[Candrama] Theatre Research International 47.3

Tan Cheng Chye Marcus (Asst Prof) marcus.tan at nie.edu.sg
Sat Oct 15 04:20:42 EDT 2022


Dear colleagues,

The latest issue of Theatre Research International 47.3 is now available on Cambridge Core.
https://www.cambridge.org/core/journals/theatre-research-international/latest-issue


Editorial
Editorial: On Critical and Convivial Assembly<https://www.cambridge.org/core/journals/theatre-research-international/article/editorial-on-critical-and-convivial-assembly/5F3E76915F705CB5DED478B08CB8013E>
SILVIJA JESTROVIC<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=SILVIJA%20JESTROVIC&eventCode=SE-AU>
Article
Queering Romeo and Juliet in South Korea: Homonormativity as Gay Utopian Fantasy<https://www.cambridge.org/core/journals/theatre-research-international/article/queering-romeo-and-juliet-in-south-korea-homonormativity-as-gay-utopian-fantasy/880B5A9D599C7AE73F3764D67EC0CA42>
YEEYON IM<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=YEEYON%20IM&eventCode=SE-AU>
‘Purification’ and ‘Hybridization’: (Re)construction and Reception of Theatrical Nationality in Western Tours of the Mei Lanfang and Tsutsui Troupes in 1930<https://www.cambridge.org/core/journals/theatre-research-international/article/purification-and-hybridization-reconstruction-and-reception-of-theatrical-nationality-in-western-tours-of-the-mei-lanfang-and-tsutsui-troupes-in-1930/7A6B06424301B22D293C37B13001ED73>
YANG GAO<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=YANG%20GAO&eventCode=SE-AU>
Eimuntas Nekrošius's Transnational ‘Voice from Lithuania’: Reinterpreting Polish Classics within Frames of the Theatre of Sensual Metaphors<https://www.cambridge.org/core/journals/theatre-research-international/article/eimuntas-nekrosiuss-transnational-voice-from-lithuania-reinterpreting-polish-classics-within-frames-of-the-theatre-of-sensual-metaphors/0DF14095F4785E1BC6FE2B6C3E7F9EF0>
ARTUR DUDA<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=ARTUR%20DUDA&eventCode=SE-AU>
‘We Already Carry Out a National Assignment’: Indigenous Performance and the Struggle for a Sámi National Theatre in Sweden<https://www.cambridge.org/core/journals/theatre-research-international/article/we-already-carry-out-a-national-assignment-indigenous-performance-and-the-struggle-for-a-sami-national-theatre-in-sweden/1F8350221F25B0E2FDF32B34CEE08B10>
DIRK GINDT<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=DIRK%20GINDT&eventCode=SE-AU>
Resistance to the Neo-liberal Economy and the Life of a Play: The Jana Natya Manch and Theatre Activism<https://www.cambridge.org/core/journals/theatre-research-international/article/resistance-to-the-neoliberal-economy-and-the-life-of-a-play-the-jana-natya-manch-and-theatre-activism/0326E4BAB597D917C8BB849550204CA3>
ARJUN GHOSH<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=ARJUN%20GHOSH&eventCode=SE-AU>
Double Take
Liveness: Performance in a Mediatized Culture. By Philip Auslander. Abingdon and New York: Routledge, 1999. Pp. 224. £120 Hb; £36 Pb.<https://www.cambridge.org/core/journals/theatre-research-international/article/liveness-performance-in-a-mediatized-culture-by-philip-auslander-abingdon-and-new-york-routledge-1999-pp-224-120-hb-36-pb/697D812037986BB97E72D7F96C8CA7D0>
Seda Ilter<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Seda%20Ilter&eventCode=SE-AU>
New Books
Brecht and Tragedy: Radicalism, Traditionalism, Eristics. By Martin Revermann. Cambridge: Cambridge University Press, 2022. Pp. xvii + 474. £90/$120 Hb.<https://www.cambridge.org/core/journals/theatre-research-international/article/brecht-and-tragedy-radicalism-traditionalism-eristics-by-martin-revermann-cambridge-cambridge-university-press-2022-pp-xvii-474-90120-hb/069179B2882AC86B267F3088532CD336>
David Barnett<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=David%20Barnett&eventCode=SE-AU>
The Comic Storytelling of Western Japan: Satire and Social Mobility in Kamigata Rakugo. By M. W. Shores. Cambridge: Cambridge University Press, 2021. Pp. xii + 261. £75/$99.99 Hb.<https://www.cambridge.org/core/journals/theatre-research-international/article/comic-storytelling-of-western-japan-satire-and-social-mobility-in-kamigata-rakugo-by-m-w-shores-cambridge-cambridge-university-press-2021-pp-xii-261-759999-hb/5F8555BAEB6DCD9059F9E577FDE369D6>
Lorie Brau<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Lorie%20Brau&eventCode=SE-AU>
Theater as Data: Computational Journeys into Theater Research. By Miguel Escobar Varela. Ann Arbor: University of Michigan Press, 2021. Pp. 248. £53.27/$71.95 Hb; £22.17/$29.95 Pb.<https://www.cambridge.org/core/journals/theatre-research-international/article/theater-as-data-computational-journeys-into-theater-research-by-miguel-escobar-varela-ann-arbor-university-of-michigan-press-2021-pp-248-53277195-hb-22172995-pb/DEC1FC1E0C8476828A56413676189CE5>
Paulina Bronfman<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Paulina%20Bronfman&eventCode=SE-AU>
Dancing the Dharma: Religious and Political Allegory in Japanese Noh Theatre. By Susan Blakeley Klein. Cambridge, MA and London: Harvard University Asia Center, 2021. Pp. 401. £56.95/$70 Hb.<https://www.cambridge.org/core/journals/theatre-research-international/article/dancing-the-dharma-religious-and-political-allegory-in-japanese-noh-theatre-by-susan-blakeley-klein-cambridge-ma-and-london-harvard-university-asia-center-2021-pp-401-569570-hb/2D796E43B93A89AEE3752455F43BE446>
Ashley Thorpe<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Ashley%20Thorpe&eventCode=SE-AU>
Addendum
Whose Crisis? Syrian Refugees and the Turkish Stage – ADDENDUM<https://www.cambridge.org/core/journals/theatre-research-international/article/whose-crisis-syrian-refugees-and-the-turkish-stage-addendum/5227980C3103872A1BA03006B376776A>
EMİNE FİŞEK<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=EM%C4%B0NE%20F%C4%B0%C5%9EEK&eventCode=SE-AU>


Marcus TAN (Dr) | Assistant Professor | Visual and Performing Arts | National Institute of Education | Nanyang Technological University |
Chair, NIE Visiting Artist Programme<https://www.nie.edu.sg/our-people/academic-groups/visual-and-performing-arts/programmes/nie-visiting-artist-programme> | Programme Leader, Practicum | Online Content Editor, Theatre Research International<https://www.cambridge.org/core/journals/theatre-research-international> (Cambridge) | Secretary-General (Communications)<https://www.iftr.org/organisation/executive-committee>, International Federation for Theatre Research |
NIE 03-03-61, 1 Nanyang Walk, Singapore 637616
T: (65) 6790-3552 GMT+8h | F: (65) 6896-9143 | E: marcus.tan at nie.edu.sg<mailto:marcus.tan at nie.edu.sg> | Profile<https://www.nie.edu.sg/profile/tan-cheng-chye-marcus>
[cid:image001.png at 01D8E0B2.1139C9B0] https://orcid.org/0000-0003-4481-1772
[cid:image002.png at 01D8E0B2.1139C9B0]

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