU>, RAJNI SHAH<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=RAJNI%20SHAH&eventCode=SE-AU>, ARABELLA STANGER<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=ARABELLA%20STANGER&eventCode=SE-AU>, JEREMY TOUSSAINT-BAPTISTE<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=JEREMY%20TOUSSAINT-BAPTISTE&eventCode=SE-AU>
DOUBLE TAKE
Theatre at the Crossroads of Culture. By Patrice Pavis. London and New York: Routledge, 1992. Pp. 219. £96 Hb; £29.59 Pb; £29.59 eBook.<https://www.cambridge.org/core/journals/theatre-research-international/article/theatre-at-the-crossroads-of-culture-by-patrice-pavis-london-and-new-york-routledge-1992-pp-219-96-hb-2959-pb-2959-ebook/4DA8C72AC46A120117427E43786D8C18>
Osita Okagbue<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Osita%20Okagbue&eventCode=SE-AU>
NEW BOOKS
Prison Theatre and the Global Crisis of Incarceration. By Ashley Lucas. London and New York: Bloomsbury, 2021. Pp. 252. £58.50 Hb.<https://www.cambridge.org/core/journals/theatre-research-international/article/prison-theatre-and-the-global-crisis-of-incarceration-by-ashley-lucas-london-and-new-york-bloomsbury-2021-pp-252-5850-hb/1D679A9AF144C398D61760E9BB83C7B2>
Sarah Bartley<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Sarah%20Bartley&eventCode=SE-AU>
(Re)Positioning Site Dance: Local Acts, Global Perspectives. By Karen Barbour, Victoria Hunter and Melanie Kloetzel. Bristol and Chicago: Intellect, 2019. Pp. xii + 323. £74/$98.50 Hb; £60 eBook.<https://www.cambridge.org/core/journals/theatre-research-international/article/repositioning-site-dance-local-acts-global-perspectives-by-karen-barbour-victoria-hunter-and-melanie-kloetzel-bristol-and-chicago-intellect-2019-pp-xii-323-749850-hb-60-ebook/831D2148BA63B78CF0F28CFC292D61AB>
Carolyn Deby<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Carolyn%20Deby&eventCode=SE-AU>
Shakespeare's Accents: Voicing Identity in Performance. By Sonia Massai. Cambridge: Cambridge University Press, 2020. Pp. 236 + 11 illus. $99.99 Hb.<https://www.cambridge.org/core/journals/theatre-research-international/article/shakespeares-accents-voicing-identity-in-performance-by-sonia-massai-cambridge-cambridge-university-press-2020-pp-236-11-illus-9999-hb/5DDCBBF675EE5902480247FF26FB0F99>
Hanyang Jiang<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Hanyang%20Jiang&eventCode=SE-AU>
Contemporary Japanese Objects, Manipulators, and Actors in Performance. By Mari Boyd. Tokyo: Sophia University Press, 2020. Pp. iv + 349. ¥3,080 Pb.<https://www.cambridge.org/core/journals/theatre-research-international/article/contemporary-japanese-objects-manipulators-and-actors-in-performance-by-mari-boyd-tokyo-sophia-university-press-2020-pp-iv-349-3080-pb/EA0E6CAD6BD8809D64727AA994B7F056>
Marie Kruger<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Marie%20Kruger&eventCode=SE-AU>
Contemporary African Dance Theatre: Phenomenology, Whiteness, and the Gaze. By Sabine Sörgel. Cham: Palgrave Macmillan, 2020. Pp. v + 174 + 12 illus. €72.79 Hb; €58.84 Pb.<https://www.cambridge.org/core/journals/theatre-research-international/article/contemporary-african-dance-theatre-phenomenology-whiteness-and-the-gaze-by-sabine-sorgel-cham-palgrave-macmillan-2020-pp-v-174-12-illus-7279-hb-5884-pb/145F33FCB46AE4CF81AB0BC309727C2D>
Celena Monteiro<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Celena%20Monteiro&eventCode=SE-AU>
Revolutionary Bodies: Chinese Dance and the Socialist Legacy. By Emily Wilcox. Berkeley: University of California Press, 2018. Pp. 322 + 31 illus. $34.95 Pb.<https://www.cambridge.org/core/journals/theatre-research-international/article/revolutionary-bodies-chinese-dance-and-the-socialist-legacy-by-emily-wilcox-berkeley-university-of-california-press-2018-pp-322-31-illus-3495-pb/F647E05839BF6CE06F641509D12B8D37>
Soo Ryon Yoon<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Soo%20Ryon%20Yoon&eventCode=SE-AU>
Women and Embodied Mythmaking in Irish Theatre. By Shonagh Hill. Cambridge: Cambridge University Press, 2019. Pp. x + 257. £75 Hb; $84 eBook.<https://www.cambridge.org/core/journals/theatre-research-international/article/women-and-embodied-mythmaking-in-irish-theatre-by-shonagh-hill-cambridge-cambridge-university-press-2019-pp-x-257-75-hb-84-ebook/8F3FB91BB9E6F291F313C7323F5FAA37>
Kim Solga<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Kim%20Solga&eventCode=SE-AU>
Casting a Movement: The Welcome Table Initiative. Edited by Claire Syler and Daniel Banks. New York: Routledge, 2019. Pp. 266 + 23 illus. $120 Hb; $31.96 Pb.<https://www.cambridge.org/core/journals/theatre-research-international/article/casting-a-movement-the-welcome-table-initiative-edited-by-claire-syler-and-daniel-banks-new-york-routledge-2019-pp-266-23-illus-120-hb-3196-pb/1D540BD68528909E874A3525D7F1921E>
Collin Vorbeck<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Collin%20Vorbeck&eventCode=SE-AU>

Marcus TAN (Dr) | Assistant Professor | Visual and Performing Arts | National Institute of Education | Nanyang Technological University |
Chair, NIE Visiting Artist Programme<https://www.nie.edu.sg/our-people/academic-groups/visual-and-performing-arts/programmes/nie-visiting-artist-programme> | Programme Leader, Practicum | Programme Leader, Minor Study in Drama and Performance |
Associate Editor, Journal of Interdisciplinary Voice Studies<https://www.intellectbooks.com/journal-of-interdisciplinary-voice-studies> (Intellect) |
Convenor, Music Theatre Working Group<https://www.iftr.org/working-groups/music-theatre>, International Federation for Theatre Research<https://www.iftr.org/> |
Online Content Editor, Theatre Research International<https://www.cambridge.org/core/journals/theatre-research-international> (Cambridge) |
Secretary-General (Communications)<https://www.iftr.org/organisation/executive-committee>, International Federation for Theatre Research |
NIE 03-03-61, 1 Nanyang Walk, Singapore 637616
T: (65) 6790-3552 GMT+8h | F: (65) 6896-9143 | E: marcus.tan at nie.edu.sg<mailto:marcus.tan at nie.edu.sg> | Profile<https://www.nie.edu.sg/profile/tan-cheng-chye-marcus>
[cid:image001.png at 01D78460.79E3FB70] https://orcid.org/0000-0003-4481-1772
[cid:image002.png at 01D78460.79E3FB70]

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