[Candrama] Theatre Research International 46.3

Tue Nov 2 05:07:48 EDT 2021

Dear Colleagues,

The new issue  of Theatre Research International 46.3 is out. Do head to Cambridge Core for the full issue.
https://www.cambridge.org/core/journals/theatre-research-international

Do check out the panel discussion where Senior Editor Prof. Fintan Walsh discusses the new issue 46.3 with contributing authors and academics.
https://www.youtube.com/watch?v=BTjf34xZYTE

Editorial
Editorial: Ritual Unions<https://www.cambridge.org/core/journals/theatre-research-international/article/editorial-ritual-unions/421B797FB5AB7916E39A074422269AE5>
FINTAN WALSH<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=FINTAN%20WALSH&eventCode=SE-AU>
Article
The Caravana of Central American Mothers in Mexico: Performances of Devotional and Saintly Motherhood on a Transnational Stage-in-Motion<https://www.cambridge.org/core/journals/theatre-research-international/article/caravana-of-central-american-mothers-in-mexico-performances-of-devotional-and-saintly-motherhood-on-a-transnational-stageinmotion/AE1AB7658EE080C142E2820D82831357>
ANA ELENA PUGA<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=ANA%20ELENA%20PUGA&eventCode=SE-AU>
‘Burn the Witch’: Decadence and the Occult in Contemporary Feminist Performance<https://www.cambridge.org/core/journals/theatre-research-international/article/burn-the-witch-decadence-and-the-occult-in-contemporary-feminist-performance/3F98D14C7E78F1E74E3AF4CD99A53C51>
ADAM ALSTON<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=ADAM%20ALSTON&eventCode=SE-AU>
The Landscape of Węgajty Theatre<https://www.cambridge.org/core/journals/theatre-research-international/article/landscape-of-wegajty-theatre/0D610D9226FF66356429FB92DC9DD7EA>
JUSTYNA BIERNAT<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=JUSTYNA%20BIERNAT&eventCode=SE-AU>
Bulbs Onstage: Theatrical Hygiene and the Electrification of Performance<https://www.cambridge.org/core/journals/theatre-research-international/article/bulbs-onstage-theatrical-hygiene-and-the-electrification-of-performance/5A399DFFF4012137676DD48914471B86>
ULF OTTO<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=ULF%20OTTO&eventCode=SE-AU>
Oh, I Know I've Been Changed<https://www.cambridge.org/core/journals/theatre-research-international/article/oh-i-know-ive-been-changed/00F04EE96234076A1905AEFEB6349635>
RICHARD SCHECHNER<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=RICHARD%20SCHECHNER&eventCode=SE-AU>
Dossier – Fighting Back: Contemporary Theatre in Brazil
Dossier – Fighting Back: Contemporary Theatre in Brazil: Introduction<https://www.cambridge.org/core/journals/theatre-research-international/article/dossier-fighting-back-contemporary-theatre-in-brazil-introduction/52BF03154AFDF3F9C9F1EFACC3B53C86>
DODI T. B. LEAL<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=DODI%20T.%20B.%20LEAL&eventCode=SE-AU>, LÚCIA R. V. ROMANO<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=L%C3%9ACIA%20R.%20V.%20ROMANO&eventCode=SE-AU>
Article
Theatre and Indigenous Peoples: Learning to Imagine New Worlds in End Times<https://www.cambridge.org/core/journals/theatre-research-international/article/theatre-and-indigenous-peoples-learning-to-imagine-new-worlds-in-end-times/A85B6825CFCB47156B278B692B4816A0>
CIBELE FORJAZ SIMÕES<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=CIBELE%20FORJAZ%20SIM%C3%95ES&eventCode=SE-AU>
Black Theatricalities in Revisiting History for the Present<https://www.cambridge.org/core/journals/theatre-research-international/article/black-theatricalities-in-revisiting-history-for-the-present/3FBBEEA85605A716969BA8B20EE6B264>
SORAYA MARTINS PATROCÍNIO<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=SORAYA%20MARTINS%20PATROC%C3%8DNIO&eventCode=SE-AU>
The Feminist Struggle in Performing Arts in Brazil<https://www.cambridge.org/core/journals/theatre-research-international/article/feminist-struggle-in-performing-arts-in-brazil/5F5F8B3EB3E69CA8AACC45E08F86F9E7>
LÚCIA R. V. ROMANO<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=L%C3%9ACIA%20R.%20V.%20ROMANO&eventCode=SE-AU>
Gender in Danger: Transdanger People in Performing Arts in Brazil<https://www.cambridge.org/core/journals/theatre-research-international/article/gender-in-danger-transdanger-people-in-performing-arts-in-brazil/6F6A9491CE5D25DCBA45883FF9162ED0>
DODI T. B. LEAL<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=DODI%20T.%20B.%20LEAL&eventCode=SE-AU>
Double Take
Unmaking Mimesis: Essays on Feminism and Theatre. By Elin Diamond. Abingdon: Routledge, 1997. Pp. xvi + 226. £96 Hb; £27.99 Pb.<https://www.cambridge.org/core/journals/theatre-research-international/article/unmaking-mimesis-essays-on-feminism-and-theatre-by-elin-diamond-abingdon-routledge-1997-pp-xvi-226-96-hb-2799-pb/C12BE2104BA12360F22D20661A86B9FD>
Caoimhe Mader McGuinness<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Caoimhe%20Mader%20McGuinness&eventCode=SE-AU>
New Books
Scenes from Bourgeois Life. By Nicholas Ridout. Ann Arbor: University of Michigan Press, 2020. Pp. xi + 211. $70.00.<https://www.cambridge.org/core/journals/theatre-research-international/article/scenes-from-bourgeois-life-by-nicholas-ridout-ann-arbor-university-of-michigan-press-2020-pp-xi-211-7000/A44A8EB609559F2DB6EBCA65198085DD>
Adam Alston<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Adam%20Alston&eventCode=SE-AU>
Performing Arts in Prisons: Creative Perspectives. Edited by Michael Balfour, Byrdie-Leigh Bartleet, Linda Davey and Huib Schippers. Bristol and Chicago: Intellect, 2019. Pp. xiv + 264. £66.08/$105.00 Hb.<https://www.cambridge.org/core/journals/theatre-research-international/article/performing-arts-in-prisons-creative-perspectives-edited-by-michael-balfour-byrdieleigh-bartleet-linda-davey-and-huib-schippers-bristol-and-chicago-intellect-2019-pp-xiv-264-660810500-hb/67A5921E4D07076011DF3A50217C0DE1>
Jonathan Shailor<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Jonathan%20Shailor&eventCode=SE-AU>
Dancing Odissi: Paratopic Performances of Gender and State. By Anurima Banerji. Calcutta: Seagull Books, 2019. Pp. xviii + 467. £22/$35/₹799 Pb.<https://www.cambridge.org/core/journals/theatre-research-international/article/dancing-odissi-paratopic-performances-of-gender-and-state-by-anurima-banerji-calcutta-seagull-books-2019-pp-xviii-467-2235799-pb/0C49FBD58BEAFD7F7936598A3FAB7A94>
Aastha Gandhi<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Aastha%20Gandhi&eventCode=SE-AU>
The Interdisciplinary Theatre of Ping Chong. By Yuko Kurahashi. Jefferson, NC: McFarland & Company, 2020. Pp. 246 + 31 illus. $65 Pb.<https://www.cambridge.org/core/journals/theatre-research-international/article/interdisciplinary-theatre-of-ping-chong-by-yuko-kurahashi-jefferson-nc-mcfarland-company-2020-pp-246-31-illus-65-pb/6FDCF6E6DAD16A97BE33E03C3BFE7AC6>
Esther Kim Lee<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Esther%20Kim%20Lee&eventCode=SE-AU>
Japanese Political Theatre in the Eighteenth Century: Bunraku Puppet Plays in Social Context. By Akihiro Odanaka and Masami Iwai. Abingdon: Routledge, 2021. Pp. 246 + 11 illus. $160 Hb; $48.95 Ebook.<https://www.cambridge.org/core/journals/theatre-research-international/article/japanese-political-theatre-in-the-eighteenth-century-bunraku-puppet-plays-in-social-context-by-akihiro-odanaka-and-masami-iwai-abingdon-routledge-2021-pp-246-11-illus-160-hb-4895-ebook/FC4B00F9ED7C50C864447523254D6956>
Jyana S. Browne<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Jyana%20S.%20Browne&eventCode=SE-AU>
After the Long Silence: The Theater of Brazil's Post-Dictatorship Generation. By Cláudia Tatinge Nascimento. Abingdon: Routledge, 2019. Pp. 255. £120/$160 Hb; £36.99/$48.95 Pb.<https://www.cambridge.org/core/journals/theatre-research-international/article/after-the-long-silence-the-theater-of-brazils-postdictatorship-generation-by-claudia-tatinge-nascimento-abingdon-routledge-2019-pp-255-120160-hb-36994895-pb/C4B43CBFB5D1C56A5C1130FF3D3573F2>
Jennifer Joan Thompson<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Jennifer%20Joan%20Thompson&eventCode=SE-AU>

Marcus TAN (Dr) | Assistant Professor | Visual and Performing Arts | National Institute of Education | Nanyang Technological University |
Chair, NIE Visiting Artist Programme<https://www.nie.edu.sg/our-people/academic-groups/visual-and-performing-arts/programmes/nie-visiting-artist-programme> | Programme Leader, Practicum | Programme Leader, Minor Study in Drama and Performance |
Associate Editor, Journal of Interdisciplinary Voice Studies<https://www.intellectbooks.com/journal-of-interdisciplinary-voice-studies> (Intellect) |
Convenor, Music Theatre Working Group<https://www.iftr.org/working-groups/music-theatre>, International Federation for Theatre Research<https://www.iftr.org/> |
Online Content Editor, Theatre Research International<https://www.cambridge.org/core/journals/theatre-research-international> (Cambridge) |
Secretary-General (Communications)<https://www.iftr.org/organisation/executive-committee>, International Federation for Theatre Research |
NIE 03-03-61, 1 Nanyang Walk, Singapore 637616
T: (65) 6790-3552 GMT+8h | F: (65) 6896-9143 | E: marcus.tan at nie.edu.sg<mailto:marcus.tan at nie.edu.sg> | Profile<https://www.nie.edu.sg/profile/tan-cheng-chye-marcus>
[cid:image001.png at 01D7D00C.27B33580] https://orcid.org/0000-0003-4481-1772
[cid:image002.png at 01D7D00C.27B33580]

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