[Candrama] JADT 38.2 Now Online: 100 Years of Du Bois (Open Access)

Tue May 26 20:21:42 EDT 2026

*Now Available Online: *

*Journal of American Drama and Theatre (JADT) 38.2 *

*Special Issue: 100 Years of Du Bois: “Principles of a Real Negro Theatre”
and “Criteria of Negro Art”
<https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt__;!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld1gsS8LW$>*

We are thrilled to announce that the newest special issue of the *Journal
of American Drama and Theatre 38.2
<https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt__;!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld1gsS8LW$>*
is
now available. This special issue is co-edited by Khalid Y. Long & Le’Mil
Eiland. All articles, interviews, and reviews are online and open access at
https://www.thesegalcenter.org/jadt
<https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt__;!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld1gsS8LW$>
.

*JADT ISSUE 38.2
<https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt__;!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld1gsS8LW$>*

*Special Issue Introduction
<https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt/100-years-of-du-bois*3A-**Bprinciples-of-a-real-negro-theatre**B-and-**Bcriteria-of-negro-art**B__;JeKAnOKAneKAnOKAnQ!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld5mE1mxR$>*

Khalid Y. Long & Le’Mil Eiland

*“One Great and Fine Mode of Expression”: On W. E. B. Du Bois and the
Exigencies of Black Drama and Theatre
<https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt/**Bone-great-and-fine-mode-of-expression**C3A-on-w.-e.-b.-du-bois-and-the-exigencies-of-black-drama-and-theatre-__;4oCc4oCdJQ!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld3qsa3NW$>*

Isaiah Matthew Wooden

*Reflections on Fundamental Principles
<https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt/reflections-on-fundamental-principles-__;!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ldw2jV9ef$>*

Jonathan Shandell

*An Expansive “Us”: W. E. B. Du Bois’s “Pan-Negro” Theatrical Vision
<https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt/an-expansive-**Bus**C3A--w.-e.-b.-du-bois**Bs-**Bpan-negro**B-theatrical-vision__;4oCc4oCdJeKAmeKAnOKAnQ!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld-Zo5ESj$>*

Kellen Hoxworth

*W. E. B. Du Bois’s Krigwa Little Negro Theatre Movement in Harlem and
Beyond
<https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt/w.-e.-b.-du-bois**Bs-krigwa-little-negro-theatre-movement-in-harlem-and-beyond-__;4oCZ!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld4OSruLv$>*

Kirsten Lee

*It Was All a Dream: Shifting Du Boisian Notions in Richard Wesley’s The
Talented Tenth
<https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt/it-was-all-a-dream*3A-shifting-du-boisian-notions-in-richard-wesley**Bs-the-talented-tenth-__;JeKAmQ!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld2qJE69c$>*

Kristyl D. Tift

*Teaching August Wilson in an Age of Democratic Decline: Du Boisian
Imperatives and Black Pedagogy
<https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt/teaching-august-wilson-in-an-age-of-democratic-decline*3A-du-boisian-imperatives-and-black-pedagogy-across-campus-and-community-__;JQ!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld9Wolvfe$>*

Omeyėmi (Artisia) Green

*Queer Voices*

*Debbie with a D Talks Theatre with a T
<https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt/debbie-with-a-d-talks-theatre-with-a-t**A__;wqA!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld1zhY-ap$>*

Bess Rowen

*Performance Reviews*

*The Wild Duck
<https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt/the-wild-duck__;!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld7zdacEw$>*

Alexander Miller

*Picnic at Hanging Rock
<https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt/picnic-at-hanging-rock**A__;wqA!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld2piXUWy$>*

Bess Rowen

*Last Call: A Play with Cocktails
<https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt/last-call*3A-a-play-with-cocktails**C__;JcKgwqA!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld3AZL2EA$>*

Daria Kerschenbaum

*The Dinosaurs
<https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt/the-dinosaurs-__;!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld6qDNtQk$>*

Dominic Finocchiaro

*Book Reviews*

*The Routledge Anthology of Women’s Theatre Theory and Dramatic Criticism
<https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt/the-routledge-anthology-of-women**Bs-theatre-theory-and-dramatic-criticism.-catherine-burroughs-and-j.-ellen-gainor*2C-editors.-new-york*3A-routledge*2C-2024*3B-pp.-652.**A__;4oCZJSUlJcKg!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld9zdDH12$>*

Reviewed by Emma Futhey

*Black Patience: Performance, Civil Rights, and the Unfinished Project of
Emancipation
<https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt/black-patience*3A-performance*2C-civil-rights*2C-and-the-unfinished-project-of-emancipation.-julius-b.-fleming-jr.-new-york*3A-new-york-university-press*2C-2022*3B-pp.-301.**A__;JSUlJSUlwqA!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ldz0q_0tG$>*

Reviewed by L. Bailey McDaniel

*The Theatre of Paula Vogel: Practice Pedagogy, and Influences
<https://urldefense.com/v3/__https://www.thesegalcenter.org/jadt/the-theatre-of-paula-vogel*3A-practice*2C-pedagogy*2C-and-influences.-lee-brewer-jones.-new-york*3A-methuen-drama*2C-2023*3B-pp.-194.**A__;JSUlJSUlwqA!!J5jsC0Uks-k!1NkyVGoT4TySZTk9cf0jYXDq_Ctyu18AnOqo4GSyhfOw1O8dBxoVl_DR4bkPBj-NUeIWAjK_ZF0cIE5ld3osHs6x$>*

Reviewed by Lynn Deboeck

*Founded in 1989, the Journal of American Drama and Theatre (JADT) is a
widely acclaimed peer-reviewed journal publishing thoughtful and innovative
work by leading scholars on theatre, drama, and performance in the
Americas—past and present. JADT is now accepting submissions for essays on
any topics relating to theatre, drama, and popular entertainments of the
Americas for consideration. Please submit completed manuscripts
to jadtjournal at gmail.com <jadtjournal at gmail.com>. JADT now publishes
performance reviews on theatre, drama, and performance in the Americas.
Please contact Performance Review Editor Jennifer Joan Thompson in advance
to propose a review at jadtperformancereviews at gmail.com
<jadtperformancereviews at gmail.com>. JADT also publishes book reviews. If
you would like to propose a book review, please email the Book Review
Editor Stephanie Lim at jadtbookreviews at gmail.com
<jadtbookreviews at gmail.com>. *
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