[Candrama] PAJ 132 Now Available Online

[Benjamin Gillespie]

*Now Available **from MIT Press & Project Muse:*



*PAJ 132, Volume 44.3, September 2022*
<https://direct.mit.edu/pajj/issue/44/3%20(132)>


*ISSUE CONTENTS:*


*Editorial*


*Common Ground
<https://watermark.silverchair.com/pajj_e_00622.pdf?token=AQECAHi208BE49Ooan9kkhW_Ercy7Dm3ZL_9Cf3qfKAc485ysgAAArkwggK1BgkqhkiG9w0BBwagggKmMIICogIBADCCApsGCSqGSIb3DQEHATAeBglghkgBZQMEAS4wEQQMuQqsf-MDN2FWlG0pAgEQgIICbLm2gIM2UMFtS4_FBGpIkUPZzgbn4Kf0LIZYAOFnAEFOQrOmfViv3DMEvdpfRE7oBI740kS1MNfj-4cZ9ES_SLqgylLbwlp0XCjVLlZTOVL-HFNvGW0uRAIskeDuCJIeOhIJuyYre7YintCbEqE7iEyVh08joXfJiLcdZuX-U4aNucAzlzNL76-gHZ_8WzcKiyp5evRToOPv_WPr_PpUzmfkW9FWG7t2fQ-nZpTs-fC8IRR8lbAifJSfUnlHz8kTULkuhH7hGNTR19eNCA76jUpEiZrVLS9vvfkTKWvooFeUp0YPClto3N7I93FfRotOJoQQasPiLJ9v6HJyLSexzDPTX9wb4Y2Gz2pZQj4LvFn-PjsGMQzOPXr8p-oclZtFwGlY-FP1GJSzVKHjDIX4RWuW9gmtavopKSecarfMgmfgBDP6bw3wD4tlOWBz2lfq_t-1pMGCl6zrY4BbDmv25xB5WcIBm9dJErKUK0u8Sqia9tsuI4CNI688pxzpXC6z5z6vMRwBvkbNBKwXuhItbeeoFRMp7vt5fYzzf_cqZvK_u0R38BiValyJsRmgkzhMStiNG3whNzQU3MOEF6wAC4f-u6oZ6m1eyvgs4TDlN8ZXbiJNji9sxUK7a1pZs2-aoXMA5BUa3dzSVdkYFzV6MOyjkV-BBY8cbQyrqpuUHHOs8vbyaeCEoYYF0lMUrzXuf9osHvFw85xiFBRRbZQ4gzzvlKQaSqjUEKG2s-ZjzOaG8o8C-AKg6m3wWUFOOxTK2B6AyJex6VQz0UvXEwVK0pROHMRC3G0oetDOvgRL49qPXqImIooTVNTK2nZP>
*(Open Access)

Bonnie Marranca


*Articles*



*Singing in Dark Times: Report from Berlin
<https://watermark.silverchair.com/pajj_a_00623.pdf?token=AQECAHi208BE49Ooan9kkhW_Ercy7Dm3ZL_9Cf3qfKAc485ysgAAArkwggK1BgkqhkiG9w0BBwagggKmMIICogIBADCCApsGCSqGSIb3DQEHATAeBglghkgBZQMEAS4wEQQMesaVSOgLl353EzNkAgEQgIICbNFVSuCpoo7Dmk5xgwleXo8iYpA1HXyZA3CQjG9zpStf9xSgov2sGK_opKiTxl00pzJwKdDZV0u_0__zZj4vb0CRO90hNJqra3e_1R0Msapfjtq75JNpoSGL-ZgsbW1kwrE7-AhGJ2os2xbEmVpsANHHs8Lsyy7-P8r5TNVKtdGbF44ZcaZa55dHgZhdupDeL0rPQACHUFmWu9DEb58xrzWJe-mmz9iB9qqV-T8mFPCv52dKPDWeVRwd2xpTPLLezP522kVYj3T7gNwpcsXj-qEz6HY73n9ivvKs74U-tYDKUXDJYG8LuVlHK4Q5NRMJfogd-bgTSFmvU20n_PYe34IAdwrPCP73D0LOA5F1OFDXPBmmsAvxKHMNsEJgTTO9ltIQFRoiQp0gfgVW4oaz7gMUpIfPLO7TSwdyZilKayp7d-LWJVYuOrck0nliS-rzEjiW3H1L11XAkg_wmPBjpkt61j2hcrG6OwoHgs821N8otYriucq80Xj5aebjPIas55LME9poiPdyGv12K_EZrVaWl3sV0RwFO7-Qkhu8YS3KrGfzjdfNAGwwooWCuKFmUZlcO3uFapcCOSaYvSXoXsTZ7JXf4cPlIFQkXeg-x6DyPOcPu3tF4DEQ-eag2iNCU4CX_3LxlV6jJn9kbAN2WpMnzhxsTsukHzfhSIYy1L2pUmRoYuRLEQOxjzaxyLJQc9IXxCnocV1xbFNYzCYqPD1zGvdT-7ebHwmjM0-Gk0tBmdw_Kzk1hPWTy2q5heYWicSx-beXpi9nS0AwUZ0QQfBXxHvaJM5ksv-vBS-uVtmPF8lgUgW0uTKcssko>
*(Open Access)

Matt Cornish



*Sculpting Time: Sara Rudner in Her Studio *

Emily Coates



*Transmission Mysteries: Art and Technophilia *

Kenneth King



*Sun Through Broken Screen: Murakami and Gutai *

Kay Nishikawa



*Special Section: Food & Performance*


*Dancers, Mountains, and People in the Fields *

Adam Weinert



*Sprouts for Life: Eco-Feminism and Performance *

Leslie Labowitz, Jacki Apple



*Art & Performance Notes*



*Trajal Harrell: The Anxiety of Autobiography *

*Dancer of the Year, a performance by Trajal Harrell, Kunsthalle Zürich,
Zurich, Switzerland*

Brit Barton



*Learning to Listen *

*Particular Matter(s), an installation by Tomás Saraceno, The Shed, New
York, NY*

Sarah Lucie



*Social Injustice *

*Qui a tué mon père [Who Killed My Father], a performance by Édouard Louis,
directed by Thomas Ostermeier, St. Ann’s Warehouse, Brooklyn, NY*

Paul David Young



*Beyond Making Sense *

*Under Bright Light, a performance by Forced Entertainment, directed by Tim
Etchells, PACT Zollverein, Essen, Germany*

Christian Grueny


*Play*


*All Right. Good Night. (Excerpt) *

Helgard Haug



*Books & Company*


*Between the Sacred and the Profane: The Works and Days of Lee Breuer *

Books Reviewed: *Getting Off: Lee Breuer on Performance by Lee Breuer with
Stephen Nunns; La Divina Caricatura by Lee Breuer with photographs by
Beatriz Schiller*

Olga Taxidou
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