[Candrama] Theatre Research International 46.1

Mon Mar 22 02:00:28 EDT 2021

Dear Colleagues,

The new issue of Theatre Research International is now available on Cambridge Core.
https://www.cambridge.org/core/journals/theatre-research-international/latest-issue

Editorial: Collaborate*&˄%!<https://www.cambridge.org/core/journals/theatre-research-international/article/editorial-collaborate/D04A78F8962286792E80E5B87ABD616A>
FINTAN WALSH<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=FINTAN%20WALSH&eventCode=SE-AU>

On the (Im)possibilities of a Free Theatre: Theatre Against Development in Palestine<https://www.cambridge.org/core/journals/theatre-research-international/article/on-the-impossibilities-of-a-free-theatre-theatre-against-development-in-palestine/39F40FF017DD4037F8DB91D27335C1A5>
RASHNA DARIUS NICHOLSON<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=RASHNA%20DARIUS%20NICHOLSON&eventCode=SE-AU>

Performing for Peace and Social Change in Africa's Great Lakes Region<https://www.cambridge.org/core/journals/theatre-research-international/article/performing-for-peace-and-social-change-in-africas-great-lakes-region/B63B219EDE352D786FA2CBBDBE1AEA08>
MAËLINE LE LAY<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=MA%C3%8BLINE%20LE%20LAY&eventCode=SE-AU>

Actants and Fault Lines: Janakaraliya and Theatre for Peace Building in Sri Lanka<https://www.cambridge.org/core/journals/theatre-research-international/article/actants-and-fault-lines-janakaraliya-and-theatre-for-peace-building-in-sri-lanka/8EC1E66C5D53D1C7C578158BA632CF28>
NELOUFER DE MEL<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=NELOUFER%20DE%20MEL&eventCode=SE-AU>

Performing Protest and Protesting Performance: The International Circuits of Touring Political Theatre<https://www.cambridge.org/core/journals/theatre-research-international/article/performing-protest-and-protesting-performance-the-international-circuits-of-touring-political-theatre/FD047545F3863D4B2B9FC7D5B0B04F5D>
ELLIOT LEFFLER<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=ELLIOT%20LEFFLER&eventCode=SE-AU>

Culture, Identity and Actor Training: Indigeneity in New Zealand's National Drama School<https://www.cambridge.org/core/journals/theatre-research-international/article/culture-identity-and-actor-training-indigeneity-in-new-zealands-national-drama-school/60FEA4B3D142F7E2A903BD1814CC2D0D>
PETER ZAZZALI<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=PETER%20ZAZZALI&eventCode=SE-AU>

Double Take
Theatre and the World: Performance and the Politics of Culture. By Rustom Bharucha. London: Routledge, 1993. Pp. 272. £120 Hb; £34.99 Pb.<https://www.cambridge.org/core/journals/theatre-research-international/article/theatre-and-the-world-performance-and-the-politics-of-culture-by-rustom-bharucha-london-routledge-1993-pp-272-120-hb-3499-pb/427F01EF2BBB04B1D4EFC52120319C3B>
Marcus Cheng Chye Tan<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Marcus%20Cheng%20Chye%20Tan&eventCode=SE-AU>

New Books
Beyond Broadway: The Pleasure and Promise of Musical Theatre across America. By Stacy Wolf. New York: Oxford University Press, 2019. Pp. 382. $99 Hb; $29.95 Pb.<https://www.cambridge.org/core/journals/theatre-research-international/article/beyond-broadway-the-pleasure-and-promise-of-musical-theatre-across-america-by-stacy-wolf-new-york-oxford-university-press-2019-pp-382-99-hb-2995-pb/5F0D7E2CBE2B1951EA8CDEDE1DA7F84A>
Trevor Boffone<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Trevor%20Boffone&eventCode=SE-AU>

Intercultural Aesthetics in Traditional Chinese Theatre: From 1978 to the Present. By Wei Feng. Cham: Palgrave Macmillan, 2020. Pp. xv + 277. £59.99/$84.99 Hb.<https://www.cambridge.org/core/journals/theatre-research-international/article/intercultural-aesthetics-in-traditional-chinese-theatre-from-1978-to-the-present-by-wei-feng-cham-palgrave-macmillan-2020-pp-xv-277-59998499-hb/2E935E66D8965430A3E7E23BC56D251B>
Chaomei Chen<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Chaomei%20Chen&eventCode=SE-AU>

Jonathan Burrows: Towards a Minor Dance. By Daniela Perazzo Domm. Cham: Palgrave Macmillan, 2019. Pp. xiii + 232 + 13 illus. £30.99/€36.39 Hb; £19.99/€25.99 Pb.<https://www.cambridge.org/core/journals/theatre-research-international/article/jonathan-burrows-towards-a-minor-dance-by-daniela-perazzo-domm-cham-palgrave-macmillan-2019-pp-xiii-232-13-illus-30993639-hb-19992599-pb/5C9309A03A665F773D92A3594C2BEAAC>
Antje Hildebrandt<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Antje%20Hildebrandt&eventCode=SE-AU>

Intercultural Actor and Performer Training. Edited by Phillip B. Zarrilli, T. Sasitharan and Anuradha Kapur. London and New York: Routledge, 2019. Pp. 286. £96.00 Hb; £27.99 Pb; £27.99 eBook.<https://www.cambridge.org/core/journals/theatre-research-international/article/intercultural-actor-and-performer-training-edited-by-phillip-b-zarrilli-t-sasitharan-and-anuradha-kapur-london-and-new-york-routledge-2019-pp-286-9600-hb-2799-pb-2799-ebook/236E08999CE3E7A86B089D1BCB7347F8>
Charlotte McIvor<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Charlotte%20McIvor&eventCode=SE-AU>

Palestinian Theatre in the West Bank: Our Human Faces. By Gabriel Varghese. Cham: Palgrave Macmillan, 2020. Pp. xi + 166. €72.79 Hb; €58.84 Pb.<https://www.cambridge.org/core/journals/theatre-research-international/article/palestinian-theatre-in-the-west-bank-our-human-faces-by-gabriel-varghese-cham-palgrave-macmillan-2020-pp-xi-166-7279-hb-5884-pb/E908804B3DC2D1A21CE9FEF81A6B8027>
Najla Nakhlé-Cerruti<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Najla%20Nakhl%C3%A9-Cerruti&eventCode=SE-AU>

Anne Bean: Self Etc. Edited by Rob La Frenais. Bristol and London: Intellect and Live Art Development Agency, 2019. Pp. 320. £25 Pb. Unlimited Action: The Performance of Extremity in the 1970s. By Dominic Johnson. Manchester: Manchester University Press, 2019. Pp. xiii + 217. £80.00/$120.00 Hb; £17.99/$26.95 Pb.<https://www.cambridge.org/core/journals/theatre-research-international/article/anne-bean-self-etc-edited-by-rob-la-frenais-bristol-and-london-intellect-and-live-art-development-agency-2019-pp-320-25-pb-unlimited-action-the-performance-of-extremity-in-the-1970s-by-dominic-johnson-manchester-manchester-university-press-2019-pp-xiii-217-800012000-hb-17992695-pb/11557D1C2DC161326661CC28AC9420AD>
Phoebe Patey-Ferguson<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Phoebe%20Patey-Ferguson&eventCode=SE-AU>

Bodies and Transformance in Taiwanese Contemporary Theatre. By Peilin Liang. London and New York: Routledge, 2020. Pp. xii + 157. £96.00/$107.77 Hb.<https://www.cambridge.org/core/journals/theatre-research-international/article/bodies-and-transformance-in-taiwanese-contemporary-theatre-by-peilin-liang-london-and-new-york-routledge-2020-pp-xii-157-960010777-hb/17424B5C2E542C67791AC1806AADDC88>
Shanlu Yu<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Shanlu%20Yu&eventCode=SE-AU>

Performing Indigenous Identities on the Contemporary Australian Stage. By Susanne Julia Thurow. Abingdon and New York: Routledge, 2020. Pp. 206. AU$201.00 Hb; AU$181.00 eBook.<https://www.cambridge.org/core/journals/theatre-research-international/article/performing-indigenous-identities-on-the-contemporary-australian-stage-by-susanne-julia-thurow-abingdon-and-new-york-routledge-2020-pp-206-au20100-hb-au18100-ebook/8907890CEA312A6135A9C7D71D899DB1>
Liza-Mare Syron<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Liza-Mare%20Syron&eventCode=SE-AU>

Casting a Movement: The Welcome Table Initiative. Edited by Claire Syler and Daniel Banks. New York: Routledge, 2019. Pp. 266 + 23 illus. $120 Hb; $31.96 Pb.<https://www.cambridge.org/core/journals/theatre-research-international/article/casting-a-movement-the-welcome-table-initiative-edited-by-claire-syler-and-daniel-banks-new-york-routledge-2019-pp-266-23-illus-120-hb-3196-pb/5EE0B1FE74F048423D9D458116339A2E>
Collin Vorbeck<https://www.cambridge.org/core/search?filters%5BauthorTerms%5D=Collin%20Vorbeck&eventCode=SE-AU>

Marcus TAN (Dr) | Assistant Professor | V<https://www.nie.edu.sg/our-people/academic-groups/visual-and-performing-arts>isual and Performing Arts<https://www.nie.edu.sg/our-people/academic-groups/visual-and-performing-arts> | National Institute of Education<https://www.nie.edu.sg/> | Nanyang Technological University<https://www.ntu.edu.sg/Pages/home.aspx> Singapore
NIE 3-03-61, 1 Nanyang Walk, Singapore 637616
T: (65) 6790-3552 GMT+8h | F: (65) 6896-9279  | E: marcus.tan at nie.edu.sg<mailto:marcus.tan at nie.edu.sg>
Profile<https://www.nie.edu.sg/profile/tan-cheng-chye-marcus> | Chair, NIE Visiting Artist Programme<https://www.nie.edu.sg/our-people/academic-groups/visual-and-performing-arts/programmes/nie-visiting-artist-programme> | Programme Leader, Practicum | Programme Leader, Minor Study in Drama and Performance<Call%20for%20Participants:%20Syncopation,%20Synchrony,%20and%20the%20Art%20of%20Listening%20to%20Others> | Associate Editor, Journal of Interdisciplinary Voice Studies<https://www.ingentaconnect.com/content/intellect/jivs> (Intellect) | Convenor, Music Theatre Working Group<https://www.iftr.org/working-groups/music-theatre>, International Federation for Theatre Research<https://www.iftr.org/> | Online Content Manager, Theatre Research International <https://www.cambridge.org/core/journals/theatre-research-international> (Cambridge) | Secretary-General (Communications)<https://www.iftr.org/organisation/executive-committee>  International Federation for Theatre Research
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