[Candrama] Performance Matters 10.1 Published: (Re)sounding Bodies East and West

[Peter Dickinson]

Dear Colleagues,

The latest issue of Performance Matters (10.1), guest-edited by Gretchen Jude and Lynette Hunter, is available. A description of the issue, along with links to articles, is included below. The full issue can also be accessed here: https://performancematters-thejournal.com/index.php/pm/issue/view/27.


Vol. 10 No. 1 (2024): (Re)sounding Bodies East and West: Embodied Engagements with Japanese Traditions
[View Vol. 10 No. 1 (2024): (Re)sounding Bodies East and West: Embodied Engagements with Japanese Traditions]<https://performancematters-thejournal.com/index.php/pm/issue/view/27>

Image Caption: Yuriko Doi, founder of San Francisco's Theatre of Yugen, demonstrating movement from a kyōgen play, Uri Nusubito [The Melon Thief]. Photo credit: Robert Isaacs/Theatre of Yugen (used by permission).

Issue Editors: Gretchen Jude and Lynette Hunter

This special issue traces the profound shifts in “Western” performance practices that occur when engagement with works from “the East” breaks down previous distinctions and generates new priorities and frameworks for understanding. In their focus on transcultural and intermodal ways of knowing, the scholar-practitioners contributing to the issue actively engage with Japanese performance traditions. Their articles offer critical perspectives on performance theory informed by ethnographic, anthropological, and historical methodologies, using approaches that open up the body as a site of profound importance for enacting transcultural understanding.



PUBLISHED: 2024-03-11
FULL ISSUE

  *    PDF<https://performancematters-thejournal.com/index.php/pm/issue/view/27/65>

INTRODUCTION

  *
Introduction<https://performancematters-thejournal.com/index.php/pm/article/view/481>
Gretchen Jude, Lynette Hunter
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/481/547>

ARTICLES

  *
Yuriko Doi’s Teaching and Transmission of Noh and Kyōgen in San Francisco<https://performancematters-thejournal.com/index.php/pm/article/view/487>
Judith Halebsky
8-21
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/487/549>
  *
Performing Everyday Things: Ecosomatic Threads of Butoh, Phenomenology, and Zen<https://performancematters-thejournal.com/index.php/pm/article/view/497>
Sondra Fraleigh
22-44
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/497/551>
  *
Anatomy of Conflict<https://performancematters-thejournal.com/index.php/pm/article/view/489>
Naoko Maeshiba
45-60
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/489/553>
  *
On the Path of No-Character: Zeami’s Traces Walked Back and Forward<https://performancematters-thejournal.com/index.php/pm/article/view/483>
Álvaro Iván Hernández Rodríguez
61-71
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/483/555>
  *
]MA[ – The Space between the Interval<https://performancematters-thejournal.com/index.php/pm/article/view/493>
Dylan Bolles, Keith Evans, Suki O'Kane, Edward Schocker
72-80
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/493/557>
  *
Yoshida Ami’s Onkyō and the Persistently "Japanese" Body: Making (Electro)voice Sound<https://performancematters-thejournal.com/index.php/pm/article/view/485>
Gretchen Jude
81-93
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/485/559>
  *
Surprising Pedagogy through Japanese Anime<https://performancematters-thejournal.com/index.php/pm/article/view/477>
duskin drum
94-106
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/477/561>
  *
Everting the Theatrical Sphere Like Terayama<https://performancematters-thejournal.com/index.php/pm/article/view/495>
Steven Ridgely
107-114
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/495/563>
  *
Directing Ōta Shōgo’s Elements: From Form to Body<https://performancematters-thejournal.com/index.php/pm/article/view/491>
Peter Lichtenfels
115-130
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/491/565>

___________________
Peter Dickinson, PhD
Professor, School for the Contemporary Arts | SFU
Director, Institute for Performance Studies | SFU
T:  604-908-0993
W: http://www.sfu.ca/~ped
ON LEAVE: Sept 1, 2023-Aug 31, 2024

At Simon Fraser University, we live and work on the unceded traditional territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations.

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