[Candrama] Theatre Research International 48.2

[Tan Cheng Chye Marcus (Asst Prof)]

Dear Colleagues,

The next issue of Theatre Research International 48.2 is now available on Cambridge Core.
<https://www.cambridge.org/core/journals/theatre-research-international/latest-issue>
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Theatre Research International | Latest issue | Cambridge Core<https://www.cambridge.org/core/journals/theatre-research-international/latest-issue>
cambridge.org<https://www.cambridge.org/core/journals/theatre-research-international/latest-issue>


Editorial
Editorial: What Memory Wants<https://www.cambridge.org/core/journals/theatre-research-international/article/editorial-what-memory-wants/F507C893E2BD5D68518F010B6F17A63D>
SILVIJA JESTROVIC<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=SILVIJA%20JESTROVIC&eventCode=SE-AU>

Article
How Does Khashabi Theatre Produce a ‘Dual Presence’ of Palestinian Urbanism? Ghosts and Memory in Its First Season, Haifa, 2015–2016<https://www.cambridge.org/core/journals/theatre-research-international/article/how-does-khashabi-theatre-produce-a-dual-presence-of-palestinian-urbanism-ghosts-and-memory-in-its-first-season-haifa-20152016/895565FDF03DC36BAF3306D774354A7F>
DORIT YERUSHALMI<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=DORIT%20YERUSHALMI&eventCode=SE-AU>

Ghostly Interpellations: Testimonial Inscriptions on the Stage<https://www.cambridge.org/core/journals/theatre-research-international/article/ghostly-interpellations-testimonial-inscriptions-on-the-stage/76F46E09EBAE73F613008EF778EFF238>
CAMILA ASCHNER-RESTREPO<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=CAMILA%20ASCHNER-RESTREPO&eventCode=SE-AU>

‘Stalin Died but Not Completely’: On the Theatrical Legacy of Totalitarian Catastrophe<https://www.cambridge.org/core/journals/theatre-research-international/article/stalin-died-but-not-completely-on-the-theatrical-legacy-of-totalitarian-catastrophe/CFB4110E82D86EDE577D38DA9E68A78B>
YANA MEERZON<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=YANA%20MEERZON&eventCode=SE-AU>

‘Try Again. Fail Again. Fail Better’: Adapting Samuel Beckett's Waiting for Godot for the Chinese Stage – Real and Virtual<https://www.cambridge.org/core/journals/theatre-research-international/article/try-again-fail-again-fail-better-adapting-samuel-becketts-waiting-for-godot-for-the-chinese-stage-real-and-virtual/37A76B943C72F0A2659F0177C0D24DFD>
WEI ZHANG<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=WEI%20ZHANG&eventCode=SE-AU>

How the Teatro Olimpico and the Drottingholm Slottsteater ‘Perform’ Their Pasts<https://www.cambridge.org/core/journals/theatre-research-international/article/how-the-teatro-olimpico-and-the-drottingholm-slottsteater-perform-their-pasts/C407E105ADEBF57BB4ED71344C6F6CAD>
ED MENTA<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=ED%20MENTA&eventCode=SE-AU>

Book Review
A History of Butô. By Bruce Baird. New York: Oxford University Press, 2022. Pp. 272. £81.00/$125.00 Hb; £25.99/$39.95 Pb.<https://www.cambridge.org/core/journals/theatre-research-international/article/history-of-buto-by-bruce-baird-new-york-oxford-university-press-2022-pp-272-810012500-hb-25993995-pb/74C49B0098E01D01C023574E2323EE05>
Nanako Nakajima<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Nanako%20Nakajima&eventCode=SE-AU>

Marginalized: Southern Women Playwrights Confront Race, Region, and Gender. By Casey Kayser. Jackson: University Press of Mississippi, 2021. Pp. xii + 202 + 18 illus. $99.00 Hb; $30.00 Pb.<https://www.cambridge.org/core/journals/theatre-research-international/article/marginalized-southern-women-playwrights-confront-race-region-and-gender-by-casey-kayser-jackson-university-press-of-mississippi-2021-pp-xii-202-18-illus-9900-hb-3000-pb/B9C23212670FE3EAB23F05A3DD9A53F5>
Andrea Pelegrí Kristić<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Andrea%20Pelegr%C3%AD%20Kristi%C4%87&eventCode=SE-AU>

Performing the Wound: Practicing a Feminist Theatre of Becoming. By Niki Tulk. London and New York: Routledge, 2022. Pp. ix + 182 + 12 illus. £33.29/$48.95 Hb.<https://www.cambridge.org/core/journals/theatre-research-international/article/performing-the-wound-practicing-a-feminist-theatre-of-becoming-by-niki-tulk-london-and-new-york-routledge-2022-pp-ix-182-12-illus-33294895-hb/F1A4959ADF48784BFC39831CD19F809D>
Daizhao Zou<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Daizhao%20Zou&eventCode=SE-AU>




Marcus TAN (Dr)
Assistant Professor | Visual and Performing Arts | National Institute of Education | Nanyang Technological University Singapore
NIE 3-03-61, 1 Nanyang Walk, Singapore 637616
T: (65) 6790-3552 GMT+8h | F: (65) 6896-9279  | E: marcus.tan at nie.edu.sg
Chair, NIE Visiting Artist Programme | Programme Leader, Practicum | Online Content Editor, Theatre Research International (Cambridge) | Secretary-General (Communications)  International Federation for Theatre Research


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