[Candrama] CRITICAL STAGES just published (www.critical-stages.org/25)

Sat Jul 16 05:59:04 EDT 2022

ON BEHALF of Critical Stages and Savas Patsalidis<https://mailchi.mp/eb70fa9e4172/critical-stagesscnes-critiques-issue-9283761?fbclid=IwAR02jMD4ebEnSkzvlpEJAybOMBwXkbfZNqVsesC773VSr9gGla6w4hR1Jbo>

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Critical Stages/Scènes critiques<https://www.critical-stages.org/>

The IATC journal/Revue de l'AICT
www.critical-stages.org

Dear colleagues,

I am excited to announce the publication of the latest (Summer) issue (#25) of Critical Stages/Scènes critiques, the open access, peer-reviewed Journal of the International Association of Theatre Critics (IATC). This issue is comprised of 51 original contributions, among them a special topic on "Human-Technology Interfacing in Performance" and a special two-part Focus on "Theatre (and War) in Ukraine."

To the editors and guest editors of the journal's sections I owe my deepest gratitude, as much as I owe my heartfelt thanks to the authors themselves (from 31 countries), who have entrusted us with their work.

Our doors are open to all. Join us as we continue producing new ideas for the ever-evolving theatre arts around the world. If you have any queries about the journal please do not hesitate to contact me (spats at enl.auth.gr).

Feel free to forward the link of the current issue (https://www.critical-stages.org/25/)  to anyone who may be interested.

Forthcoming special issue: #26 (Dec. 2022): Theatre and Ecology

Critical Stages/Scenes critiques is indexed by: SCOPUS, DOAJ, ERIH , Plus, DRJI, GOOGLE SCHOLAR and listed in the Ulrich’s web Global Serials

Best regards
Savas Patsalidis
Prof, Aristotle Univerasity
Editor-in-Chief

PS
Below is the TABLE OF CONTENTS of issue #25.

Table of Contents

Editorial Note: The Tragedy of our Life and Our Refusal to Learn<https://www.critical-stages.org/25/editorial-note/>
Note éditoriale : La tragédie de notre vie et notre refus d’apprendre<https://www.critical-stages.org/25/note-editoriale/>
Savas Patsalidis<https://www.critical-stages.org/24/cs-issue-no-25-editors/>, Editor-in-Chief

Special Topic

Guest Editor: Sebastian X Samur<https://www.critical-stages.org/25/cs-issue-no-25-editors/> (Canada)

Human-Technology Interfacing in Performance: Editor’s Introduction<https://www.critical-stages.org/25/human-technology-interfacing-in-performance-editors-introduction/>
Sebastian X Samur

A Simple Tool for Remote Real-Time Dance Interaction in Virtual Spaces, Or “Dancing in the Metaverse”<https://www.critical-stages.org/25/a-simple-tool-for-remote-real-time-dance-interaction-in-virtual-spaces-or-dancing-in-the-metaverse/>
Dan Strutt

“But How Will They Know It’s Live?”: Anonymous Ensemble’s Digital Performances<https://www.critical-stages.org/25/but-how-will-they-know-its-live-anonymous-ensembles-digital-performances/>
Jessica Del Vecchio and Eamonn Farrell

Identification et performativité technologique dans Autour du Rose enfer des animaux<https://www.critical-stages.org/25/identification-et-performativite-technologique-dans-autour-du-rose-enfer-des-animaux/>
Thomas Langlois et Robert Faguy

Parascopic Media: Platformizing Performance with 3D, Dentistry, and Drag<https://www.critical-stages.org/25/parascopic-media-platformizing-performance-with-3d-dentistry-and-drag/>
Brendan McCauley

The Intermedial Kingdom of Bodies: A Narratological Analysis of the Live-Animated-Avatar Performance The Kingdom of Shadows<https://www.critical-stages.org/25/the-intermedial-kingdom-of-bodies-a-narratological-analysis-of-the-live-animated-avatar-performance-the-kingdom-of-shadows/>
Maya Arad Yasur

Expanding Sound Design in Performing Arts<https://www.critical-stages.org/25/expanding-sound-design-in-performing-arts/>
Kent Olofsson

Reflections on Place in Telematic Performances<https://www.critical-stages.org/25/reflections-on-place-in-telematic-performances/>
Jörgen Dahlqvist

PLAYStrong–Engineering POETICstates:On Facilitating Mental Health through Bio-Signal Interfaces and Brechtian Learning Strategies<https://www.critical-stages.org/25/playstrong-engineering-poeticstateson-facilitating-mental-health-through-bio-signal-interfaces-and-brechtian-learning-strategies/>
Antje Budde and Gustavo Sol

Reimagining Light, Technology and Spectatorship in Contemporary Theatre<https://www.critical-stages.org/25/reimagining-light-technology-and-spectatorship-in-contemporary-theatre/>
Amy Chan and Natalie Cheung

Essays

Editor: Yana Meerzon<https://www.critical-stages.org/25/cs-issue-no-25-editors/> (Canada)

“Speechless Complainer”: (Un)natural Violence in Dominic Walsh’s Titus Andronicus<https://www.critical-stages.org/25/speechless-complainer-unnatural-violence-in-dominic-walshs-titus-andronicus/>
Ilana Gilovich-Wave

Jelinek’s Sports Play as Satirical Polemic<https://www.critical-stages.org/25/jelineks-sports-play-as-satirical-polemic/>
Cyrus Lane

Public Spaces, Public Words: Towards the Making of a Pro-Localist Theatre in the Newham Plays<https://www.critical-stages.org/25/public-spaces-public-words-towards-the-making-of-a-pro-localist-theatre-in-the-newham-plays/>
James Kenworth

Mi Cuerpo Mi Casa/My Body My House- Negotiating the Spaces of Home and the Body in Mexico and Galway Through Co-creation and Digital Performance<https://www.critical-stages.org/25/mi-cuerpo-mi-casa-my-body-my-house-negotiating-the-spaces-of-home-and-the-body-in-mexico-and-galway-through-co-creation-and-digital-performance/>
Maria Tivnan

Simone Weil: Performance Through Nothingness<https://www.critical-stages.org/25/simone-weil-performance-through-nothingness/>
Tyrone Grima

Elli Papakonstantinou: Oedipal Landscapes on the Digital and the Physical Stage<https://www.critical-stages.org/25/oedipal-landscapes-on-the-digital-and-the-physical-stage/>
Lina Rosi

New Medium Theatre Experiments in Kolkata During COVID-19 Lockdowns<https://www.critical-stages.org/25/new-medium-theatre-experiments-in-kolkata-during-covid-19-lockdowns/>
Hazael Gomes

Rebels and Revels: Exhibit Curation as Pedagogy in the Study of Theatre of the Middle East<https://www.critical-stages.org/25/rebels-and-revels-exhibit-curation-as-pedagogy-in-the-study-of-theatre-of-the-middle-east/>
Marjan Moosavi, Q-mars Haeri, Kelley Holley

National Reports

Editor: Savas Patsalidis<https://www.critical-stages.org/25/cs-issue-no-25-editors/> (Greece)

Facing the Fire: Australian People, Places, and Crises in the Works of Campion Decent<https://www.critical-stages.org/25/facing-the-fire-australian-people-places-and-crises-in-the-works-of-campion-decent/>
Carla Rocavert

Prophecy or Cautionary Tales? Australian Climate Gothic Drama and Mutating Climate-Scapes<https://www.critical-stages.org/25/prophecy-or-cautionary-tales-australian-climate-gothic-drama-and-mutating-climate-scapes/>
Linda Hassall

Iraqi Theatre: A Niche in an Ecologically Political Sane Milie<https://www.critical-stages.org/25/iraqi-theatre-a-niche-in-an-ecologically-political-sane-milie/>
Majeed Mohammed Midhin and Suad Qahtan Hussein

What Will Be Left After Us? The Rise οf Ecotheatre in Latvia in Times of the Pandemic<https://www.critical-stages.org/25/what-will-be-left-after-us-the-rise-%ce%bff-ecotheatre-in-latvia-in-times-of-the-pandemic/>
Kitija Balcare

Autour de l’écologie de la langue : les obscénités sur la scène théâtrale<https://www.critical-stages.org/25/autour-de-lecologie-de-la-langue-les-obscenites-sur-la-scene-theatrale/>
Irina Antonova

The Romanian Theatre of the Last Thirty Years or the Theatre of Paradigm Shift<https://www.critical-stages.org/25/the-romanian-theatre-of-the-last-thirty-years-or-the-theatre-of-paradigm-shift/>
Oana Borș

Critics on Criticism

Editor: Savas Patsalidis<https://www.critical-stages.org/25/cs-issue-no-25-editors/> (Greece)

Rediscovering and Reinventing the Community<https://www.critical-stages.org/25/rediscovering-and-reinventing-the-community/>
Andrea Porcheddu

The Cry of the Ear<https://www.critical-stages.org/25/the-cry-of-the-ear/>
Johannes Birringer

Interviews

Editor: Savas Patsalidis<https://www.critical-stages.org/25/cs-issue-no-25-editors/> (Greece)

Theatre for Humility Toward Otherness: Spirituality, Prayer and Hope: Interview with Satoshi Miyagi<https://www.critical-stages.org/25/theatre-for-humility-toward-otherness-spirituality-prayer-and-hope-an-interview-with-satoshi-miyagi/>
by Tomoka Tsukamoto and Ted Motohashi

“We adapt to the changes unfolding in today’s world”: Interview with Sarantuya Sambuu<https://www.critical-stages.org/25/we-adapt-to-the-changes-unfolding-in-todays-world-interview-with-sarantuya-sambuu/>
by Savas Patsalidis

“Now is the time for untold, suppressed stories to be heard”: Interview with Handan Salta<https://www.critical-stages.org/25/now-is-the-time-for-untold-suppressed-stories-to-be-heard-interview-with-handan-salta/>
by Savas Patsalidis

Creole Time, Creative Time: Interview with Brazilian Artist Diego Araúja<https://www.critical-stages.org/25/creole-time-creative-time-interview-with-brazilian-artist-diego-arauja/>
by Daniele Avila Small and Lorenna Rocha

Cognition Theatre: Interview with Valters Sīlis<https://www.critical-stages.org/25/cognition-theatre-interview-with-valters-silis/>
by Lauma Mellēna-Bartkeviča

Performance Reviews

Editor: Matti Linnavuori<https://www.critical-stages.org/25/cs-issue-no-25-editors/> (Finland)

Transborder and Transdisciplinary Works in the Island State of Singapore<https://www.critical-stages.org/25/transborder-and-transdisciplinary-works-in-the-island-state-of-singapore/>
Pawit Mahasarinand

Being there in Person<https://www.critical-stages.org/25/being-there-in-person/>
Yun-Cheol Kim

The Anniversary of a Multicultural Outpost in Northern Romania<https://www.critical-stages.org/25/the-anniversary-of-a-multicultural-outpost-in-northern-romania/>
Maria Zărnescu

Directing von Horváth: Casimir and Caroline on the Romanian Stage<https://www.critical-stages.org/25/directing-von-horvath-casimir-and-caroline-on-the-romanian-stage/>
Zafiris Nikitas

Un G8 culturel à Gênes<https://www.critical-stages.org/25/un-g8-culturel-a-genes/>
Jean-Pierre Han

A Poetic Glass Menagerie Buried under the Ground<https://www.critical-stages.org/25/a-poetic-glass-menagerie-buried-under-the-ground/>
Grigorios Ioannidis

Avignon 2021 : Liddell, Vandalem, Guédon – Trois manières de faire du théâtre<https://www.critical-stages.org/25/avignon-2021-liddell-vandalem-guedon-trois-manieres-de-faire-du-theatre/>
Selim Lander

Finland Pursues Trendy Sexual Identities<https://www.critical-stages.org/25/finland-pursues-trendy-sexual-identities/>
Matti Linnavuori

Ottawa: a Subversive Cabaret of Identity Politics<https://www.critical-stages.org/25/ottawa-a-subversive-cabaret-of-identity-politics/>
Alvina Ruprecht

Invitation to Dimitri Papaioannou’s Cosmos of Make-Believe<https://www.critical-stages.org/25/invitation-to-dimitri-papaioannous-cosmos-of-make-believe/>
Paraskevi Tektonidou

Book Reviews

Editor: Don Rubin<https://www.critical-stages.org/25/cs-issue-no-25-editors/> (Canada)

The Theatre of Sa’dallah Wannous: A Critical Study of the Syrian Playwright and Public Intellectual<https://www.critical-stages.org/25/the-theatre-of-sadallah-wannous-a-critical-study-of-the-syrian-playwright-and-public-intellectual/>
Jonathan H. Shannon

A History of East African Theatre: Vol. I: Horn of Africa<https://www.critical-stages.org/25/a-history-of-east-african-theatre-vol-i-horn-of-africa/>
Don Rubin

Terzopoulos Tribute Delphi<https://www.critical-stages.org/25/terzopoulos-tribute-delphi/>
Maria Ristani

Dramaturgy of Form: Performing Verse in Contemporary Theatre<https://www.critical-stages.org/25/dramaturgy-of-form-performing-verse-in-contemporary-theatre/>
Patricia Keeney

Affair of the Heart: British Theatre from 1992-2020<https://www.critical-stages.org/25/affair-of-the-heart-british-theatre-from-1992-2020/>
Chris Jones

Focus: Ukraine I

Editors: Critical Stages

Cultural Thaw in a Zone of War<https://www.critical-stages.org/25/cultural-thaw-in-a-zone-of-war/>
Jeffrey Eric Jenkins

War Suppliants and the Loss of Tragic Sensibility<https://www.critical-stages.org/25/war-suppliants-and-the-loss-of-tragic-sensibility/>
Savas Patsalidis

Belarus and Ukraine: No Longer Russia’s Hinterlands<https://www.critical-stages.org/25/belarus-and-ukraine-no-longer-russias-hinterlands/>
John Freedman

“Art is not an escape; it is a statement of life.” Interview with Alex Borovenskiy<https://www.critical-stages.org/25/art-is-not-an-escape-it-is-a-statement-of-life-interview-with-alex-borovenskiy-proenglish-theatre-kyiv/>
by Yana Meerzon

“Stalin died but not completely”: Dialogue with Artur Solomonov*<https://www.critical-stages.org/25/stalin-died-but-not-completely-dialogue-with-artur-solomonov/>
Yana Meerzon

Focus: Ukraine II

Guest Editor: Kasia Lech<https://www.critical-stages.org/25/cs-issue-no-25-editors/> (Poland/England)

Ukraine Theatre: Pasts, Presents, and Futures<https://www.critical-stages.org/25/ukraine-theatre-pasts-presents-and-futures/>
Kasia Lech

Theatre as a Ηumanitarian Mission: Ukraine`s Experience 2022<https://www.critical-stages.org/25/theatre-as-a-%ce%b7umanitarian-mission-ukraines-experience-2022/>
Maiia Harbuziuk

Anima Art for Peace from Kharkiv, the City of Freedom<https://www.critical-stages.org/25/anima-art-for-peace-from-kharkiv-the-city-of-freedom/>
Julia Bilińska

Історія України / Historia Ukrainy / History of Ukraine<https://www.critical-stages.org/25/%d1%96%d1%81%d1%82%d0%be%d1%80%d1%96%d1%8f-%d1%83%d0%ba%d1%80%d0%b0%d1%97%d0%bd%d0%b8-historia-ukrainy-history-of-ukraine/>
Sofiia Onishchenko, Daria Bohdan, Vasylyna Martseniuk

Savas Patsalidis
Theatre Professor
Aristotle University
Thessaloniki-Greece
Editor-in-Chief
Critical Stages/Scènes critiques (the journal of IATC--International Association of Theatre Critics)
President of the Hellenic Association of Theatre and Performing Arts Critics
https://auth.academia.edu/SavasPatsalidis
https://www.linkedin.com/in/savas-patsalidis-40b11644/
https://www.facebook.com/savas.patsalidis
http://savaspatsalidis.blogspot.com/

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