FW: Unsubscribe

Jane O'Donnell jeod35 at UOW.EDU.AU
Mon Jun 28 20:13:43 EDT 2010


 

Dear Candrama,

Much as I adore being on this list (it really helped me keep connected
during my PhD as Australia didn't seem to have something so accessible) I
find I'm now too busy to pay it the attention it deserves so could you
please remove me from the listing? 

 

Kind regards, Jane

 

		
		

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Jane Kreis MA

Executive Officer/Regional Arts Development Officer    

Arts North West Regional Arts Board               

| PO Box 801 Glen Innes NSW 2370 | P: 0267 324988 | M: 0409 814 067 | F:
0267 324995 | 

E: rado@ <mailto:artsnw at northnet.com.au> artsnw.com.au | w:
<http://www.artsnw.com.au/> www.artsnw.com.au Skype: ANWRADO

 

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in the atmosphere. Three sheets of A4 paper = one litre of water.  Please
don't print this e-mail unless you really need to.

 

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From: Canadian Theatre Research [mailto:CANDRAMA at LISTSERV.UNB.CA] On Behalf
Of Louise . Forsyth
Sent: Tuesday, 29 June 2010 8:28 AM
To: CANDRAMA at LISTSERV.UNB.CA
Subject: First Run at a List of Women in Canadian Theatre

 

Dear colleagues,

 

I am awestruck at the response I have received to my query regarding women
in anglophone Canadian theatre. Thank you so much for your generosity and
interest.

 

I am also awestruck by the number of wonderful artists which we have
mentioned in just a couple of days. What a rich theatrical and cultural
heritage this represents! - many regions, many areas of creative activity,
many historical periods. Drama and theatre would simply not be what it is in
Canada and would not hold such exciting promise for the future without all
of these women.

 

I have made a first synthesis of this list. It remains in no particular
order. When you sent details about the careers and work of these wonderful
women, I have plagiarised blatantly to retain the information. If this is
not an area of interest for you, please just delete. But if anything on or
about the list clicks for you, I would be delighted to receive comments and
further suggestions.

 

Obviously, it will not be possible for me to make entries in this dictionary
Des femmes for more than a few (5-10) of these theatre artists. However, it
will certainly be possible to provide at least an overview of the vital role
they have played and continue to play. I plan particularly to highlight the
rich diversity and creativity of women's work in theatre. This derives from
aboriginal peoples, regional diversities, the rich variety of cultural
traditions, and the boldness with which innovation and experimentation have
been carried out, often pioneering in fields of interculturalism and
intermediality. I believe that this is something Europeans and francophones
around the world will find particularly interesting.

 

Thank you ever so much again for your powerful responses. I loved hearing
from you.

 

Louise

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